Rhian Saadat (Window Dressing for Hermès)
|
reviewed by Tony Roberts (2005)
|
|
Umberto Saba (Thirty-One Poems translated from the Italian by Felix Stefanile)
|
reviewed by Michael Vince (1981)
|
|
Naush Sabah (Litanies)
|
reviewed by Rory Waterman (2022)
|
|
Heinz Winfried Sabais (The People and the Stones, translated by Ruth and Matthew Mead )
|
reviewed by John Pilling (1985)
|
|
Nelly Sachs (Flight and Metamorphosis: Poems Translated by Jushua Weiner with Linda B. Parshall)
|
reviewed by Anthony Barnett (2022)
|
|
R.K. Sadler (R.K. Sadler & T.A.S. Hayllar, Poetry for Pleasure)
|
reviewed by Neil Powell (1991)
|
|
Edward W. Said
|
reviewed by Una Allis (1980)
|
Edward W. Said (The World, the Text, and the Critic)
|
reviewed by Nicolas Tredell (1985)
|
|
Lawrence Sail (The Kingdom of Atlas)
|
reviewed by Fraser Steel (1981)
|
Lawrence Sail (Devotions)
|
reviewed by Neil Powell (1988)
|
Lawrence Sail (Building into Air)
|
reviewed by Matthew Francis (1996)
|
Lawrence Sail (Cross-Currents: Essays and Eye-Baby)
|
reviewed by Peter Scupham (2007)
|
Lawrence Sail (Waking Dreams: New and Selected Poems)
|
reviewed by Emma Hogan (2012)
|
Lawrence Sail (The Key to Clover and Other Essays)
|
reviewed by Joey Connolly (2014)
|
Lawrence Sail (Lawrence Sail (ed.), The Heartâs Granary: Poetry and Prose from Fifty Years of Enitharmon Press)
|
reviewed by Alison Brackenbury (2018)
|
|
James Sale (David Orme & James Sale, Poetry Street 1 and Wider than the Sky, edited by Scott Elledge)
|
reviewed by Neil Powell (1991)
|
|
Peter Salmon (An Event, Perhaps: A Biography of Jacques Derrida)
|
reviewed by Nicolas Tredell (2021)
|
|
Mary Jo Salter (A Kiss in Space)
|
reviewed by David Kennedy (2001)
|
|
Christopher Salvesen (The Long Gallery)
|
reviewed by David Gervais (2010)
|
|
Eric Sam (The Real Shakespeare: Retrieving the Early Years, 1564-1594)
|
reviewed by Charles Hobday (1995)
|
|
Jeffrey Sammons (Heinrich Heine, a modern biography)
|
reviewed by C.H. Sisson (1981)
|
|
Fiona Sampson (New Poetry from Eastern and Central Europe. Edited by Jean Boase-Beier, Alexandra Büchler and Fiona Sampson)
|
reviewed by Chris Miller (2005)
|
Fiona Sampson (The Distance Between Us)
|
reviewed by Tim Liardet (2006)
|
Fiona Sampson (Common Prayer)
|
reviewed by Simon Smith (2007)
|
Fiona Sampson (Rough Music)
|
reviewed by Tim Liardet (2011)
|
Fiona Sampson (The Catch)
|
reviewed by Sue Leigh (2017)
|
|
Ernest Sandeen (Collected Poems 1953-1977)
|
reviewed by Andrew Waterman (1979)
|
|
Karenjit Sandhu (young girls!)
|
reviewed by Kate Simpson (2023)
|
|
Yi Sang (Selected Works)
|
reviewed by Greg Thomas (2021)
|
|
Richard Sanger (Way to Go)
|
reviewed by Evan Jones (2024)
|
|
Ann Sansom (Romance)
|
reviewed by Loraine Fletcher (1995)
|
Ann Sansom (In Praise of Men and Other People)
|
reviewed by Kate Price (2004)
|
|
Peter Sansom (Everything You've Heard is True)
|
reviewed by T.J.G. Harris (1990)
|
Peter Sansom (January)
|
reviewed by Keith Silver (1995)
|
Peter Sansom (Selected Poems)
|
reviewed by John Killick (2011)
|
Peter Sansom (Careful What You Wish For)
|
reviewed by Helena Nelson (2016)
|
|
Andrew Sant (Album of Domestic Exiles)
|
reviewed by Brian Henry (1999)
|
Andrew Sant (The Unmapped Page: Selected Poems)
|
reviewed by Richard King (2004)
|
|
Sherod Santos (The Pilot Star Elegies)
|
reviewed by Ian Tromp (2000)
|
Sherod Santos (Greek Lyric Poetry: A New Translation)
|
reviewed by Evan Jones (2006)
|
|
Sappho
|
reviewed by Kate Price (1997)
|
Sappho (Sappho Through English Poetry, edited by Peter Jay and Caroline Lewis)
|
reviewed by Vona Groarke (1997)
|
|
Robyn Sarah (Music, Late and Soon)
|
reviewed by Evan Jones (2023)
|
|
Genzō Sarashina (Kotan Chronicles: Selected Poems 1928-43)
|
reviewed by Timothy Harris (2020)
|
|
Joachim Sartorius (Atlas den neuen Poesie)
|
reviewed by John Pilling (1997)
|
|
Jean-Paul Sartre (The Freud Scenario, edited by J.- B. Pontalis, translated by Quintin Hoare)
|
reviewed by Nicolas Tredell (1986)
|
|
Siegfried Sassoon (Diaries 1920-1922, edited by Rupert Hart-Davis)
|
reviewed by Peter Levi (1982)
|
Siegfried Sassoon (The War Poems ed. Rupert Hart-Davis)
|
reviewed by Peter Levi (1983)
|
|
Tom Sastry (Complicity)
|
reviewed by Alison Brackenbury (2017)
|
|
Jean-Paul Satre (Critique of Dialectical Reason: Volume Two, translated by Quintin Hoare)
|
reviewed by Nicolas Tredell (1991)
|
|
Carole Satyamurti (Broken Moon)
|
reviewed by Avril Horner (1989)
|
Carole Satyamurti (Striking Distance)
|
reviewed by Loraine Fletcher (1995)
|
Carole Satyamurti (Selected Poems)
|
reviewed by Ian Tromp (1999)
|
Carole Satyamurti (Acquainted With the Night: Psychoanalysis and the Poetic Imagination, edited by Hamish Canham and Carole Satyamurti)
|
reviewed by Felicity Rosslyn (2004)
|
|
Lesley Saunders (Angels on Horseback)
|
reviewed by Jane Draycott (2018)
|
|
William Scammell (Yes and No)
|
reviewed by Sarah Matthews (1981)
|
William Scammell (Jouissance)
|
reviewed by C.B. McCully (1986)
|
William Scammell (Eldorado)
|
reviewed by Michael Bird (1989)
|
William Scammell (Five Easy Pieces)
|
reviewed by John Killick (1993)
|
William Scammell (The Game: tennis poems)
|
reviewed by David Kennedy (1993)
|
William Scammell (Bleeding Heart Yard)
|
reviewed by David Kennedy (1993)
|
|
Vernon Scannell (Best of the Poetry Year, Poetry Dimension Annual 7, selected by Dannie Abse and New & Collected Poems 1950-1980)
|
reviewed by Deborah Mitchell (1981)
|
Vernon Scannell (Winterlude)
|
reviewed by Michael Hulse (1982)
|
Vernon Scannell (A Time For Fires)
|
reviewed by T.J.G. Harris (1992)
|
Vernon Scannell (Collected Poems 1950-1993)
|
reviewed by Ian Sansom (1994)
|
|
Tatioa Scherbina (Life Without: Selected Poetry and Prose 1992-2003. Bilingual. Translated by Sasha Dugdale)
|
reviewed by Chris Miller (2005)
|
|
Gregory Schirmer (The Poetry of Austin Clarke)
|
reviewed by Neil Corcoran (1984)
|
|
Michael Schmidt (An Introduction to 50 Modern British Poets)
|
reviewed by Donald Davie (1980)
|
Michael Schmidt (New Poetries III: An anthology, edited by Michael Schmidt)
|
reviewed by Judy Kendall (2003)
|
|
Jena Schmitt (Catchment Area)
|
reviewed by Evan Jones (2011)
|
|
Myra Schneider (Crossing Point)
|
reviewed by George Parfitt (1992)
|
|
Stephen P. Schneider (The Contemporary Narrative Poem: Critical Crosscurrents, edited by Stephen P. Schneider)
|
reviewed by David Spittle (2014)
|
|
Robert Scholes (Protocols of Reading)
|
reviewed by Nicolas Tredell (1991)
|
|
Rob Schouten (In a Different Light: Fourteen Contemporary Dutch-Language Poets, edited by Rob Schouten and Robert Minhinnick)
|
reviewed by Chris McCully (2004)
|
|
Lucille Gang Schulklapper (Gloss)
|
reviewed by Alison Brackenbury (2016)
|
|
Grace Schulman (The Broken String)
|
reviewed by David C. Ward (2008)
|
|
Susan M. Schultz (And Then Something Happened)
|
reviewed by David Kennedy (2005)
|
|
Robin G. Schulze (The Degenerate Muse: American Nature, Modernist Poetry and the Problem of Cultural Hygiene )
|
reviewed by David Spittle (2014)
|
|
James Schuyler (The Morning of the Poem)
|
reviewed by Alan Young (1981)
|
James Schuyler (Selected Poems)
|
reviewed by T.J.G. Harris (1991)
|
|
Delmore Schwartz (What is to be Given)
|
reviewed by Michael Vince (1978)
|
|
Lloyd Schwartz (These People)
|
reviewed by Rachel Hadas (1983)
|
|
Adam Schwartzman (The Book of Stones)
|
reviewed by Philip McCardle (2004)
|
|
Viktoria Schweitzer (Tsvetaeva)
|
reviewed by John Pilling (1993)
|
|
Leonardo Sciascia (The Council of Egypt, translated by Adrienne Foulke)
|
reviewed by Tim Parks (1989)
|
|
Rocco Scotellaro (The Sky With Its Mouth Wide Open)
|
reviewed by Paul Coates (1982)
|
Rocco Scotellaro (The Dawn is Always New, translated by Ruth Feldman and Brian Swann)
|
reviewed by John Ash (1983)
|
|
Alexander Scott (The Collected Poems of Alexander Scott)
|
reviewed by Ian Sansom (1995)
|
|
David Scott (Selected Poems)
|
reviewed by Caitriona O'Reilly (1999)
|
David Scott (Piecing Together)
|
reviewed by David Morley (2007)
|
|
John A. Scott (The Quarrel with Ourselves & Confession)
|
reviewed by Michael Hulse (1986)
|
John A. Scott (St Clair)
|
reviewed by Michael Hulse (1987)
|
|
Kate Scott (Stitches)
|
reviewed by Judy Kendall (2004)
|
|
Laura Scott (What I Saw)
|
reviewed by Alison Brackenbury (2016)
|
Laura Scott (So Many Rooms)
|
reviewed by Joe Carrick-Varty (2019)
|
|
Richard Scott (Solo)
|
reviewed by Gregory Woods (2018)
|
|
Tom Scott (The Collected Shorter Poems of Tom Scott, with an introduction by Sorley MacLean)
|
reviewed by T.J.G. Harris (1994)
|
|
E.J. Scovell (Selected Poems)
|
reviewed by Jem Poster (1993)
|
|
Roger Scruton (The Meaning of Conservatism)
|
reviewed by David J. Levy (1981)
|
Roger Scruton (The Politics of Culture and other essays)
|
reviewed by Ian Crowther (1982)
|
Roger Scruton (England: An Elegy)
|
reviewed by Neil Powell (2001)
|
Roger Scruton (The Ring of Truth: The Wisdom of Wagnerâs âRing of the Nibelungâ )
|
reviewed by Roger Caldwell (2017)
|
|
Maurice Scully (Over and Through and The Basic Colours)
|
reviewed by James Keery (1996)
|
|
Peter Scupham (The Hinterland)
|
reviewed by Blake Morrison (1979)
|
Peter Scupham (Summer Palaces)
|
reviewed by Neil Powell (1981)
|
Peter Scupham (The Air Show)
|
reviewed by Dennis Keene (1990)
|
Peter Scupham (Night Watch)
|
reviewed by James Sutherland-Smith (2000)
|
Peter Scupham (Borrowed Landscapes)
|
reviewed by Kevin J. Gardner (2012)
|
|
Yasmine Seale (Agitated Air: Poems After Ibn Arabi)
|
reviewed by Reem Abbas (2023)
|
|
Chris Searle (Red Earth)
|
reviewed by John Clarke (1981)
|
|
W.G. Sebald (After Nature)
|
reviewed by Will Stone (2002)
|
|
Fred Sedgwick (From Another Part of the Island)
|
reviewed by Dick Davis (1983)
|
|
Ian Seed (Makers of Empty Dreams and Threadbare Fables)
|
reviewed by Jeremy Over (2015)
|
Ian Seed (The Underground Cabaret)
|
reviewed by Ian Pople (2021)
|
|
John Seed (Transit Depots/Empty Diaries)
|
reviewed by James Keery (1996)
|
John Seed (New and Collected Poems and Pictures from Mayhew)
|
reviewed by Peter Riley (2006)
|
John Seed (Some Poems 2007â2013)
|
reviewed by John Muckle (2015)
|
|
George Seferis (Days of 1945-1951: A Poet's Journal)
|
reviewed by Michael Vince (1978)
|
George Seferis (Collected Poems, translated, edited and introduced by Edmund Keeley and Philip Sherrard. Expanded edition)
|
reviewed by Michael Vince (1983)
|
|
Victor Segalen (Journey to the Land of the Real, translated by Natasha Lehrer)
|
reviewed by Anthony Barnett (2017)
|
|
Pierre Seghers (Piranesi, translated by Ian Higgins)
|
reviewed by John Pilling (1993)
|
|
Frederick Seidel (Men and Woman)
|
reviewed by Michael Hofmann (1986)
|
Frederick Seidel (Selected Poems)
|
reviewed by Roger Caldwell (2007)
|
Frederick Seidel (Ooga-Booga)
|
reviewed by Stephen Procter (2009)
|
Frederick Seidel (Nice Weather)
|
reviewed by Vidyan Ravinthiran (2013)
|
Frederick Seidel (Peaches Goes It Alone)
|
reviewed by Ian Pople (2020)
|
Frederick Seidel (New Selected Poems)
|
reviewed by Ian Pople (2022)
|
|
Jaroslav Seifert (The Plague Column, translated by Ewald Osers with an introduction by Sir Cecil Parrott)
|
reviewed by John Pilling (1980)
|
Jaroslav Seifert (Selected Poetry, translated by Ewald Osers, edited and with additional translations by George Gibian)
|
reviewed by John Pilling (1987)
|
|
Anna Selby (Field Notes)
|
reviewed by Rory Waterman (2021)
|
|
Robert Selby (The Coming-Down Time)
|
reviewed by Kevin Gardner (2021)
|
|
Sudeep Sen (The Lunar Visitations)
|
reviewed by Michael Hulse (1991)
|
|
Jimin Seo (OSSIA)
|
reviewed by Blake Smith (2024)
|
|
Vittorio Sereni (Selected Poems, edited and translated by Marcus Perryman and Peter Robinson)
|
reviewed by John Pilling (1991)
|
Vittorio Sereni (The Selected Poetry and Prose of Vittorio Sereni, translated and edited by Peter Robinson and Marcus Perryman, introduction by Peter Robinson)
|
reviewed by Maria-Daniella Dick (2007)
|
|
Abdelhak Serhane (Messaouda, translated by Mark Thompson)
|
reviewed by Kevin Taylor (1988)
|
|
Vijay Seshadri (This Is Then, That Was Now)
|
reviewed by Paul Franz (2021)
|
|
Vikram Seth (The Golden Gate)
|
reviewed by John Crick (1987)
|
|
Choi Seungja (Phone Bells Keep Ringing for Me)
|
reviewed by Evan Jones (2021)
|
|
Diane Seuss (Modern Poetry)
|
reviewed by Hilary Menos (2024)
|
|
Brocard Sewell (In The Dorian Mode: A Life of John Gray: 1866-1934)
|
reviewed by Peter Vernon (1985)
|
|
John Sewell (Bursting the Clouds)
|
reviewed by Caitriona O'Reilly (1999)
|
|
Anne Sexton (The Selected Poems, edited by Diane Wood Middlebrook and Diana Hume George)
|
reviewed by Richard Francis (1992)
|
|
Maurice Shadbolt (Season of the Jew)
|
reviewed by Andrew Shelley (1988)
|
|
William Shakespeare (King Edward the Third)
|
reviewed by T.J.G. Harris (1999)
|
William Shakespeare (The Tempest (Second Norton Critical Edition))
|
reviewed by Joseph Bullock (2019)
|
|
Michael Naghten Shanks (Year of the Ingénue)
|
reviewed by Alison Brackenbury (2016)
|
|
Jo Shapcott (Her Book: Poems 1988-98)
|
reviewed by Roger Caldwell (2006)
|
Jo Shapcott (Of Mutability)
|
reviewed by Vidyan Ravinthiran (2011)
|
|
Alan Shapiro (The Dead Alive and Busy)
|
reviewed by David Kennedy (2001)
|
|
Don Share (The Poems of Basil Bunting edited by Don Share)
|
reviewed by Chris Miller (2016)
|
|
Solmaz Sharif (Look)
|
reviewed by Mary Jean Chan (2018)
|
Solmaz Sharif (Customs)
|
reviewed by Kayleigh Jayshree (2024)
|
|
Ruth Sharman (Birth of the Owl Butterflies)
|
reviewed by Vona Groarke (1998)
|
|
Mike Sharples (Story Machines: How Computers Have Become Creative Writers)
|
reviewed by Nicolas Tredell (2022)
|
|
Paul Sharrad (Albert Wendt and Pacific Literature: Circling the Void)
|
reviewed by Richard King (2005)
|
|
Bernard Sharrat (Reading Relations: Structures of Literary Production: A Dialectical Text/Book )
|
reviewed by Nicolas Tredell (1983)
|
|
Roger Shattuck (The Forbidden Experiment)
|
reviewed by David Wright (1981)
|
|
Eileen Sheehan (The Narrow Way of Souls)
|
reviewed by Deirdre Hines (2020)
|
|
Owen Sheers (The Blue Book)
|
reviewed by David Kennedy (2000)
|
Owen Sheers (Skirrid Hill)
|
reviewed by Roger Caldwell (2006)
|
Owen Sheers (Pink Mist)
|
reviewed by Ross Cogan (2013)
|
Owen Sheers (Pink Mist)
|
reviewed by Roger Garfitt (2014)
|
|
Reginald Shepherd (Wrong)
|
reviewed by Justin Quinn (2001)
|
|
W.G. Shepherd (Evidences)
|
reviewed by Dick Davis (1981)
|
W.G. Shepherd (Self-Love)
|
reviewed by Andrew Swarbrick (1984)
|
|
Robert Sheppard (Pages 219-238: Adrian Clarke, The Flashlight Sonata, and Transit Depots/Empty Diaries)
|
reviewed by James Keery (1996)
|
Robert Sheppard (The Poetry of Saying: British Poetry and Its Discontents, 1950-2000)
|
reviewed by David Kennedy (2006)
|
Robert Sheppard (Complete Twentieth Century Blues)
|
reviewed by John Muckle (2009)
|
Robert Sheppard (Berlin Bursts)
|
reviewed by Ben Hickman (2012)
|
Robert Sheppard (The Meaning of Form in Contemporary Innovative Poetry)
|
reviewed by Hilary Davies (2017)
|
|
Derek Shiel (David Jones - The Maker Unmade)
|
reviewed by Sam Adams (1996)
|
|
Andrew Shields (Thomas Hardy Listens to Louis Armstrong)
|
reviewed by David C. Ward (2016)
|
|
Carol Shields (Various Miracles)
|
reviewed by Michael Hulse (1988)
|
Carol Shields (Various Miracles)
|
reviewed by Michael Hulse (1989)
|
|
Warsan Shire (Her Blue Body)
|
reviewed by Alison Brackenbury (2016)
|
Warsan Shire (Bless the Daughter Raised by a Voice in Her Head)
|
reviewed by Shash Trevett (2022)
|
|
Kajima Shozo (Evening Clearing: Poems and Drawings from the Mountain by Kajima Shozo, translated by Glenn Glasow and Kakudo Yoshiko)
|
reviewed by Harry Guest (1995)
|
|
Penelope Shuttle (The Orchard Upstairs)
|
reviewed by Glen Cavaliero (1981)
|
Penelope Shuttle (The Child-Stealer)
|
reviewed by Chris McCully (1984)
|
Penelope Shuttle (Selected Poems 1980-1986)
|
reviewed by Michael Duggan (1998)
|
|
Elena Shvarts (Paradise: selected poems, bilingual edition, translated by Michael Molnar and Catriona Kelly)
|
reviewed by John Pilling (1994)
|
|
Michael Siadhail (Poems 1975-1995)
|
reviewed by Heather Clark (2000)
|
|
Norm Sibum (In Laban's Field: Selected Poems)
|
reviewed by T.J.G. Harris (1994)
|
Norm Sibum (The November Propertius)
|
reviewed by James Sutherland-Smith (1999)
|
Norm Sibum (Girls and Handsome Dogs)
|
reviewed by David Solway (2002)
|
|
Robert Sidney (The Poems of Robert Sidney, edited by P. J. Croft )
|
reviewed by Dennis Keene (1985)
|
|
Sir Philip Sidney (Sir Philip Sidney and the Interpretation of Renaissance Culture: the Poet in His Time and in Ours, edited by Gary F. Waller and Michael D. Moore)
|
reviewed by Richard Dutton (1986)
|
|
Matthew Siegel (Blood Work)
|
reviewed by David C. Ward (2016)
|
|
Ruth Silcock (A Wonderful View of the Sea)
|
reviewed by Caroline Sylge (1997)
|
|
John Silkin (Flower Poems)
|
reviewed by Matt Simpson (1980)
|
John Silkin (Selected Poems and The Psalms with their Spoils )
|
reviewed by Dennis Keene (1981)
|
John Silkin (The Lens-Breakers)
|
reviewed by Keith Silver (1993)
|
|
Jon Silkin (Complete Poems)
|
reviewed by Owen Lowery (2016)
|
|
Ron Silliman (Northern Soul)
|
reviewed by John Muckle (2015)
|
|
Charles Simic (The Uncertain Certainty)
|
reviewed by Ruth Morse (1987)
|
Charles Simic (Jackstraws)
|
reviewed by Roger Caldwell (2001)
|
Charles Simic (New British Poetry, edited by Don Paterson and Charles Simic)
|
reviewed by John O'Donoghue (2005)
|
Charles Simic (Selected Poems 1963-2003)
|
reviewed by Valerie Duff-Strautmann (2005)
|
Charles Simic (That Little Something)
|
reviewed by David C. Ward (2008)
|
Charles Simic (No Land in Sight)
|
reviewed by M.C. Caseley (2022)
|
|
James Simmons (Mainstream)
|
reviewed by Keith Silver (1995)
|
|
Colin Simms (Otters and Martens)
|
reviewed by Peter Riley (2005)
|
|
Claude Simon (The Palace)
|
reviewed by Peter Hazeldine (1988)
|
|
Emma Simon (Dragonish)
|
reviewed by Alison Brackenbury (2017)
|
|
Kate Simpson (Out of Time: Poetry from the Climate Emergency)
|
reviewed by Sue Leigh (2022)
|
|
Louis Simpson (Caviare at the Funeral)
|
reviewed by Ruth Morse (1982)
|
Louis Simpson (The Character of the Poet )
|
reviewed by Ruth Morse (1987)
|
Louis Simpson (Voices in the Distance: Selected Poems)
|
reviewed by Tony Roberts (2011)
|
|
Matt Simpson (Making Arrangements)
|
reviewed by Michael Bird (1983)
|
Matt Simpson (An Elegy for the Galosherman, New & Selected Poems)
|
reviewed by T.J.G. Harris (1991)
|
Matt Simpson (Catching Up With History)
|
reviewed by Sophie Hannah (1995)
|
|
Clive Sinclair (Diaspora Blues - A View of Israel)
|
reviewed by A. Jefford (1988)
|
|
Iain Sinclair (Lud Heat and Suicide Bridge)
|
reviewed by James Keery (1996)
|
Iain Sinclair (London Orbital)
|
reviewed by Robert Sheppard (2003)
|
Iain Sinclair (Buried at Sea and The Firewall)
|
reviewed by Matías Serra Bradford (2007)
|
Iain Sinclair (Buried at Sea)
|
reviewed by John Muckle (2008)
|
|
Burns Singer (Selected Poems, edited by Anne Cluysenaar)
|
reviewed by Keith Chandler (1979)
|
|
Lavinia Singer (Artifice)
|
reviewed by Tara Bergin (2023)
|
|
G. Singh (Ezra Pound)
|
reviewed by Michael Alexander (1982)
|
|
Takis Sinopoulos (Selected Poems, translated by John Stathatos)
|
reviewed by Richard Stoneman (1983)
|
|
Peter Sirr (Bring Everything)
|
reviewed by Heather Clark (2001)
|
|
Lemn Sissay (Debjani Chatterjee, John Lyons, Cheryl Martin, Lemn Sissay, The Sun Rises in the North)
|
reviewed by George Parfitt (1992)
|
Lemn Sissay
|
reviewed by Keith Silver (1993)
|
|
L. E. Sissman (Hello, Darkness: Collected Poems)
|
reviewed by Michael Vince (1981)
|
|
C.H. Sisson (In The Trojan Ditch)
|
reviewed by Calvin Bedient (1975)
|
C.H. Sisson (Exactions)
|
reviewed by Michael Cayley (1980)
|
C.H. Sisson (The Avoidance of Literature and Other Essays, edited by Michael Schmidt )
|
reviewed by David Martin (1980)
|
C.H. Sisson (Anglican Essays)
|
reviewed by C.J. Fox (1984)
|
|
Charles Sisson (ean Racine, Britannicus, Phaedra, Athaliah, translated by C.H. Sisson and The Aeneid, translated by C.H. Sisson)
|
reviewed by Clive Wilmer (1990)
|
|
Edith Sitwell (Collected Poems)
|
reviewed by Peter Levi (1983)
|
Edith Sitwell (Collected Poems)
|
reviewed by Vicki Bertram (2007)
|
|
Osten Sjostrand (The Hidden Music, translated by Robin Fulton)
|
reviewed by Deborah Mitchell (1979)
|
|
Nikki Skillman (The Lyric in the Age of the Brain)
|
reviewed by Nicolas Tredell (2016)
|
|
Zoë Skoulding (The Museum of Disappearing Sounds)
|
reviewed by Lucy Sheerman (2016)
|
Zoë Skoulding (A Marginal Sea)
|
reviewed by Bebe Ashley (2023)
|
|
Montagu Slater (Collected Poems)
|
reviewed by Sarah Wimbush (2024)
|
|
Tadeusz Slawek (Literary Voice: The Calling of Jonah)
|
reviewed by Nicolas Tredell (1996)
|
|
Kenneth Slessor (The War Diaries of Kenneth Slessor, edited by Clement Semmler)
|
reviewed by D.M. Davin (1987)
|
|
Barry Smart (Postmodernity: Key Ideas)
|
reviewed by J.R. Hellier (1994)
|
|
Harry Smart (Pierrot)
|
reviewed by James Keery (1993)
|
|
Catherine Smith (The Butcher's Hands)
|
reviewed by Jackie Wills (2004)
|
|
Charlie Smith (Before and After)
|
reviewed by Vona Groarke (1997)
|
Charlie Smith (Heroin and Other Poems)
|
reviewed by Patrick Mackie (2002)
|
|
Dave Smith (Fate's Kite: Poems 1991-1995)
|
reviewed by Justin Quinn (1997)
|
|
David C. Smith (H. G. Wells: Desperately Mortal )
|
reviewed by Peter Levi (1987)
|
|
David Nowell Smith (W.S. Graham: The Poem as Art Object)
|
reviewed by Jack Barron (2023)
|
|
Iain Crichton Smith (Selected Poems 1955-1980)
|
reviewed by Dennis Keene (1983)
|
Iain Crichton Smith (Ends and Beginnings)
|
reviewed by Howard Osborne (1995)
|
Iain Crichton Smith (The Leaf and The Marble)
|
reviewed by Michael Duggan (1999)
|
|
Jos Smith (Sun)
|
reviewed by Alison Brackenbury (2017)
|
|
Ken Smith (Burned Books)
|
reviewed by Ian McMillan (1983)
|
Ken Smith (Abel Baker Charlie Delta Epic Sonnets)
|
reviewed by Dick Davis (1984)
|
Ken Smith (The Poet Reclining: Selected Poems 1962-1980)
|
reviewed by Dennis Keene (1984)
|
Ken Smith (Wormwood)
|
reviewed by Paul Merchant (1989)
|
Ken Smith (Tender to the Queen of Night)
|
reviewed by Roger Caldwell (1994)
|
Ken Smith (Wild Root)
|
reviewed by Michael Duggan (1999)
|
Ken Smith (You Again: Last Poems and Other Words)
|
reviewed by James McGrath (2005)
|
|
Patti Smith (Just Kids)
|
reviewed by David C. Ward (2011)
|
|
Simon Smith (fifty fifty, edited by Charles Bainbridge, Tania Earnshaw, Selima Hill, Mimi Khalvati, Stephen Knight, Simon Smith)
|
reviewed by Judy Kendall (2004)
|
Simon Smith (Mercury)
|
reviewed by David C. Ward (2007)
|
Simon Smith (London Bridge)
|
reviewed by Ben Hickman (2011)
|
Simon Smith (More Flowers Than You Could Possibly Carry)
|
reviewed by John Muckle (2017)
|
|
Stan Smith (Inviolable Voice: History and Twentieth-Century Poetry)
|
reviewed by Nicolas Tredell (1983)
|
Stan Smith (W. H. Auden)
|
reviewed by Jem Poster (1988)
|
|
Stephen Smith (The Fabulous Relatives)
|
reviewed by Keith Silver (1994)
|
|
Stevie Smith (Collected Poems and Drawings of Stevie Smith)
|
reviewed by Rebecca Watts (2016)
|
Stevie Smith (A Selection)
|
reviewed by Valerie Duff-Strautmann (2020)
|
|
Sydney Bernard Smith (New and Selected Poems)
|
reviewed by Michael Glover (1986)
|
|
Vivian Smith (Selected Poems)
|
reviewed by Michael Hulse (1989)
|
|
William Jay Smith (Dancing in the Garden: A Bittersweet Love Affair with France and Words by the Water)
|
reviewed by Jeffrey Meyers (2009)
|
|
Elizabeth Smither (Shakespeare Virgins)
|
reviewed by Michael Hulse (1985)
|
Elizabeth Smither (Professor Musgrove's Canary)
|
reviewed by Ruth Morse (1988)
|
Elizabeth Smither (Professor Musgrove's Canary)
|
reviewed by Michael Hulse (1988)
|
|
Kendrick Smithyman (Auto/Biographies)
|
reviewed by Michael Hulse (1994)
|
|
Gary Snyder (Mountains and Rivers Without End)
|
reviewed by David C. Ward (1997)
|
Gary Snyder (The Gary Snyder Reader: Prose, Poetry and Translations)
|
reviewed by Tess Mann (2001)
|
|
Edith Södergran
|
reviewed by John Pilling (1985)
|
Edith Södergran (Poems, translated by Gounil Brown with drawings by Joy Griffiths)
|
reviewed by John Pilling (1991)
|
|
Helmut Maria Soik (Rimbaud under the Steel Helmet)
|
reviewed by Paul Coates (1982)
|
|
Karen Solie (The Caiplie Caves)
|
reviewed by Ian Pople (2020)
|
|
Karen Sollie (Pigeon)
|
reviewed by Evan Jones (2009)
|
|
Piotr Sommer (Things to translate and other poems translated by various hands)
|
reviewed by John Pilling (1992)
|
Piotr Sommer (Continued, translated by Halina Jodd)
|
reviewed by Evan Jones (2006)
|
|
Kate Soper (To Relish the Sublime? Culture and Self-realization in Postmodern Times)
|
reviewed by Tim Rawson (2003)
|
|
Sophocles (Sophlocles: Four Tragedies trans. Oliver Taplin)
|
reviewed by Josh Hinton (2015)
|
|
Marin Sorescu (Selected Poems translated by Michael Hamburger)
|
reviewed by John Pilling (1985)
|
Marin Sorescu (Censored Poems, translated by John Hartley Williams and Hilde Ottschofski)
|
reviewed by John Pilling (2002)
|
Marin Sorescu (The Bridge, translated by Adam J. Sorkin and Lidia Vianu, with a translation foreword by Adam Sorkin)
|
reviewed by Carmen Bugan (2004)
|
|
Barry Spacks (Spacks Street)
|
reviewed by Michael Hofmann (1983)
|
|
Juliana Spahr (Well Then There Now )
|
reviewed by Stephen Ross (2012)
|
|
Muriel Spark (The Stories of Muriel Spark)
|
reviewed by Philip Terry (1988)
|
|
Adriano Spatola (Various Devices)
|
reviewed by Paul Coates (1983)
|
Adriano Spatola (The Position of Things: Collected Poems 1961â1992, translated by Paul Vangelisti, edited with an afterword by Beppe Cavatorta)
|
reviewed by John Muckle (2010)
|
|
Roberta Spear (The Pilgrim Among Us)
|
reviewed by Richard Francis (1992)
|
|
Steve Spence (Eat Here, Get Gas & Worms)
|
reviewed by Alan Munton (2022)
|
Steve Spence (Eat Here, Get Gas & Worms)
|
reviewed by Alan Munton (2022)
|
|
Bernard Spencer (Collected Poems, ed. Roger Bowen )
|
reviewed by Bernard Bergonzi (1982)
|
Bernard Spencer (Complete Poetry, Translations and Selected Prose, ed by Peter Robinson)
|
reviewed by James Sutherland-Smith (2012)
|
|
Dale Spender (There's Always Been A Women's Movement This Century )
|
reviewed by Carol Shergold (1984)
|
Dale Spender
|
reviewed by Clare Hanson (1987)
|
|
Stephen Spender (A Version of the Oedipus Trilogy of Sophocles, Collected Poems 1928-1985, and Journals 1939-1983)
|
reviewed by Jem Poster (1988)
|
Stephen Spender (Dolphins)
|
reviewed by Ian Sansom (1994)
|
Stephen Spender (New Collected Poems, edited by Michael Brett)
|
reviewed by Roger Caldwell (2005)
|
|
Matthew Sperling (Visionary Philology: Geoffrey Hill and the Study of Words)
|
reviewed by Stuart Farley (2015)
|
|
Michael Spiller (Early Modern Sonnetteers: From Wyatt to Milton)
|
reviewed by David Gervais (2003)
|
|
Michele Spina (West of the Moon, translated by Ann Colcord)
|
reviewed by Bianca Caravelli and D.J. Enright (1994)
|
|
Elizabeth Spires (The Wave-Maker)
|
reviewed by Rory Waterman (2011)
|
|
Martha Sprackland (Glass as Broken Glass)
|
reviewed by Alison Brackenbury (2017)
|
Martha Sprackland (Citadel)
|
reviewed by Ian Pople (2021)
|
|
Robert Sproat
|
reviewed by Harry Guest (1988)
|
|
Radcliffe Squires (Gardens of the World)
|
reviewed by Dick Davis (1982)
|
|
Sheryl St Germain (The Small Door of Your Death)
|
reviewed by Rebecca Foster (2018)
|
|
William Stafford (Stories That Could Be True: New and Collected Poems)
|
reviewed by Dennis Keene (1983)
|
William Stafford (Traveling Through the Dark)
|
reviewed by Vona Groarke (1998)
|
William Stafford (The Way It Is: New and Selected Poems)
|
reviewed by Ian Tromp (2000)
|
|
Pauline Stainer (Sighting the Slave Ship)
|
reviewed by T.J.G. Harris (1993)
|
Pauline Stainer (Sighting The Slave Ship)
|
reviewed by David Kennedy (1993)
|
Pauline Stainer (The Ice Pilot Speaks)
|
reviewed by Rennie Parker (1995)
|
Pauline Stainer (The Wound-Dresser's Dream)
|
reviewed by Rennie Parker (1997)
|
Pauline Stainer (Parable Island)
|
reviewed by Jem Poster (2000)
|
Pauline Stainer (The Lady & the Hare: New & Selected Poems)
|
reviewed by Michael Kinsella (2004)
|
Pauline Stainer (Crossing the Snowline)
|
reviewed by Peter Riley (2009)
|
Pauline Stainer (Tiger Facing the Mist )
|
reviewed by Cameron Hawke Smith (2014)
|
|
A.E. Stallings (Olives)
|
reviewed by Evan Jones (2013)
|
|
Jon Stallworthy (The Oxford Book of War Poetry, edited by Jon Stallworthy)
|
reviewed by Dick Davis (1986)
|
|
Richard Stamelman (Lost Beyond Telling: representations of death and absence in Modern French Poetry)
|
reviewed by John Pilling (1991)
|
|
Cynthia Stamy (Marianne Moore and China: Orientalism and a Writing of America)
|
reviewed by Olivier Burckhardt (2000)
|
|
Nichita Stanescu (The Still Unborn about the Dead, translated by Petru Popescu and Peter Jay)
|
reviewed by Jeffrey Wainwright (1978)
|
Nichita Stanescu (Ask the circle to forgive you: Selected Poems 1964-1979 translated by Mark Irwin and Mariana Carpinisan )
|
reviewed by John Pilling (1987)
|
|
Derek Stanford ( In the Classic Mode: The Achievement of Robert Bridges)
|
reviewed by John Finlay (1980)
|
Derek Stanford (The Traveller Hears the Strange Machine)
|
reviewed by Peter Howe (1981)
|
|
Donald Stanford (Revolution and Convention in Modern Poetry)
|
reviewed by Dick Davis (1984)
|
|
Martin Stannard (A Hundred Of Happiness and Other Poems)
|
reviewed by Toby Litt (1996)
|
Martin Stannard (Writing Down the Days: new and selected poems)
|
reviewed by David Kennedy (2002)
|
Martin Stannard (Poems for the Young at Heart)
|
reviewed by Ian Seed (2016)
|
Martin Stannard (Postcards to Ma)
|
reviewed by Rory Waterman (2023)
|
|
George Starbuck (The Argot Merchant Disaster)
|
reviewed by Michael Hofmann (1983)
|
|
Robert Stark (Ezra Pound's Early Verse and Lyric Tradition: AÂ Jargoner's Apprenticeship )
|
reviewed by Andrew Latimer (2013)
|
|
Carmine Starnino (A Lover's Quarrel)
|
reviewed by Marius Kociejowski (2005)
|
|
M Stasiak (Enchant / Extinguish)
|
reviewed by Ian Seed (2022)
|
|
C.K. Stead (Poems of a Decade)
|
reviewed by Michael Hulse (1985)
|
C.K. Stead (Paris)
|
reviewed by Michael Hulse (1986)
|
C.K. Stead (The Death of the Body)
|
reviewed by John Crick (1987)
|
C.K. Stead (The Red Tram)
|
reviewed by Oliver Dennis, Peter Riley, and Philip Terry (2005)
|
C.K. Stead (The Black River)
|
reviewed by Evan Jones (2008)
|
|
Gertrude Stein (Stanzas in Meditation: The Corrected Edition)
|
reviewed by Stephen Ross (2012)
|
|
Franz Baermann Steiner (Modern Poetry in Translation)
|
reviewed by John Pilling (1993)
|
|
George Steiner ('The Portage to San Cristobal of A. H.')
|
reviewed by C.J. Fox (1981)
|
George Steiner (No Passion Spent: Essays 1978-1996 and The Deeps of the Sea and Other Fiction)
|
reviewed by Iain Bamforth (1997)
|
George Steiner (Lessons of the Masters: The Charles Eliot Norton Lectures 2002-2003)
|
reviewed by Nicolas Tredell (2004)
|
|
Meic Stephens (The Oxford Companion to the Literature of Wales, compiled and edited by Meic Stephens)
|
reviewed by Dyfnallt Morgan (1987)
|
|
Gerald Stern (American Sonnets)
|
reviewed by Valerie Duff-Strautmann (2004)
|
Gerald Stern (Save the Last Dance)
|
reviewed by Rory Waterman (2011)
|
|
Anne Stevenson (Enough of Green)
|
reviewed by Blake Morrison (1979)
|
Anne Stevenson (Minute by Glass Minute)
|
reviewed by Michael Hofmann (1983)
|
Anne Stevenson (Four and a Half Dancing Men)
|
reviewed by Richard Francis (1994)
|
Anne Stevenson (The Collected Poems 1955-1995)
|
reviewed by Chris McCully (1997)
|
Anne Stevenson (Between the Iceberg and the Ship. Selected Essays and Five Looks at Elizabeth Bishop)
|
reviewed by Chris McCully (1999)
|
Anne Stevenson (Granny Scarecrow)
|
reviewed by Julian Stannard (2001)
|
Anne Stevenson (A Report from the Border)
|
reviewed by Chris McCully (2004)
|
Anne Stevenson (Poems 1955-2005)
|
reviewed by Peter Scupham (2006)
|
Anne Stevenson (Stone Milk)
|
reviewed by Nick Telfer (2008)
|
Anne Stevenson (Astonishment)
|
reviewed by Helena Nelson (2013)
|
Anne Stevenson (About Poems and how poems are not about)
|
reviewed by Andrew Hadfield (2017)
|
Anne Stevenson (Completing the Circle)
|
reviewed by Sue Leigh (2020)
|
Anne Stevenson (Collected Poems)
|
reviewed by Chris McCully (2023)
|
|
Christine Stewart (from `Taxonomy')
|
reviewed by David Kennedy (2004)
|
|
Sue Stewart (Inventing the Fishes)
|
reviewed by Roger Caldwell (1994)
|
|
Susan Stewart (The Poetâs Freedom: A Notebook on Making)
|
reviewed by Katy Price (2015)
|
|
Adalbert Stifter (Brigitta, translated from the German by Helen Watanabe-O'Kelly)
|
reviewed by Idris Parry (1991)
|
|
Robert D. Stock (The Flutes of Dionysus: Daemonic Enthrallment in Literature)
|
reviewed by Nicolas Tredell (1991)
|
|
Attila the Stockbroker (Scornflakes)
|
reviewed by Keith Silver (1993)
|
|
Ian Stoica (Gates of the moment, with the original en face, translated by Brenda Walker and Andrea Deletant)
|
reviewed by John Pilling (1987)
|
|
Adrian Stokes (With All the Views, Collected Poems, ed. Peter Robinson)
|
reviewed by Paul Carter (1982)
|
|
Mark Strand (Selected Poems)
|
reviewed by Justin Quinn (1997)
|
Mark Strand (Blizzard of One)
|
reviewed by Ian Tromp (2000)
|
Mark Strand (The Making of a Poem: A Norton Anthology of Poetic Forms, edited by Mark Strand and Eavan Boland)
|
reviewed by Ian Tromp (2001)
|
|
Em Strang (Bird-Woman)
|
reviewed by Ian Seed (2017)
|
Em Strang (Bird-Woman)
|
reviewed by John Muckle (2017)
|
|
Sean Street (The Wreck of the Deutschland: An Historical Note)
|
reviewed by Jeremy Hooker (1989)
|
Sean Street (Camera Obscura)
|
reviewed by Kevin J. Gardner (2016)
|
|
Leon Stroinski (Window: Prose Poems, translated by Adam Czerniawski )
|
reviewed by George Buchanan (1981)
|
|
Gloria Struthers (Sick Transit)
|
reviewed by David Kennedy (1993)
|
|
Terry Sturm (Christopher Brennan, edited by Terry Sturm )
|
reviewed by Ruth Morse (1987)
|
|
John Sturrock (Paper Tigers: The Ideal Fictions of Jorge Luis Borges)
|
reviewed by David Levy (1979)
|
John Sturrock (Structuralism)
|
reviewed by Nicolas Tredell (1988)
|
|
Arundhathi Subramanian (Love Without a Story )
|
reviewed by Joey Connolly (2021)
|
|
John Suiter (Poets on the Peaks)
|
reviewed by Colin Still (2003)
|
|
Hannah Sullivan (Was It for This)
|
reviewed by Daisy Fried (2023)
|
|
Rosemary Sullivan (By Heart: Elizabeth Smart, A Life)
|
reviewed by Patricia Beer (1992)
|
|
Henry Summerfield (An Introductory Guide to the Anathemata and the Sleeping Lord Sequence of David Jones - Introducing David Jones Ed. John Matthias)
|
reviewed by Neil Corcoran (1981)
|
|
Paul Summers (Three Men on the Metro)
|
reviewed by N.S. Thompson (2011)
|
|
Janet Sutherland (Bone Monkey)
|
reviewed by John Muckle (2015)
|
|
John Sutherland (Monica Jones, Philip Larkin and Me: Her Life and Long Loves)
|
reviewed by Ross Cogan (2021)
|
|
James Sutherland-Smith (A Singer from Sabiya )
|
reviewed by Fraser Steel (1981)
|
James Sutherland-Smith (Naming of the Arrow)
|
reviewed by Ian McMillan (1983)
|
James Sutherland-Smith (In the Country of Birds)
|
reviewed by Philip McCardle (2004)
|
|
David Sutton (Absences and Celebrations)
|
reviewed by Ian McMillan (1983)
|
David Sutton (Settlements)
|
reviewed by David Kennedy (1992)
|
|
Darko R. Suvin (The Long March)
|
reviewed by Michael Hulse (1991)
|
|
Jesper Svenbro (three-toed gull: Selected Poems, translated from the Swedish by John Matthias and Lars-Hakan Svensson)
|
reviewed by John Muckle (2004)
|
|
Livia Veneziani Svevo (Memoir of Italo Svevo translated by Isabel Quigley)
|
reviewed by John Pilling (1992)
|
|
Matthew Sweeney (A Round House)
|
reviewed by Dick Davis (1984)
|
Matthew Sweeney (A Round House)
|
reviewed by John Lees (1984)
|
Matthew Sweeney (The Flying Spring Onion)
|
reviewed by David Kennedy (1992)
|
Matthew Sweeney (Cacti)
|
reviewed by David Kennedy (1993)
|
Matthew Sweeney (Selected Poems)
|
reviewed by Patrick Mackie (2002)
|
Matthew Sweeney (Sanctuary)
|
reviewed by Oliver Dennis (2007)
|
Matthew Sweeney (Twentyone Men and a Ghost)
|
reviewed by Alison Brackenbury (2015)
|
Matthew Sweeney (My Life as a Painter)
|
reviewed by Rachel Mann (2018)
|
|
David Sweetman (Looking into the Deep End)
|
reviewed by Michael Hulse (1981)
|
|
Todd Swift (Madness & Love in Maida Vale)
|
reviewed by Alison Brackenbury (2016)
|
|
Lynn Swigart (Olson's Gloucester)
|
reviewed by Adrian Clarke (1981)
|
|
Richard Swigg (Look with the Ears: Charles Tomlinson's Poetry of Sound)
|
reviewed by Julian Stannard (2003)
|
|
Wally Swist (For The Dance)
|
reviewed by David Kennedy (1993)
|
|
Julian Symons (Critical Observations)
|
reviewed by Alan Young (1982)
|
|
Arthur Sze (The Glass Constellation: New and Collected Poems)
|
reviewed by Bonnie Costello (2021)
|
|
George Szirtes (Short Wave)
|
reviewed by Chris McCully (1984)
|
George Szirtes (Metro)
|
reviewed by Tom Phillips (1989)
|
George Szirtes (Bridge Passages)
|
reviewed by David Kennedy (1991)
|
George Szirtes (The Colonnade of Teeth: Modern Hungarian Poetry)
|
reviewed by John Pilling (1997)
|
George Szirtes (Portrait of my Father in an English Landscape)
|
reviewed by Caitriona O'Reilly (1999)
|
George Szirtes (The Budapest File)
|
reviewed by James Sutherland-Smith (2001)
|
|
Anne Szumigalski (Doctrine of Signatures)
|
reviewed by Michael Hulse (1985)
|
Anne Szumigalski (Risks)
|
reviewed by Michael Hulse (1986)
|
|
Wislawa Szymborska (Sounds, Feelings, Thoughts: Seventy Poems, tr. Magnus Krynski and Robert Maguire)
|
reviewed by Hilary Davies (1983)
|
Wislawa Szymborska (Poems New and Collected: 1957-1997 translated by Stanislaw Baranczak and Clare Cavanagh)
|
reviewed by Ian Firla (2000)
|
Wislawa Szymborska (miracle fair: Selected poems of Wislawa Szymborska, translated by Joanna Trzeciak)
|
reviewed by Tess Mann (2002)
|
Wislawa Szymborska (Here)
|
reviewed by Gerry McGrath (2014)
|