Philip Pacey (David Jones and Other Wonder-Voyagers)
|
reviewed by Brian Morton (1985)
|
|
Lewis Packer (Serpentine Futures)
|
reviewed by Michael Hulse (1987)
|
|
Ruth Padel (Angel)
|
reviewed by Matthew Francis (1994)
|
Ruth Padel (52 Ways of Looking At a Poem or How Reading Modern Poetry Can Change Your Life)
|
reviewed by N.S. Thompson (2002)
|
Ruth Padel (Voodoo Shop)
|
reviewed by Patrick Mackie (2002)
|
Ruth Padel (52 Ways of Looking at a Poem: A Poem for Every Week of the Year)
|
reviewed by Anthony Radice (2005)
|
Ruth Padel (Emerald)
|
reviewed by Alastair Llewellyn-Smith (2019)
|
|
Bibhu Padhi (Lines from a Legend)
|
reviewed by Ruth Morse (1994)
|
|
Justo Jorge Padrón (Boston Anthology of Latin American Poets in London, bilingual text and On the Cutting Edge, selected poems, translated from the Spanish by Louis Bourne)
|
reviewed by J.M. Cohen (1989)
|
|
Geoff Page (Selected Poems)
|
reviewed by Michael Hulse (1994)
|
|
Norman Page (Auden and Isherwood: The Berlin Years)
|
reviewed by John Whitehead (1999)
|
|
Ra Page (An Anthology of Short Stories by Poets, edited by Ra Page)
|
reviewed by Liz Lochhead (2004)
|
|
Dan Pagis (The Selected Poetry of Dan Pagis translated by Stephen Mitchell)
|
reviewed by John Pilling (1997)
|
|
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson)
|
reviewed by Nicolas Tredell (1991)
|
|
Mark Pajak (Spitting Distance)
|
reviewed by Alison Brackenbury (2017)
|
Mark Pajak (Slide)
|
reviewed by Joey Connolly (2023)
|
|
Michael Palmer (Sun)
|
reviewed by T.J.G. Harris (1992)
|
Michael Palmer
|
reviewed by Andrew Zawacki (2001)
|
|
Penelope Palmer (The Lamp)
|
reviewed by Dick Davis (1983)
|
|
Samuel Palmer (The Parting Light, Selected Writings of Samuel Palmer, edited by Mark Abley )
|
reviewed by Charles Tomlinson (1986)
|
|
William Palmer (The Paradise Commissionaire)
|
reviewed by Alison Brackenbury (2014)
|
|
Ayyappa Paniker (Twentieth Century Malayalam Literature, vol. 2, edited by Ayyappa Paniker)
|
reviewed by W.N. Herbert (2001)
|
|
Ethan Paquin (The Makeshift)
|
reviewed by David C. Ward (2003)
|
|
Jay Parini (Theodore Roethke: An American Romantic)
|
reviewed by Nicolas Tredell (1982)
|
Jay Parini (Anthracite Country)
|
reviewed by Rachel Hadas (1983)
|
|
Joseph Parisi (A History of Poetry in Letters - The First Fifty Years 1912-1962, compiled and edited by Joseph Parisi and Stephen Young)
|
reviewed by Martin Dodsworth (2003)
|
|
Deborah Parker (Inferno Revealed)
|
reviewed by Philip Terry (2014)
|
|
Elizabeth Parker (Antinopolis)
|
reviewed by Alison Brackenbury (2016)
|
Elizabeth Parker (In Her Shambles)
|
reviewed by David C. Ward (2019)
|
|
Mark Parker (Inferno Revealed)
|
reviewed by Philip Terry (2014)
|
|
Michael Parker (The Vandals)
|
reviewed by David C. Ward (2000)
|
|
Caleb Parkin (This Fruiting Body)
|
reviewed by Maria Sledmere (2022)
|
|
Dean Parkin (Irresistible to Women)
|
reviewed by Jackie Wills (2004)
|
|
Tim Parks (Loving Roger)
|
reviewed by Jem Poster (1988)
|
|
Sandeep Parmar (The Marble Orchard)
|
reviewed by Alfred Corn (2012)
|
Sandeep Parmar (Eidolon)
|
reviewed by John Muckle (2017)
|
|
Patrick Parrinder (Authors and Authority: A Study of English Literary Criticism and its Relation to Culture 1750-1900)
|
reviewed by David Levy (1979)
|
Patrick Parrinder (The Failure of Theory: Essays on Criticism and Contemporary Fiction)
|
reviewed by Nicolas Tredell (1988)
|
|
Gwyn Parry (The Hurricane)
|
reviewed by Jeremy Hooker (1989)
|
|
Idris Parry (Speak Silence)
|
reviewed by Michael Hamburger (1989)
|
|
John Parry (Interchange: A Practical Resource for Critical Interpretation)
|
reviewed by Neil Powell (1991)
|
|
Kenneth Parry (The Windeater: Te Kaihau)
|
reviewed by Jem Poster (1988)
|
|
Clere Parsons (The Air Between: Poems of Clere Parsons)
|
reviewed by C.H. Sisson (1990)
|
|
Giovanni Pascoli (Last Dream, Ed. and trans. by Geoffrey Brock)
|
reviewed by Edmund Prestwich (2020)
|
|
Linda Pastan (Carnival Evening: New and Selected Poems 1968-1998)
|
reviewed by Ian Tromp (1999)
|
Linda Pastan (The Last Uncle)
|
reviewed by Judy Kendall (2004)
|
|
Boris Pasternak (Poems, chosen and translated by Lydia Pasternak Slater)
|
reviewed by John Pilling (1985)
|
|
Kenneth Patchen (The Journal of Albion Moonlight)
|
reviewed by Ian Seed (2017)
|
|
Alasdair Paterson (Terra Nova)
|
reviewed by Dick Davis (1982)
|
Alasdair Paterson (elsewhere or thereabouts)
|
reviewed by James Sutherland-Smith (2014)
|
|
Alistair Paterson (Odysseus Rex, illustrated by Nigel Brown)
|
reviewed by Michael Hulse (1988)
|
|
Don Paterson (Landing Light)
|
reviewed by Oliver Dennis (2004)
|
Don Paterson (New British Poetry, edited by Don Paterson and Charles Simic)
|
reviewed by John O'Donoghue (2005)
|
Don Paterson (Rain)
|
reviewed by Natalie Pollard (2010)
|
Don Paterson (Rain)
|
reviewed by John Lyon (2011)
|
Don Paterson (The Poem: Lyric, Sign, Metre)
|
reviewed by Hal Coase (2018)
|
Don Paterson (Toy Fights)
|
reviewed by Christian Wethered (2023)
|
Don Paterson (The Arctic)
|
reviewed by Hugh Foley (2023)
|
|
Ian Patterson (Collected Poems)
|
reviewed by Jack Barron (2025)
|
|
Anthony Paul (OBE POSTMA, What the Poet Must Know, translated by Anthony Paul)
|
reviewed by Chris McCully (2004)
|
|
Tom Paulin (A State of Justice)
|
reviewed by Edward Levy (1978)
|
Tom Paulin (The Strange Museum)
|
reviewed by Neil Corcoran (1981)
|
Tom Paulin (Liberty Tree)
|
reviewed by Stephen Romer (1984)
|
Tom Paulin (The Strange Museum)
|
reviewed by Neil Powell (1988)
|
Tom Paulin (The Faber Book of Vernacular Verse)
|
reviewed by C.J. Fox (1991)
|
Tom Paulin (Minotaur: Poetry and the Nation State)
|
reviewed by Tim Rawson (1992)
|
Tom Paulin (Walking a Line)
|
reviewed by Keith Silver (1995)
|
Tom Paulin (Walking A Line: New and Selected Poems)
|
reviewed by Fenella Copplestone (1995)
|
Tom Paulin (The Wind Dog)
|
reviewed by David C. Ward (2000)
|
Tom Paulin (The Invasion Handbook)
|
reviewed by Andrew McNeillie (2002)
|
Tom Paulin (The Road to Inver)
|
reviewed by Carmen Bugan (2005)
|
Tom Paulin (Love's Bonfire)
|
reviewed by Vidyan Ravinthiran (2012)
|
Tom Paulin (New Selected Poems)
|
reviewed by Roger Garfitt (2014)
|
|
George Pavlopoulos (The Cellar)
|
reviewed by Matt Simpson (1979)
|
|
Ernst Pawel (The Nightmare of Reason: a Life of Franz Kafka)
|
reviewed by Michael Hamburger (1985)
|
|
Octavio Paz (One Earth, Four or Five Worlds, translated by Helen R. Lane)
|
reviewed by Martin Jarrett-Kerr (1986)
|
Octavio Paz (One Earth, Four or Five Worlds, translated by Helen R. Lane and The Labyrinth of Solitude, translated by Lysander Kemp )
|
reviewed by Charles Tomlinson (1987)
|
|
Mollie Peacock (The Second Blush)
|
reviewed by Marcus Smith (2010)
|
|
M.R. Peacocke (Selves)
|
reviewed by Matthew Francis (1996)
|
|
Mervyn Peake (Collected Poems, edited and introduced by R.W. Maslen)
|
reviewed by Gregory O'Brien (2008)
|
|
Brian Louis Pearce (The Vision of Piers Librarian)
|
reviewed by Dick Davis (1983)
|
|
Derek Pearsall (Old English and Middle English Poetry, Routledge History of English Poetry, Vol. 1)
|
reviewed by Brian Morton (1988)
|
|
Javier Peñalosa M. (What Comes Back / Los que regresan)
|
reviewed by Chris Miller (2025)
|
|
John Peck (Argura and Poems and Translations of Hi-Lo)
|
reviewed by Patrick McGuinness (1993)
|
John Peck (Collected Shorter Poems 1966-1996)
|
reviewed by Peter Carpenter (2000)
|
John Peck (Contradance)
|
reviewed by Joey Connolly (2012)
|
|
Michael Pennington (Hamlet: A User's Guide)
|
reviewed by T.J.G. Harris (1997)
|
|
Valentine Penrose (Poems and Narrations, translated by Roy Edwards )
|
reviewed by Charles Tomlinson (1979)
|
|
Paul Peppis (Sciences of Modernism: Ethnography, Sexology, and Psychology)
|
reviewed by Andrew Latimer (2015)
|
|
Marjorie Perloff (The Poetics of Indeterminacy: Rimbaud to Cage)
|
reviewed by Robert Sheppard (1983)
|
Marjorie Perloff (Unoriginal Genius: Poetry by Other Means in the New Century)
|
reviewed by Mark Dow (2012)
|
|
Walter Perrie (Caravanserai)
|
reviewed by Richard Price (2005)
|
|
Rebecca Perry (Stone Fruit)
|
reviewed by Genevieve Stevens (2021)
|
|
Fernando Pessoa (The Keeper of Sheep, translated by Edwin Honig and Susan M. Brown)
|
reviewed by John Pilling (1987)
|
Fernando Pessoa
|
reviewed by John Pilling (1988)
|
Fernando Pessoa (Message, translated by Jonathan Griffin)
|
reviewed by John Pilling (1993)
|
|
Holly Pester (Go to reception and ask for Sara in red felt tip)
|
reviewed by Rebecca Varley-Winter (2015)
|
|
Lily Petch (From Stone to Clay to Butter)
|
reviewed by Anthony Barnett (2025)
|
|
Alexander Peter (Roy Campbell: A Critical Biography)
|
reviewed by Alan Munton (1982)
|
|
Anne Peters (Rings of Green)
|
reviewed by Andrew Swarbrick (1983)
|
|
Pascale Petit (Mama Amazonica)
|
reviewed by Mary Jean Chan (2018)
|
|
György Petri (Night Song of the Personal Shadow: Selected Poems translated by Clive Wilmer and George Gömöri)
|
reviewed by John Pilling (1992)
|
|
Mario Petrucci (Heavy Water: A Poem for Chernobyl)
|
reviewed by Sasha Dugdale (2004)
|
|
Henri Peyre (Victor Hugo: Philosophy and Poetry, translated by Roda Roberts)
|
reviewed by John Clark (1981)
|
|
Tadeus Pfeifer (The Basalt Womb: Selected Poems, translated by Pamela Hardyment and Vishnu Khare)
|
reviewed by David Constantine (2004)
|
|
Ellen Phethean (Breath)
|
reviewed by Alison Brackenbury (2011)
|
|
Carl Phillips (Wild Is the Wind)
|
reviewed by Florian Gargaillo (2018)
|
Carl Phillips (My Trade Is Mystery)
|
reviewed by Ian Pople (2023)
|
|
Caryl Phillips (A State of Independence)
|
reviewed by Michael Hulse (1989)
|
|
Catherine Phillips (Gerard Manley Hopkins and the Victorian Visual World)
|
reviewed by MatÃas Serra Bradford (2008)
|
|
Douglas Phillips (Sir Lewis Morris)
|
reviewed by Sam Adams (1982)
|
|
Rowan Ricardo Phillips (The Failure of the Moment)
|
reviewed by Kate Caoimhe Arthur (2021)
|
|
Tom Pickard (Custom & Exile)
|
reviewed by C.B. McCully (1986)
|
|
Marge Piercy (Stone, Paper, Knife)
|
reviewed by Chris McCully (1984)
|
Marge Piercy (My Mother's Body)
|
reviewed by Paul McLoughlin (1986)
|
|
W.S. di Piero (The Restorers)
|
reviewed by Richard Francis (1993)
|
|
Katherine Pierpoint (Truffle Beds)
|
reviewed by Loraine Fletcher (1995)
|
|
John Pikoulis (Alun Lewis: A Life )
|
reviewed by Peter Levi (1985)
|
|
Janos Pilinszky (Crater, translated by Peter Jay)
|
reviewed by Paul Wilkins (1980)
|
Janos Pilinszky (Passio)
|
reviewed by Tara Bergin (2013)
|
|
John Pilling (Autobiography and Imagination: Studies in Self-Scrutiny)
|
reviewed by Bernard Bergonzi (1982)
|
John Pilling
|
reviewed by Richard Swigg (1983)
|
John Pilling (50 Modern European Poets)
|
reviewed by Peter Levi (1983)
|
|
Robert Pinsky (Jersey Rain)
|
reviewed by David C. Ward (2000)
|
|
Harold Pinter (Collected Poems and Prose)
|
reviewed by David Kennedy (1991)
|
|
Heinz Piontek (Selected Poems translated by Ewald Osers)
|
reviewed by John Pilling (1995)
|
|
David Piper (The Image of the Poet: British Poets and their Portraits)
|
reviewed by Nicolas Tredell (1984)
|
|
Alycia Pirmohamed (Another Way to Split Water)
|
reviewed by Aoife Lyall (2023)
|
|
Ruth Pitter (Collected Poems with an introduction by Elizabeth Jennings)
|
reviewed by Kate Price (1997)
|
|
Al Pittman (Once when I was drowning )
|
reviewed by Michael Hulse (1985)
|
|
John Placentius (The Pig War)
|
reviewed by Evan Jones (2023)
|
|
Gill Plain (Women's Fiction of the Second World War: Gender, Power, Resistance)
|
reviewed by Janet Montefiore (1997)
|
|
Sylvia Plath (Letters Home: Correspondence 1950-1963, edited by Aurelia Schober Plath)
|
reviewed by Eric Homberger (1977)
|
|
William Plomer (Selected Poems)
|
reviewed by Kevin Gardner (2017)
|
|
Stanley Plumly (The Marriage in the Trees)
|
reviewed by David C. Ward (1998)
|
|
Dana Podracka (Forty Four, translated by Robert Welch)
|
reviewed by Carmen Bugan (2006)
|
|
Patricia Pogson (A Crackle From The Larder)
|
reviewed by David Kennedy (1992)
|
|
Luis Poirot (Pablo Neruda: Absence and Presence, with translations by Alastair Reid)
|
reviewed by John Pilling (1991)
|
|
Velma Pollard (Shame Trees Don't Grow Here... But Poincianas Bloom)
|
reviewed by Ruth Morse (1994)
|
|
Wendy Pollard (Pamela Hansford Johnson: Her Life, Works and Times)
|
reviewed by Nicolas Tredell (2015)
|
|
Robert Pollet (Poetical Works)
|
reviewed by David Kennedy (1993)
|
|
Jacob Polley (The Brink)
|
reviewed by John Lyon (2005)
|
|
Katha Pollitt (The Mind/Body Problem)
|
reviewed by Tim Liardet (2013)
|
|
Alvaro Pombo (The Hero of the Big House, translated by Margaret Jull Costa)
|
reviewed by Harry Guest (1990)
|
|
Francis Ponge (Selected Poems)
|
reviewed by John Pilling (1996)
|
|
Adrian Poole (Tragedy - Shakespeare and the Greek Example)
|
reviewed by Martin Jarrett-Kerr (1988)
|
|
Diana Pooley (Like This)
|
reviewed by Alison Brackenbury (2011)
|
|
Maya C. Popa (American Faith)
|
reviewed by Ian Pople (2020)
|
|
Maya Catherine Popa (The Bees Have Been Canceled)
|
reviewed by Jane Draycott (2018)
|
|
Vasko Popa (The Golden Apple)
|
reviewed by Michael Cayley (1981)
|
Vasko Popa (The Golden Apple)
|
reviewed by Michael Cayley (1981)
|
Vasko Popa (Collected Poems)
|
reviewed by Steve King (1999)
|
Vasko Popa (The Golden Apple)
|
reviewed by Fiona Sampson (2011)
|
Vasko Popa (Complete Poems)
|
reviewed by Tara Bergin (2012)
|
|
Deborah Pope (Mortal World)
|
reviewed by Nathan Ewer (1996)
|
|
Ian Pople (An Occasional Lean-to)
|
reviewed by Carol Rumens (2005)
|
Ian Pople (Saving Spaces)
|
reviewed by Joey Connolly (2011)
|
|
Katrina Porteous (The Lost Music)
|
reviewed by Caroline Sylge (1997)
|
|
Peter Porter (English Subtitles)
|
reviewed by Michael Hulse (1981)
|
Peter Porter (Collected Poems)
|
reviewed by John Ash (1983)
|
Peter Porter (Fast Forward)
|
reviewed by C.B. McCully (1985)
|
Peter Porter (The Automatic Oracle)
|
reviewed by Neil Powell (1989)
|
Peter Porter (Rivers)
|
reviewed by Judith Willson (2003)
|
Peter Porter (Better than God)
|
reviewed by Tim Liardet (2009)
|
|
Dennis Potter (Ticket to Ride)
|
reviewed by David Marriott (1988)
|
|
Kate Potts (Pure Hustle)
|
reviewed by Charlie Cocksedge (2012)
|
|
Ezra Pound (End to Torment, with poems from Hilda's Book)
|
reviewed by Andrew Howdle (1981)
|
Ezra Pound
|
reviewed by Peter Robinson (1985)
|
Ezra Pound
|
reviewed by Richard Luckett (1985)
|
Ezra Pound
|
reviewed by Nigel Wheale (1985)
|
Ezra Pound (Pound's Artists: Ezra Pound and the Visual Arts in London, Paris and Italy, edited by Richard Humphries and Pound/Lewis: the Letters of Ezra Pound and Wyndham Lewis, edited by Timothy Materer)
|
reviewed by James Malpas (1986)
|
Ezra Pound (Selected Poems and Translations, ed. Richard Sieburth )
|
reviewed by Andrew Latimer (2013)
|
|
Omar Pound (The Dying Sorcerer)
|
reviewed by C.B. McCully (1986)
|
|
Grosvenor Powell (Language as Being in the Poetry of Yvor Winters)
|
reviewed by Dick Davis (1981)
|
|
Neil Powell (At the Edge, Carpenters of Light: A Critical Study of Contemporary British Poetry, and Out of Time)
|
reviewed by Bernard Bergonzi (1981)
|
Neil Powell (A Season of Calm Weather)
|
reviewed by Steven Tuohy (1983)
|
Neil Powell (Roy Fuller: Writer and Society)
|
reviewed by Dennis O'Driscoll (1996)
|
Neil Powell (George Crabbe: An English Life 1754-1832)
|
reviewed by Norman Scarfe (2005)
|
Neil Powell (Proof of Identity)
|
reviewed by Kevin J. Gardner (2012)
|
Neil Powell (Benjamin Britten: A Life for Music)
|
reviewed by John Matthias (2013)
|
Neil Powell (Was and Is: Collected Poems)
|
reviewed by Kevin Gardner (2017)
|
|
John Powell Ward (Selected and New Poems)
|
reviewed by Sam Adams (2005)
|
|
Phoebe Power (Shrines of Upper Austria)
|
reviewed by Jennifer Edgecombe (2019)
|
|
Nina Mingya Powles (Magnolia)
|
reviewed by Ian Pople (2021)
|
|
Karen Pratt (The Song of Roland and Other Poems of Charlemagne, a new translation by Simon Gaunt and Karen Pratt)
|
reviewed by Andrew Hadfield (2017)
|
|
Wendy Pratt (Lapstrake)
|
reviewed by Alison Brackenbury (2016)
|
|
Chris Preddle (Cattle Console Him)
|
reviewed by Rachel Redford (2011)
|
|
Jacques Préevert (Selected Poems, translated by Sarah Lawson)
|
reviewed by John Pilling (2004)
|
|
Mark Prendergast (The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert)
|
reviewed by Nicolas Tredell (1987)
|
|
Tara Prescott (Poetic Salvage, Reading Mina Loy)
|
reviewed by Gerry McGrath (2018)
|
|
Frances Presley (Paravane: New and Selected Poems 1996-2003)
|
reviewed by David Kennedy (2005)
|
|
Anthony Price (For the Good of the State)
|
reviewed by Marghanita Laski (1987)
|
|
Jonathan Price (Everything Must Go)
|
reviewed by Paul McLoughlin (1987)
|
|
Richard Price (Lucky Day)
|
reviewed by John Muckle (2005)
|
Richard Price (Greenfields)
|
reviewed by Simon Smith (2007)
|
|
Stephen Prickett (Words and "The Word": language, poetics and biblical interpretation)
|
reviewed by Nicolas Tredell (1987)
|
|
Jana Prikryl (No Matter)
|
reviewed by Evan Jones (2020)
|
|
Alison Prince (The Whifflet Train)
|
reviewed by Richard Price (2005)
|
|
F.T. Prince (Afterword on Rupert Brooke)
|
reviewed by Paul Wilkins (1979)
|
F.T. Prince (Collected Poem)
|
reviewed by Neil Powell (1980)
|
F.T. Prince (Later On)
|
reviewed by Chris McCully (1984)
|
F.T. Prince (Walks in Rome)
|
reviewed by Neil Powell (1989)
|
F.T. Prince (Collected Poems 1935-1992)
|
reviewed by Peter Robinson (1993)
|
|
Simon Pringle (Das Booty )
|
reviewed by Chris Miller (2014)
|
|
William H. Pritchard (Frost: A Literary Life Reconsidered)
|
reviewed by E.W.F. Tomlin (1986)
|
William H. Pritchard (Randall Jarrell, A Literary Life)
|
reviewed by Richard Francis (1992)
|
|
William T. Pritchard (Seeing Through Everything: English Writers 1918-1940)
|
reviewed by David Levy (1978)
|
|
Frederic Prokosch (Voices: a memoir)
|
reviewed by Mark Thompson (1985)
|
|
Wyatt Prunty (The Times Between)
|
reviewed by Dick Davis (1982)
|
Wyatt Prunty (Domestic of the Outer Bank)
|
reviewed by Dick Davis (1982)
|
Wyatt Prunty (The Run of the House)
|
reviewed by Richard Francis (1993)
|
|
J.H. Prynne (Poems)
|
reviewed by Dennis Keene (1983)
|
J.H. Prynne (Poems)
|
reviewed by Alan Halsey (1983)
|
J.H. Prynne
|
reviewed by James Keery (1997)
|
J.H. Prynne (Biting the Air)
|
reviewed by John Muckle (2004)
|
J.H. Prynne (The White Stones)
|
reviewed by Ian Brinton (2016)
|
J.H. Prynne (The Oval Window: a new annotated edition)
|
reviewed by Hal Coase (2018)
|
J.H. Prynne (Parkland)
|
reviewed by Anthony Barnett (2020)
|
|
Sheenagh Pugh (Crowded by Shadows)
|
reviewed by Deborah Mitchell (1979)
|
Sheenagh Pugh (Earth Studies and Other Voyages)
|
reviewed by Michael Bird (1984)
|
Sheenagh Pugh (Beware Falling Tortoises)
|
reviewed by Jeremy Hooker (1988)
|
Sheenagh Pugh (Sing for the Taxman)
|
reviewed by T.J.G. Harris (1993)
|
|
Manuel Puig (Blood of Requited Love, translated by Jan L. Grayson and The Buenos Aires Affair, translated by Suzanne Jill Levine)
|
reviewed by Harry Guest (1990)
|
|
Sally Purcell (Dark of Day)
|
reviewed by Matt Simpson (1979)
|
Sally Purcell (Collected Poems)
|
reviewed by Kate Keogan (2003)
|
|
Al Purdy (Being Alive: Poems 1958-78)
|
reviewed by Michael Hulse (1986)
|
|
Alexander Pushkin (The Bronze Horseman and other poems, translated by D. M. Thomas )
|
reviewed by John Pilling (1983)
|
Alexander Pushkin (The Gypsies and Other Narrative Poems, translated by Antony Wood with engravings by Simon Brett)
|
reviewed by Elaine Feinstein (2007)
|
|
Rodney Pybus (At the Stone Junction)
|
reviewed by Matt Simpson (1980)
|
Rodney Pybus (Flying Blues)
|
reviewed by Patrick McGuinness (1995)
|
|
Eveline Pye (Smoke that Thunders)
|
reviewed by Alison Brackenbury (2016)
|
|
Avril Pyman (The Life of Aleksandr Blok. Volume I: 'The Distant Thunder 1880-1908' and Volume II: 'The Release of Harmony 1908-1924')
|
reviewed by John Pilling (1981)
|