Joachim Maass (Kleist. A Biography, translated by Ralph Manheim)
|
reviewed by Michael Hamburger (1984)
|
|
George MacBeth (Poems from Oby)
|
reviewed by Michael Hulse (1982)
|
George MacBeth (The Long Darkness )
|
reviewed by Michael Hulse (1984)
|
George MacBeth (Trespassing)
|
reviewed by David Kennedy (1991)
|
George MacBeth (Selected Poems)
|
reviewed by Oliver Dennis (2003)
|
|
Norman MacCaig (A World of Difference)
|
reviewed by Ian McMillan (1984)
|
Norman MacCaig (Collected Poems)
|
reviewed by Jonathan Barker (1986)
|
Norman MacCaig (Voice-Over)
|
reviewed by Michael Bird (1989)
|
Norman MacCaig (Collected Poems)
|
reviewed by Patricia Beer (1991)
|
Norman MacCaig (The Many Days: Selected Poems)
|
reviewed by Andrew Walls (2011)
|
|
Hugh MacDiarmid (Aesthetics in Scotland, edited and introduced by Alan Bold)
|
reviewed by Brian Morton (1984)
|
Hugh MacDiarmid (The Letters of Hugh MacDiarmid, edited with an introduction by Alan Bold )
|
reviewed by Brian Morton (1986)
|
Hugh MacDiarmid (A drunk man looks at the thistle, edited by Kenneth Buthlay)
|
reviewed by Kenneth Cox (1988)
|
|
Diane Macdonell (Theories of Discourse: An Introduction )
|
reviewed by Nicolas Tredell (1987)
|
|
Antonio Machado (Selected Poems, translated with an introduction by Alan S. Trueblood)
|
reviewed by Bill Affleck (1984)
|
Antonio Machado (Times Alone: Selected Poems of Antonio Machado, Translated by Robert Bly)
|
reviewed by Bill Affleck (1985)
|
Antonio Machado (Estelas en la mar: essays on the poetry of Antoniao Machado 1875-1939, edited by D. Gareth Walters, Department of Hispanic Studies, University of Glasgow)
|
reviewed by John Pilling (1993)
|
Antonio Machado (Border of a Dream: Selected Poems, translated by Willis Barnstone)
|
reviewed by James O'Connor (2005)
|
Antonio Machado (Solitudes & Other Early Poems)
|
reviewed by Trevor Barnett (2016)
|
|
Maynard Mack (Alexander Pope, a Life)
|
reviewed by Charles Tomlinson (1986)
|
|
George Mackay Brown (Voyages)
|
reviewed by Mike Freeman (1984)
|
George Mackay Brown (The Wreck of the Archangel)
|
reviewed by Michael Freeman (1990)
|
|
Garry MacKenzie (Ben Dorain: A Conversation with a Mountain)
|
reviewed by Andrew McNeillie (2021)
|
|
Patrick Mackie (Excerpts from the Memoirs of a Fool)
|
reviewed by Matthew Welton (2001)
|
|
I.D. MacKillop (The British Ethical Societies)
|
reviewed by C.H. Sisson (1986)
|
|
Donald MacKinnon (Christ, Ethics and Tragedy - Essays in Honour of Donald MacKinnon edited by Kenneth Surin)
|
reviewed by Martin Jarrett-Kerr (1990)
|
|
Lachlan Mackinnon (The Coast of Bohemia)
|
reviewed by T.J.G. Harris (1992)
|
Lachlan Mackinnon (Small Hours)
|
reviewed by John Lyon (2011)
|
Lachlan Mackinnon (Doves)
|
reviewed by Sue Leigh (2017)
|
|
Sorley Maclean (Raymond J Ross & Joy Hendry (editors), Sorley MacLean: Critical Essays; Somhairle MacGill-eain, O Choille gu Bearradh: Dàin Chruinnichte - Sorley MacLean, From Wood to Ridge: Collected Poems; and Somhairlie MacGill-eain, R is a' Bhruthaich, the Criticism and Prose Writings of Sorley MacLean)
|
reviewed by T.J.G. Harris (1990)
|
Sorley Maclean (White Leaping Flame: Collected Poems of Sorley MacLean, edited by Christopher Whyte and Emma Dymock)
|
reviewed by Cameron Hawke Smith (2012)
|
|
Aonghas MacNeacail (Rock and Water )
|
reviewed by T.J.G. Harris (1991)
|
|
Louis MacNeice (The Strings are False)
|
reviewed by Robyn Marsack (1982)
|
Louis MacNeice (Letters from Iceland )
|
reviewed by Mark Thompson (1986)
|
Louis MacNeice (Selected Poems, edited and with an introduction by Michael Longley)
|
reviewed by Robyn Marsack (1990)
|
Louis MacNeice (Selected Prose of Louis MacNeice)
|
reviewed by Robyn Marsack (1991)
|
Louis MacNeice (I Crossed the Minch, with an introduction by Tom Herron; Selected Poems, edited by Michael Longley; and The Strings Are False - an unfinished autobiography, with a new preface by Derek Mahon)
|
reviewed by Robyn Marsack (2008)
|
|
Kona Macphee (Tails)
|
reviewed by Judy Kendall (2005)
|
|
Barry MacSweeney (Wolf Tongue: Selected Poems 1965-2000)
|
reviewed by Roger Caldwell (2003)
|
Barry MacSweeney (Horses in Boiling Blood)
|
reviewed by John Muckle (2005)
|
Barry MacSweeney (Desire Lines: Unselected Poems 1966â2000)
|
reviewed by John Muckle (2019)
|
|
Paul Maddern (Queering the Green: Post-2000 Queer Irish Poetry)
|
reviewed by Joe Carrick-Varty (2023)
|
|
Charles Madge (Of Love, Time and Places: Selected Poems)
|
reviewed by David Herd (1995)
|
|
Anthony Madrid (I Am Your Slave Now Do What I Say)
|
reviewed by Adam Crothers (2013)
|
|
Valerio Magrelli (Vanishing Points: Poems translated by Jamie McKendrick)
|
reviewed by André Naffis-Sahely (2011)
|
|
Sarah Maguire (Spilt Milk)
|
reviewed by T.J.G. Harris (1992)
|
Sarah Maguire (The Invisible Mender)
|
reviewed by Ruth Fainlight (1997)
|
|
Ashok Mahajan (Goan Vignettes and Other Poems)
|
reviewed by Michael Hulse (1991)
|
|
Derek Mahon (The Hunt By Night )
|
reviewed by Steven Tuohy (1983)
|
Derek Mahon (The Hudson Letter)
|
reviewed by Justin Quinn (1996)
|
Derek Mahon (Harbour Lights)
|
reviewed by Tony Roberts (2006)
|
Derek Mahon (Selected Poems)
|
reviewed by Tony Roberts (2007)
|
Derek Mahon (An Autumn Wind)
|
reviewed by Tony Roberts (2010)
|
Derek Mahon (Raw Material)
|
reviewed by Joey Connolly (2013)
|
Derek Mahon (New Selected Poems)
|
reviewed by David Spittle (2016)
|
Derek Mahon (Against the Clock)
|
reviewed by Maitreyabandhu (2019)
|
|
Philip Mairet (Autobiographical and Other Papers, edited by C. H. Sisson)
|
reviewed by C.J. Fox (1982)
|
|
Maitreyabandhu (Yarn )
|
reviewed by Chris Beckett and Isao Miura (2016)
|
|
Adewale Maja-Pearce (The Heinemann Book of African Poetry in English, edited by Adewale Maja-Pearce)
|
reviewed by Michael Hulse (1991)
|
|
Clarence Major (Configurations: New and Selected Poems, 1958-1998)
|
reviewed by Ian Tromp (2000)
|
|
Peter Makin (Pound's Cantos)
|
reviewed by Lawrence Coupe (1986)
|
Peter Makin (Basil Bunting: The Shaping of his Verse)
|
reviewed by Ian Pople (1995)
|
Peter Makin (Neck of the Woods)
|
reviewed by Timothy Harris (2016)
|
|
Ileana Malancioiu (After the Raising of Lazarus, translated by Eilean Ni Chuilleanain)
|
reviewed by Carmen Bugan (2006)
|
|
Belkis Cuza Malé (Woman in the Front Lines, a bi-lingual selection of poems, translated by Pamela Carmell)
|
reviewed by J.M. Cohen (1989)
|
|
Dora Malech (Shore Ordered Ocean)
|
reviewed by Alison Brackenbury (2010)
|
|
Stéphane Mallarmé (A Tomb for Anatole, translated and with an introduction by Paul Auster )
|
reviewed by John Pilling (1985)
|
Stéphane Mallarmé (Poems of Mallarmé, a bilingual edition with versions in English, an introduction and an illustration by Brian Coffey)
|
reviewed by John Pilling (1991)
|
Stéphane Mallarmé (Sonnets)
|
reviewed by Adam Watt (2009)
|
|
Gary Maller (Night Breathing)
|
reviewed by Michael Hulse (1994)
|
|
David Malouf (Selected Poems)
|
reviewed by Michael Hulse (1993)
|
|
Kim Maltman (Technologies/Installations)
|
reviewed by Michael Hulse (1992)
|
|
Jean Mambrino (The Inner Gold, translated by Jonathan Griffin)
|
reviewed by John Clark (1981)
|
|
Harry Man (Utøya Thereafter: Poems in Memory of the 2011 Norway Attacks)
|
reviewed by Vik Shirley (2023)
|
|
Osip Mandelstam (Stone, translated and introduced by Robert Tracy)
|
reviewed by Stuart Hood (1981)
|
Osip Mandelstam (The Moscow Notebooks, translated by Richard and Elizabeth McKane)
|
reviewed by John Pilling (1991)
|
Osip Mandelstam (Selected Poems translated by James Greene)
|
reviewed by John Pilling (1992)
|
Osip Mandelstam (A Necklace of Bees: selected poems, translated by Maria Enzensberger)
|
reviewed by John Pilling (1993)
|
Osip Mandelstam (The Voronezh Notebooks, translated by Richard and Elizabeth McKane)
|
reviewed by John Pilling (1996)
|
|
Gerald Mangan (Waiting for the Storm)
|
reviewed by Robyn Marsack (1992)
|
|
James Clarence Mangan (The Collected Works of James Clarence Mangan, Volumes 1 & 2: Poems 1818-1837 & Poems 1838-1844)
|
reviewed by David Wheatley (1997)
|
James Clarence Mangan (Poems, edited and introduced by David Wheatley)
|
reviewed by Roger Caldwell (2004)
|
|
André Mangeot (Blood Rain)
|
reviewed by Alastair Llewellyn-Smith (2020)
|
|
Bill Manhire ( Zoetropes )
|
reviewed by Michael Hulse (1986)
|
|
Rachel Manley ( A Light Left On)
|
reviewed by Ruth Morse (1994)
|
|
Klaus Mann (The Pious Dance, translated by Laurence Senelick)
|
reviewed by Harry Guest (1989)
|
|
Arji Manuelpillai (Mutton Rolls)
|
reviewed by Joe Carrick-Varty (2020)
|
|
Jack Mapanje (Gathering Seaweed: African Prison Writing, edited by Jack Mapanje)
|
reviewed by David Kennedy (2003)
|
Jack Mapanje (The Last of the Sweet Bananas)
|
reviewed by James Sutherland-Smith (2005)
|
Jack Mapanje (Beasts of Nalunga)
|
reviewed by Gavin Hudson (2007)
|
Jack Mapanje (Greetings from Grandpa)
|
reviewed by Alison Brackenbury (2018)
|
|
Javier Marías (Venice: An Interior)
|
reviewed by Lucy Cheseldine (2019)
|
|
Walter de la Mare (Behold, this Dreamer)
|
reviewed by Dick Davis (1986)
|
|
Joan Margarit (Strangely Happy)
|
reviewed by Marcus Smith (2013)
|
|
E.A. Markham (Human Rites)
|
reviewed by Michael Hulse (1985)
|
E.A. Markham (Living in Disguise)
|
reviewed by Eavan Boland (1987)
|
E.A. Markham (Letter from Ulster & The Hugo Poems)
|
reviewed by Douglas Reid Skinner (1994)
|
|
Jehane Markham (Thirty Poems)
|
reviewed by Alison Brackenbury (2005)
|
|
Robyn Marsack (The Cave of Making: The Poetry of Louis MacNeice)
|
reviewed by Robert Fraser (1984)
|
Robyn Marsack (Open Guides to Literature - Sylvia Plath)
|
reviewed by Simon Kent (1993)
|
|
Megan Marshall (Elizabeth Bishop: A Miracle for Breakfast)
|
reviewed by Jonathan Ellis (2017)
|
|
Elizabeth A. Marsland (The Nation's Cause: French, English and Gennan Poetry of the First World War)
|
reviewed by Nicolas Tredell (1992)
|
|
Robert Marteau (Two Long Poems; 'Treatise on White and Tincture' and 'Atlante', translated by Barry Callaghan)
|
reviewed by Chris Miller (1992)
|
|
Bernice Martin (A Sociology of Contemporary Cultural Change)
|
reviewed by David J. Levy (1983)
|
|
Cheryl Martin
|
reviewed by George Parfitt (1992)
|
|
David Martin (The Breaking of the Image: A Sociology of Christian Theory and Practice)
|
reviewed by David J. Levy (1982)
|
|
G. D. Martin (The Architecture of Experience: The Role of Language and Literature in the Construction of the World)
|
reviewed by David J. Levy (1982)
|
|
Robert Bernard Martin (With Friends Possessed: A Life of Edward FitzGerald)
|
reviewed by C.H. Sisson (1986)
|
|
William Martin (Cracknrigg)
|
reviewed by Chris McCully (1984)
|
William Martin (Marra Familia)
|
reviewed by Fenella Copplestone (1994)
|
|
Dionisio D. Martínez (Bad Alchemy)
|
reviewed by Vona Groarke (1997)
|
Dionisio D. Martínez
|
reviewed by Patrick Mackie (2002)
|
|
Toby Martinez de las Rivas (Terror)
|
reviewed by Adam Crothers (2015)
|
Toby Martinez de las Rivas (Black Sun)
|
reviewed by Andrew Frayn (2018)
|
|
Karl Marx (Evening Hour, translated and introduced by Philip Wilson)
|
reviewed by Rory Waterman (2023)
|
|
John Masefield (Letters to Reyna, edited by William Buchan)
|
reviewed by Peter Levi (1985)
|
|
H.A. Mason (The Tragic Plane)
|
reviewed by Martin Jarrett-Kerr (1988)
|
|
Harold Massingham (Sonatas and Dreams)
|
reviewed by David Kennedy (1992)
|
|
Dexter Masters (The Accident)
|
reviewed by Mark Thompson (1988)
|
|
Timothy Materer (Wyndham Lewis the Novelist)
|
reviewed by Alan Young (1977)
|
|
Aidan Mathews (According to the Small Hours)
|
reviewed by Sebastian Barker (1999)
|
Aidan Mathews (According to the Small Hours)
|
reviewed by Michael Duggan (1999)
|
|
Roland Mathias (Burning Brambles, Selected Poems 1944-1979 )
|
reviewed by Sam Adams (1985)
|
Roland Mathias (A Ride Through The Wood, Essays on Anglo-Welsh Literature)
|
reviewed by Dyfnallt Morgan (1987)
|
Roland Mathias (The Collected Poems of Roland Mathias, compiled and edited by Sam Adams)
|
reviewed by Robert P. Jones (2003)
|
|
Naoko Matsubara (Woodcuts by Naoko Matsubara, English translation and annotation by Charles de Wolf, book design by Yoshiki Waterhouse)
|
reviewed by Timothy Harris (2003)
|
|
Lila Matsumoto (Two Twin Pipes Sprout Water)
|
reviewed by Hal Coase (2022)
|
|
Geoffrey Matthews (War Poems)
|
reviewed by Glen Cavaliero (1990)
|
|
Marc Matthews (A Season of Sometimes)
|
reviewed by Ruth Morse (1994)
|
|
T. S. Matthews (Under the Influence)
|
reviewed by James. F Mathias (1980)
|
|
William Matthews (Time and Money)
|
reviewed by David C. Ward (1996)
|
William Matthews (After All: Last Poems)
|
reviewed by David Yezzi (1999)
|
|
John Matthias (Turns)
|
reviewed by Andrew Waterman (1978)
|
John Matthias (Crossing)
|
reviewed by Alison Armstrong (1983)
|
John Matthias (A Gathering of Ways)
|
reviewed by Richard Francis (1991)
|
John Matthias (Reading Old Friends: Essays, Reviews, and Poems on Poetics 1975-1990)
|
reviewed by Tess Lewis (1992)
|
John Matthias (A Gathering of Ways)
|
reviewed by Brian Morton (1992)
|
John Matthias (Essays on the Poetry of John Matthias, Edited by Robert Archambeau)
|
reviewed by Alison Armstrong (1999)
|
John Matthias (Pages: New Poems and Cuttings)
|
reviewed by Robert Archambeau (2000)
|
John Matthias (Working Progress, Working Title)
|
reviewed by Robert Archambeau (2004)
|
John Matthias (New Selected Poems)
|
reviewed by Alex Davis (2005)
|
John Matthias (At Large and Complayntes for Doctor Neuro and Other Poems)
|
reviewed by Hilary Davies (2017)
|
John Matthias (Living with a Visionary)
|
reviewed by Jeremy Hooker (2024)
|
|
Nancy Mattson (Vision on Platform 2)
|
reviewed by Leah Fritz (2019)
|
|
Bejan Matur (In the Temple of a Patient God, translated by Ruth Christie)
|
reviewed by Carmen Bugan (2005)
|
|
Maximianus (The Elegies, edited and translated by A. M. Juster with an introduction by Michael Roberts)
|
reviewed by Evan Jones (2018)
|
|
Hugh Maxton (The Noise of the Fields)
|
reviewed by A. P. Swarbrick (1980)
|
Hugh Maxton (Jubilee for Renegades)
|
reviewed by Andrew Swarbrick (1983)
|
Hugh Maxton (The Puzzle Tree Ascendant)
|
reviewed by Lawrence Sail (1990)
|
|
Glyn Maxwell (Tale of the Mayor's Son)
|
reviewed by T.J.G. Harris (1991)
|
Glyn Maxwell (Out of the Rain)
|
reviewed by Fenella Copplestone (1993)
|
Glyn Maxwell (Rest for the Wicked)
|
reviewed by Darrell Hinchcliffe (1996)
|
Glyn Maxwell (The Boys at Twilight)
|
reviewed by Sophie Hannah (2001)
|
Glyn Maxwell (On Poetry)
|
reviewed by Tony Roberts (2013)
|
|
Adrian May (Comedy of Masculinity: Songs and Poems)
|
reviewed by Henry King (2015)
|
|
Vladimir Mayakovsky (VLADIMIR MAYAKOVSKY and EL LISSITSKY For the Voice and Voices of the Revolution, edited by Patricia Railing)
|
reviewed by Tess Mann (2001)
|
Vladimir Mayakovsky (Volodya: Selected Works edited by Rosy Carrick)
|
reviewed by Ross Cogan (2016)
|
|
Jane Mayhall (Sleeping Late on Judgment Day)
|
reviewed by Valerie Duff-Strautmann (2004)
|
|
Madeline Mayne (The Lord Sun)
|
reviewed by Harry Guest (1987)
|
|
Federico Mayor (Patterns, translated by Rosemary Wiltshire)
|
reviewed by John Pilling (1994)
|
|
Jean-Jacques Mayoux (D. H. Lawrence, Poemes, Chronologie, introduction, traduction et notes)
|
reviewed by George Buchanan (1977)
|
|
Friedericke Mayröcker (Raving Language: Selected Poems 1946-2006, translated by Richard Dove)
|
reviewed by Roger Caldwell (2008)
|
|
Jerome Mazzaro (Postmodern American Poetry)
|
reviewed by Nicolas Tredell (1982)
|
|
Rhona McAdam (Old Habits)
|
reviewed by Michael Hulse (1995)
|
|
James McAuley (Poetry, essays and personal commentary edited by Leonie Kramer)
|
reviewed by Michael Hulse (1989)
|
|
John McAuliffe (The Way In)
|
reviewed by Hilary Davies (2017)
|
|
Joan McBreen (Map and Atlas)
|
reviewed by Cian Murphy (2017)
|
|
Chris McCabe (Edited by Chris McCabe and Victoria Bean The New Concrete: Visual Poetry in the 21st Century)
|
reviewed by Oliver Dixon (2016)
|
Chris McCabe (The Triumph of Cancer)
|
reviewed by Dominic Leonard (2019)
|
|
Richie McCaffery (First Hare)
|
reviewed by Rory Waterman (2021)
|
|
Shara McCallum (No Ruined Stone)
|
reviewed by Shash Trevett (2022)
|
|
David R. McCann ((ed.), The Columbia Anthology of Modern Korean Poetry)
|
reviewed by Peter Robinson (2005)
|
|
Olivia McCannon (Exactly My Own Length)
|
reviewed by Jane Draycott (2013)
|
|
Peter McCarey (Town Shanties)
|
reviewed by Robyn Marsack (1992)
|
Peter McCarey (Find an Angel and Pick a Fight)
|
reviewed by Alexander Hutchison (2014)
|
|
Patricia McCarthy (A Second Skin)
|
reviewed by Paul McLoughlin (1986)
|
|
Thomas McCarthy (The Sorrow Garden)
|
reviewed by Ian McMillan (1983)
|
Thomas McCarthy (The Non-Aligned Storyteller)
|
reviewed by C.B. McCully (1986)
|
Thomas McCarthy (The Lost Province)
|
reviewed by James Sutherland-Smith (1998)
|
Thomas McCarthy (Mr Dineen's Careful Parade: New and Selected Poems)
|
reviewed by Michael Duggan (2000)
|
Thomas McCarthy (The Last Geraldine Officer)
|
reviewed by John McAuliffe (2010)
|
|
J.D. McClatchy (Scenes from Another Life)
|
reviewed by Andrew Swarbrick (1984)
|
J.D. McClatchy (Twenty Questions)
|
reviewed by Ian Tromp (2000)
|
J.D. McClatchy (Division of Spoils. Selected Poems and Hazmat)
|
reviewed by David C. Ward (2004)
|
|
Gail McConnell (The Sun is Open)
|
reviewed by Dominic Leonard (2022)
|
|
Michael McCrum (Thomas Arnold: Headmaster. A Reassessment.)
|
reviewed by Keith Silver (1990)
|
|
Andrew McCulloch (The Lincolnshire Rising)
|
reviewed by Rory Waterman (2020)
|
|
Margery McCulloch (Edwin Muir: Poet, Critic and Novelist)
|
reviewed by Steven E. Smith (1994)
|
|
Chris McCully (Time Signatures)
|
reviewed by T.J.G. Harris (1994)
|
|
Colleen McDannell (Heaven, A History.)
|
reviewed by C.H. Sisson (1990)
|
|
Philip McDonagh (Carraroe in Saxony)
|
reviewed by James Sutherland-Smith (2004)
|
|
Ian McDonald (Between Silence and Silence)
|
reviewed by Ian Dieffenthaller (2004)
|
|
Peter McDonald (Adam's Dream)
|
reviewed by Keith Silver (1996)
|
Peter McDonald (Serious Poetry: Form and Authority from Yeats to Hill)
|
reviewed by Nicolas Tredell (2003)
|
Peter McDonald (Pastorals)
|
reviewed by Andrew McNeillie (2005)
|
Peter McDonald (Sound Intentions: The Workings of Rhyme in Nineteenth-century Poetry )
|
reviewed by John McAuliffe (2013)
|
|
Christian McEwen ((ed.), Naming the Waves: Contemporary Lesbian Poetry )
|
reviewed by Avril Horner (1989)
|
Christian McEwen (In the Wake of Home)
|
reviewed by Sarah Wardle (2005)
|
|
Jerome McGaan (Black Riders: The Visible Language Of Modernism)
|
reviewed by Miles Champion (1993)
|
|
James McGonigal (Passage / An Pasaíste)
|
reviewed by Richard Price (2005)
|
|
Roger McGough (Defying Gravity)
|
reviewed by Keith Silver (1994)
|
Roger McGough (Everyday Eclipses)
|
reviewed by Caroline Bird (2002)
|
|
Medbh McGuckian (On Ballycastle Beach)
|
reviewed by T.J.G. Harris (1989)
|
Medbh McGuckian (Marconi's Cottage)
|
reviewed by David Kennedy (1993)
|
Medbh McGuckian (The Flower Master and Other Poems)
|
reviewed by Kate Chisholm (1994)
|
Medbh McGuckian (Venus and the Rain)
|
reviewed by Steven Blyth (1995)
|
Medbh McGuckian (On Ballycastle Beach)
|
reviewed by Ian Sansom (1995)
|
Medbh McGuckian (The Face of the Earth)
|
reviewed by Kate Keogan (2003)
|
Medbh McGuckian (The Book of the Angel)
|
reviewed by Carmen Bugan (2005)
|
Medbh McGuckian (Marine Cloud Brightening)
|
reviewed by Ian Pople (2020)
|
|
Patrick McGuinness ( Symbolism, Decadence and the Fin de Siècle: French and European Perspectives edited by Patrick McGuinness)
|
reviewed by Charles Mundye (2001)
|
Patrick McGuinness (The Canals of Mars)
|
reviewed by Andrew McNeillie (2005)
|
|
Eric McHenry (Potscrubber Lullabies)
|
reviewed by Valerie Duff-Strautmann (2008)
|
|
Ruth McIlroy (Guppy Primer)
|
reviewed by Jane Draycott (2018)
|
|
Jamie McKendrick (The Sirocco Room)
|
reviewed by T.J.G. Harris (1991)
|
Jamie McKendrick (The Marble Fly)
|
reviewed by Tim Kendall (1997)
|
Jamie McKendrick (Sky Nails)
|
reviewed by Jem Poster (2000)
|
Jamie McKendrick (Crocodiles and Obelisks)
|
reviewed by Alex Wylie (2008)
|
Jamie McKendrick (Out There)
|
reviewed by Andrew Latimer (2013)
|
Jamie McKendrick (Selected Poems)
|
reviewed by David Spittle (2016)
|
Jamie McKendrick (Anomaly)
|
reviewed by Robert Selby (2019)
|
Jamie McKendrick (The Years)
|
reviewed by Paul McLoughlin (2021)
|
Jamie McKendrick (The Foreign Connection: Writings on Poetry, Art and Translation)
|
reviewed by Chris Miller (2022)
|
|
Earl McKenzie (Against Linearity)
|
reviewed by Ruth Morse (1994)
|
|
Bill McKibben (The End of Nature)
|
reviewed by Paul Mills (1991)
|
|
Jess McKinney (Weeding)
|
reviewed by Joe Carrick-Varty (2022)
|
|
Maureen N. McLane (My Poetics)
|
reviewed by Hugh Foley (2024)
|
|
Kate McLoughlin (Plums)
|
reviewed by Sandeep Parmar (2012)
|
|
Nigel McLoughlin (At the Water's Clearing)
|
reviewed by David Kennedy (2002)
|
Nigel McLoughlin (At the Waters' Clearing)
|
reviewed by Alex Davis (2002)
|
|
Paul McMahon (Bourdon)
|
reviewed by Alison Brackenbury (2017)
|
|
Andrew McMillan (physical)
|
reviewed by Gregory Woods (2016)
|
|
Dorothy McMillan (Modern Scottish Women Poets, edited and introduced by Dorothy McMillan and Michael Byrne)
|
reviewed by Vivienne Neale (2004)
|
|
Hugh McMillan (Aphrodite's Anorak)
|
reviewed by Rennie Parker (1997)
|
|
Ian McMillan (Yes But What Is This? What Exactly?)
|
reviewed by Rory Waterman (2021)
|
|
Helen McNeil (Emily Dickinson)
|
reviewed by Joseph Allard (1987)
|
|
Christine McNeill (First and Last Music)
|
reviewed by Josh Hinton (2015)
|
|
Andrew McNeillie (Nevermore)
|
reviewed by Patrick McGuinness (2001)
|
Andrew McNeillie (In Mortal Memory)
|
reviewed by Natalie Pollard (2010)
|
|
Angela McSeveney (Imprint)
|
reviewed by David Kinloch (2006)
|
|
Diana McVeagh (Gerald Finzi: His Life and Music)
|
reviewed by Neil Powell (2007)
|
|
Allison McVety (Miming Happiness )
|
reviewed by Alison Brackenbury (2012)
|
|
Matthew Mead (The Midday Muse)
|
reviewed by Dick Davis (1980)
|
Matthew Mead (Walking Out of the World)
|
reviewed by Sarah Wardle (2005)
|
|
Philip Mead (This River is in the South)
|
reviewed by Michael Hulse (1986)
|
|
Stephen Medcalf (The Spirit of England: Selected Essays edited by Brian Cummings and Gabriel Josipovici)
|
reviewed by Nicolas Tredell (2010)
|
|
Paula Meehan (Mysteries of the Home)
|
reviewed by James Sale (1997)
|
Paula Meehan (Music for Dogs)
|
reviewed by John McAuliffe (2010)
|
|
Sam Meekings (The Other Shore)
|
reviewed by Alison Brackenbury (2017)
|
|
Ernst Meister (Between Nothing and Nothing, translated by Jean Boase-Beier, with an introduction by John Hartley Williams)
|
reviewed by David Constantine (2004)
|
|
James Melville (The Imperial Way)
|
reviewed by Harry Guest (1986)
|
|
Nicky Melville (Decade of Cuts)
|
reviewed by Greg Thomas (2022)
|
|
Louis Menand (The Free World: Art and Thought in the Cold War)
|
reviewed by Tony Roberts (2021)
|
|
Samuel Menashe (New and Selected Poems, edited by Christopher Ricks)
|
reviewed by Belle Randall (2006)
|
|
Edward Mendelson (Early Auden)
|
reviewed by Peter Levi (1982)
|
|
Rod Mengham (Chance of a Storm)
|
reviewed by Peter Hughes (2016)
|
|
Hilary Menos (Berg)
|
reviewed by Alison Brackenbury (2011)
|
Hilary Menos (Red Devon)
|
reviewed by Lucy Sheerman (2016)
|
Hilary Menos (Human Tissue)
|
reviewed by Rory Waterman (2020)
|
|
Lucy Mercer (Emblem)
|
reviewed by Kate Simpson (2023)
|
|
Moelwyn Merchant (Fire From the Heights)
|
reviewed by Michael Freeman (1990)
|
|
Christopher Meredith (Please and Still)
|
reviewed by Sam Adams (2021)
|
|
George Meredith (Modern Love and Poems of the English Roadside, edited by Rebecca N. Mitchell and Criscillia Benford)
|
reviewed by Max Wallis (2014)
|
|
William Meredith (Effort at Speech)
|
reviewed by David C. Ward (1998)
|
|
Daphne Merkin (Enchantment )
|
reviewed by Michael Hulse (1989)
|
|
James Merrill (Late Settings)
|
reviewed by John Ash (1986)
|
James Merrill (A Scattering of Salts and Self-Portrait in Tyvek Windbreaker)
|
reviewed by Justin Quinn (1995)
|
|
W.S. Merwin (East Window: The Asian Translations and The River Sound)
|
reviewed by Ian Tromp (1999)
|
W.S. Merwin (The Shadow of Sirius)
|
reviewed by Tony Roberts (2009)
|
W.S. Merwin (The Shadow of Sirius)
|
reviewed by David C. Ward (2011)
|
W.S. Merwin (Ripeness)
|
reviewed by Edmund Prestwich (2017)
|
|
Douglas Messerli (My Year 2005: Terrifying Times)
|
reviewed by David Kinloch (2008)
|
Douglas Messerli (My Year 2004: Under Our Skin: Readings, Events, Memories)
|
reviewed by John Muckle (2010)
|
|
Bruce Meyer (The Open Room)
|
reviewed by Michael Hulse (1991)
|
|
Jeffrey Meyers (The Enemy: A Biography of Wyndham Lewis)
|
reviewed by Alan Munton (1981)
|
|
Anne Michaels (Miner's Pond)
|
reviewed by Michael Hulse (1992)
|
Anne Michaels (Poems)
|
reviewed by David C. Ward (2000)
|
|
Calliope Michail (Along Mosaic Roads)
|
reviewed by Anthony Barnett (2019)
|
|
Henri Michaux (Spaced, Displaced, translated by David and Helen Constantine)
|
reviewed by John Pilling (1993)
|
Henri Michaux (Storms Under the Skin: Selected poems, 1927â1954)
|
reviewed by Edmund Prestwich (2018)
|
|
Mary di Michele (Luminous Emergencies)
|
reviewed by Michael Hulse (1992)
|
|
Diane Wood Middlebrook (Anne Sexton)
|
reviewed by Patricia Beer (1992)
|
|
Christopher Middleton (Carminalenia)
|
reviewed by Alan Young (1981)
|
Christopher Middleton (The Balcony Tree)
|
reviewed by T.J.G. Harris (1993)
|
Christopher Middleton (Faint Harps and Silver Voices: Selected Translations)
|
reviewed by Peter Cole (2000)
|
Christopher Middleton (Twenty Tropes for Doctor Dark)
|
reviewed by Jem Poster (2001)
|
Christopher Middleton (Of the Mortal Fire: Poems 1999-2002)
|
reviewed by John Muckle (2004)
|
Christopher Middleton (Palavers and A Nocturnal Journal)
|
reviewed by Oliver Dennis, Peter Riley, and Philip Terry (2005)
|
Christopher Middleton (Collected Poems)
|
reviewed by Peter McCarey (2009)
|
Christopher Middleton (Depictions of Blaff)
|
reviewed by John Muckle (2010)
|
|
David Middleton (As Far as Light Remains)
|
reviewed by Richard Francis (1994)
|
|
David Mikics (The Art of the Sonnet )
|
reviewed by Philip Terry (2010)
|
|
Jonathan Miles (Eric Gill & David Jones at Capel-y-ffin)
|
reviewed by T.J.G. Harris (1993)
|
Jonathan Miles (David Jones - The Maker Unmade)
|
reviewed by Sam Adams (1996)
|
|
Josephine Miles (Collected Poems: 1930-83)
|
reviewed by Brian Morton (1986)
|
|
Jennifer Militello (Body Thesaurus)
|
reviewed by Tim Liardet (2014)
|
|
Gordon Millan (A Throw of the Dice: The Life of Stéphane Mallarmé)
|
reviewed by Christopher Middleton (1995)
|
|
Margaret Millar (Spider Webs)
|
reviewed by Marghanita Laski (1987)
|
|
Cynthia Miller (Honorifics)
|
reviewed by Annie Fan (2022)
|
|
Henry Miller (Sextet: Six Essays)
|
reviewed by David J. Levy (1981)
|
|
J. Hillis Miller (Theory Now and Then)
|
reviewed by Nicolas Tredell (1991)
|
J. Hillis Miller (Black Holes)
|
reviewed by Nicolas Tredell (2000)
|
|
Karl Miller (Doubles )
|
reviewed by Richard Brown (1986)
|
|
Kei Miller (Things I have Withheld)
|
reviewed by Douglas Field (2021)
|
|
John Millett (Come down Cunderang)
|
reviewed by Michael Hulse (1986)
|
|
Michael Millgate (Thomas Hardy: a Biography)
|
reviewed by David Wright (1983)
|
|
Paul Mills (North Carriageway)
|
reviewed by David Day (1977)
|
Paul Mills (Half Moon Bay)
|
reviewed by Keith Silver (1993)
|
Paul Mills (Dinosaur Point)
|
reviewed by Paul Mundon (2001)
|
Paul Mills (Out of Deep Time)
|
reviewed by Alison Brackenbury (2017)
|
|
Drew Milne (How Peace Came and Sheet Mettle)
|
reviewed by James Keery (1996)
|
Drew Milne (As It Were)
|
reviewed by James Keery (1999)
|
Drew Milne (Mars Disarmed)
|
reviewed by Kate Price (2003)
|
|
Czeslaw Milosz (The Land of Ulro)
|
reviewed by Michael Glover (1986)
|
Czeslaw Milosz (Provinces: Poems 1987-1991, translated by the author and Robert Hass)
|
reviewed by T.J.G. Harris (1993)
|
Czeslaw Milosz (Facing The River)
|
reviewed by John Pilling (1996)
|
|
Joseph Minden (Poppy)
|
reviewed by Horatio Morpurgo (2023)
|
|
Robert Minhinnick (Life Sentences)
|
reviewed by Richard Poole (1984)
|
Robert Minhinnick (The Dinosaur Park)
|
reviewed by Paul McLoughlin (1987)
|
Robert Minhinnick (After the Hurricane)
|
reviewed by Patrick McGuinness (2003)
|
Robert Minhinnick (The Adulterer's Tongue: Six Welsh Poets: A Facing-Text Anthology)
|
reviewed by Meic Stephens (2004)
|
Robert Minhinnick (In a Different Light: Fourteen Contemporary Dutch-Language Poets, edited by Rob Schouten and Robert Minhinnick)
|
reviewed by Chris McCully (2004)
|
|
Sudesh Mishra (Tandava)
|
reviewed by Michael Hulse (1993)
|
|
Gabriela Mistral (Selected Prose and Prose-Poems. Translated by Stephen Tapscott)
|
reviewed by James O'Connor (2003)
|
Gabriela Mistral (The Locas mujeres Poems of Gabriela Mistral)
|
reviewed by Trevor Barnett (2009)
|
|
Adrian Mitchell (For Beauty Douglas: Collected Poems)
|
reviewed by Dennis Keene (1983)
|
Adrian Mitchell (On the Beach At Cambridge)
|
reviewed by Chris McCully (1985)
|
Adrian Mitchell (Adrian Mitchell's Greatest Hits)
|
reviewed by James Keery (1993)
|
|
Elma Mitchell (The Human Cage)
|
reviewed by Fraser Steel (1981)
|
Elma Mitchell (Furnished Rooms)
|
reviewed by Dick Davis (1985)
|
Elma Mitchell (People Etcetera)
|
reviewed by Edwina Burness (1989)
|
|
Naomi Mitchison (Beyond this Limit)
|
reviewed by Eavan Boland (1987)
|
|
Ange Mlinko (Venice)
|
reviewed by Maitreyabandhu (2022)
|
|
Judith Moffett (James Merrill, An Introduction to the Poetry)
|
reviewed by Dennis Keene (1985)
|
|
A.G. Mojtabai (Blessèd Assurance: At Home with the Bomb in Amarillo, Texas)
|
reviewed by Mark Thompson (1988)
|
|
John Mole (Our Ship)
|
reviewed by Paul Wilkins (1978)
|
John Mole (In and Out of the Apple)
|
reviewed by Lawrence Sail (1985)
|
John Mole (Homing)
|
reviewed by Neil Powell (1988)
|
John Mole (Depending on the Light)
|
reviewed by Keith Silver (1994)
|
John Mole (Counting the Chimes: New & Selected Poems 1975-2003)
|
reviewed by Peter Scupham (2005)
|
|
Charles Molesworth (The Fierce Embrace: A Study of Contemporary American Poetry)
|
reviewed by Nicolas Tredell (1982)
|
|
Audrey Molloy (Satyress)
|
reviewed by Rory Waterman (2021)
|
|
Dorothy Molloy (Hare Soup)
|
reviewed by Judy Kendall (2004)
|
Dorothy Molloy (Gethsemane Day)
|
reviewed by David C. Ward (2008)
|
Dorothy Molloy (The Poems of Dorothy Molloy)
|
reviewed by N.S. Thompson (2020)
|
|
Geraldine Monk (Noctivagations)
|
reviewed by David Kennedy (2002)
|
Geraldine Monk (Alan Halsey, John Byrum, Geraldine Monk, Ahadada Reader 1)
|
reviewed by Philip Terry (2005)
|
|
John Montague (A Slow Dance)
|
reviewed by Stan Smith (1978)
|
John Montague (Selected Poems)
|
reviewed by Michael Bird (1983)
|
John Montague (The Dead Kingdom)
|
reviewed by Chris McCully (1985)
|
John Montague (Mount Eagle)
|
reviewed by Andrew Waterman (1990)
|
John Montague (New Selected Poems, edited by Peter Fallon and Dillon Johnston and The Rough Field)
|
reviewed by T.J.G. Harris (1991)
|
John Montague (Collected Poems)
|
reviewed by Ra Page (1996)
|
John Montague (Company: A Chosen Life and Selected Poems)
|
reviewed by Alex Davis (2001)
|
John Montague (Drunken Sailor)
|
reviewed by Carmen Bugan (2005)
|
John Montague (Selected Poems, 1961â2017, Ed. Peter Fallon)
|
reviewed by Brian Morton (2020)
|
|
Mary Montague (Tribe)
|
reviewed by John McAuliffe (2010)
|
|
Eugenio Montale (New Poems, translated by G. Singh, with an essay by F. R. Leavis)
|
reviewed by Michael Vince (1978)
|
Eugenio Montale (The Bones of the Cuttlefish, translated by Antonino Mazza with an introduction by Wladimir Krysinski)
|
reviewed by John Pilling (1987)
|
Eugenio Montale (The Coastguard's House, English versions by Jeremy Reed)
|
reviewed by John Pilling (1991)
|
|
Jan Montefiore (Feminism and Poetry: Language, Experience, Identity in Women's Writing)
|
reviewed by Avril Horner (1989)
|
|
Janet Montefiore (Arguments of Heart and Mind: Selected Essays 1977-2000)
|
reviewed by Julie Mullaney (2002)
|
|
George Monteiro (The Presence of Camões: Influences on the literature of England, America and Southern Africa)
|
reviewed by John Pilling (1997)
|
|
Nick Montfort (edited by Noah Wardrip-Fruin and Nick Montfort)
|
reviewed by Edward Picot (2003)
|
|
A. David Moody (Ezra Pound: Poet - Portrait of the Man & his Work. Volume III: The Tragic Years)
|
reviewed by Matthew Creasy (2016)
|
|
David Moody (Ezra Pound: Poet, Volume II, The Epic Years 1921-1939)
|
reviewed by Andrew Latimer (2015)
|
|
George Moor (Arianrhod's Dance)
|
reviewed by Dick Davis (1982)
|
|
Kim Moore (All the Men I Never Married and What the Trumpet Taught Me)
|
reviewed by Rebecca Goss (2023)
|
|
Marianne Moore (Letters)
|
reviewed by David Yezzi (1998)
|
|
Nicholas Moore (Lacrimae Rerum, edited by Peter Riley ; Longings of the Acrobats (Selected Poems), edited by Peter Riley; Numbers #3, edited by John Alexander, Alison Rimmer, Peter Robinson and Clive Wilmer; and Spleen, edited by Anthony Rudolf )
|
reviewed by James Keery (1991)
|
Nicholas Moore (Selected Poems Ed. John Lucas & Matthew Welton)
|
reviewed by Roger Caldwell (2015)
|
|
Prentiss Moore
|
reviewed by John Ash (1982)
|
|
Elsa Morante (Alibi and Narcissus)
|
reviewed by Gandolfo Cascio (2024)
|
|
Edwin Morgan (Star Gate)
|
reviewed by Michael Cayley (1980)
|
Edwin Morgan (Poems of Thirty Years)
|
reviewed by Alan Young (1984)
|
Edwin Morgan (Grafts/Takes)
|
reviewed by Robert Sheppard (1984)
|
Edwin Morgan (Themes on a Variation)
|
reviewed by Alan Young (1989)
|
Edwin Morgan (About Edwin Morgan, edited by Robert Crawford and Hamish Whyte and Nothing Not Giving Messages, edited by Hamish Whyte)
|
reviewed by Neil Powell (1990)
|
Edwin Morgan (Virtual and Other Realities)
|
reviewed by Michael Duggan (1998)
|
Edwin Morgan (Tales From Baron Munchausen)
|
reviewed by Stephen Procter (2005)
|
|
Esther Morgan (Beyond Calling Distance)
|
reviewed by Rachel Elliot (2002)
|
Esther Morgan (The Wound Register)
|
reviewed by Sue Leigh (2018)
|
|
Frederick Morgan (Poems of the Two Worlds)
|
reviewed by Andrew Waterman (1979)
|
Frederick Morgan (Poems of Two Worlds)
|
reviewed by Ruth Morse (1982)
|
|
J.O. Morgan (At Maldon)
|
reviewed by Joey Connolly (2014)
|
|
Pete Morgan (A Winter Visitor)
|
reviewed by Ian McMillan (1985)
|
|
Robert Morgan (Green River)
|
reviewed by Richard Francis (1992)
|
|
David Morley (Mandelstam Variations)
|
reviewed by David Kennedy (1992)
|
David Morley (Clearing A Name)
|
reviewed by David Kennedy (2000)
|
David Morley (The Death of Wisdom Smith, Prince of Gypsies)
|
reviewed by Alison Brackenbury (2016)
|
David Morley (Fury)
|
reviewed by Declan Ryan (2021)
|
|
David Morphet (The Silence of Green)
|
reviewed by Daniel Weissbort (2010)
|
|
Ian Morris (The Little Magazine in Contemporary America eds. Ian Morris and Joanne Diaz)
|
reviewed by Valerie Duff (2015)
|
|
Marianne Morris (The On All Said Things Moratorium)
|
reviewed by Henry King (2015)
|
|
Jake Morris-Campbell (Corrigenda for Costafine Town)
|
reviewed by Ian Seed (2022)
|
|
Morrisey (Autobiography)
|
reviewed by Adrian May (2014)
|
|
Blake Morrison (The Movement: English Poetry and Fiction of the 1950s)
|
reviewed by John Haffenden (1980)
|
Blake Morrison (Seamus Heaney)
|
reviewed by Neil Corcoran (1983)
|
Blake Morrison
|
reviewed by C.B. McCully (1985)
|
Blake Morrison (Shingle Street)
|
reviewed by Ned Denny (2015)
|
|
Vincent Morrison (The Season of Comfort)
|
reviewed by Matt Simpson (1980)
|
|
Michael Morrissey (Taking in the View, illustrated by Gregory O'Brien)
|
reviewed by Michael Hulse (1988)
|
|
Sinéad Morrissey (The State of the Prisons)
|
reviewed by Sasha Dugdale (2005)
|
Sinéad Morrissey (On Balance)
|
reviewed by Adam Heardman (2018)
|
|
Graham Mort (Snow From The North)
|
reviewed by David Kennedy (1993)
|
Graham Mort (A Night on the Lash)
|
reviewed by Alison Brackenbury (2005)
|
|
Helen Mort (Same but Different)
|
reviewed by Rory Waterman (2022)
|
|
Valzhyna Mort (Collected Body)
|
reviewed by Sandeep Parmar (2012)
|
Valzhyna Mort (Music for the Dead and Resurrected)
|
reviewed by Rebecca Hurst (2022)
|
|
Manuela Moser (Last night, the mountain)
|
reviewed by Joe Carrick-Varty (2022)
|
|
Ivo Mosley (Dumbing Down: Culture, politics and the mass media, edited by Ivo Mosley)
|
reviewed by Lawrence Coupe (2000)
|
|
Stanley Moss (Skull of Adam)
|
reviewed by Sarah Matthews (1981)
|
Stanley Moss (Asleep in the Garden: New and Selected Poems)
|
reviewed by Sebastian Barker (1999)
|
Stanley Moss (Songs of Imperfection)
|
reviewed by David C. Ward (2006)
|
Stanley Moss (No Tear is Commonplace)
|
reviewed by Sam Adams (2014)
|
|
Tristan Moss (The Cold War)
|
reviewed by Ian Seed (2022)
|
|
Andrew Motion (The Pleasure Steamers)
|
reviewed by Edward Levy (1979)
|
Andrew Motion (Philip Larkin: Contemporary Writers)
|
reviewed by Michael Vince (1983)
|
Andrew Motion (Love in a Life)
|
reviewed by T.J.G. Harris (1991)
|
Andrew Motion (The Price of Everything)
|
reviewed by Ian Sansom (1994)
|
Andrew Motion (Selected Poems)
|
reviewed by Conor O'Callaghan (1999)
|
Andrew Motion (The Customs House)
|
reviewed by Roger Garfitt (2014)
|
Andrew Motion (Coming in to Land: Selected Poems 1975â2015)
|
reviewed by Kevin J. Gardner (2017)
|
Andrew Motion (The Penguin Book of Elegy: Poems of Memory, Mourning, and Consolation)
|
reviewed by Jack Barron (2024)
|
|
Michael Mott (Absence of Unicorns, Presence of Lions)
|
reviewed by Andrew Waterman (1979)
|
Michael Mott (Counting the Grasses)
|
reviewed by Dick Davis (1982)
|
|
John Muckle (Active in Airtime #1, 2, 3, 4)
|
reviewed by James Keery (1996)
|
John Muckle (My Pale Tulip)
|
reviewed by Ian Brinton (2012)
|
|
Harvey Mudd (The Plain of Smokes)
|
reviewed by Michael Hofmann (1983)
|
|
Edwin Muir
|
reviewed by Alan Young (1988)
|
|
Paul Muldoon (Quoof)
|
reviewed by Robert Sheppard (1985)
|
Paul Muldoon (Meeting the British and Selected Poems 1968-1983)
|
reviewed by Neil Powell (1988)
|
Paul Muldoon (Meeting the British)
|
reviewed by Avril Horner (1989)
|
Paul Muldoon (Shining Brow)
|
reviewed by Keith Silver (1993)
|
Paul Muldoon
|
reviewed by Vona Groarke (1997)
|
Paul Muldoon (Moy Sand and Gravel)
|
reviewed by Michael Kinsella (2003)
|
Paul Muldoon (Horse Latitudes and The End of the Poem: Oxford Lectures on Poetry)
|
reviewed by Michael Schmidt (2007)
|
Paul Muldoon (Maggot)
|
reviewed by Alex Wylie (2011)
|
Paul Muldoon (The Word on the Street: Rock Lyrics)
|
reviewed by Adam Crothers (2013)
|
Paul Muldoon (Howdie-Skelp)
|
reviewed by Hugh Foley (2022)
|
|
Wendy Mulford (The Bay of Naples)
|
reviewed by David Kennedy (1993)
|
Wendy Mulford
|
reviewed by Kate Price (2003)
|
|
Stephen Mulhall (On Being in the World)
|
reviewed by Michael Grant (1992)
|
|
Harry Mulisch (The Assault, translated from the Dutch by Claire Nicolas White)
|
reviewed by Michael Hulse (1986)
|
|
Val Mulkerns (Very Like A Whale: A Novel of Dublin Life)
|
reviewed by Francis Doherty (1988)
|
|
Alice Munro (The Progress of Love )
|
reviewed by Shirley Chew (1989)
|
|
Michael Murphy (Elsewhere)
|
reviewed by Kate Keogan (2004)
|
Michael Murphy (Collected Poems)
|
reviewed by Hilary Menos (2012)
|
|
Richard Murphy ( Selected Poems)
|
reviewed by Neil Corcoran (1980)
|
Richard Murphy (The Mirror Wall)
|
reviewed by Andrew Waterman (1990)
|
|
G.E. Murray (Repairs)
|
reviewed by Dick Davis (1982)
|
G.E. Murray (Walking the Blind Dog)
|
reviewed by Richard Francis (1993)
|
|
Les Murray (Dog Fox Field)
|
reviewed by Michael Hulse (1991)
|
Les Murray (The Paperbark Tree: Selected Prose)
|
reviewed by David Lovely (1993)
|
Les Murray (The Best Australian Poems 2004, edited by Les Murray)
|
reviewed by Gregory O'Brien (2006)
|
Les Murray (Hell and After: Four Early English-Language Poets of Australia, edited by Les Murray)
|
reviewed by Oliver Dennis (2006)
|
|
Les A. Murray (The People's Otherworld)
|
reviewed by Ruth Morse (1985)
|
Les A. Murray (Persistence in Folly: Selected Prose Writings)
|
reviewed by Ruth Morse (1986)
|
Les A. Murray (Selected Poems)
|
reviewed by Michael Hulse (1987)
|
|
Melissa Murray (The Falling Sickness)
|
reviewed by Deborah Mitchell (1979)
|
|
Nicholas Murray (he Red Sweet Wine of Youth: The Brave and Brief Lives of the War Poets)
|
reviewed by Judy Kendall (2012)
|
Nicholas Murray (The Migrant Ship)
|
reviewed by Alison Brackenbury (2016)
|
|
Simon Myron (The Georgian Poetic)
|
reviewed by Gareth Reeves (1977)
|