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PN Review 198

Volume 37 Number 4 February - March 2011 Out of Stock
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Table of Contents

Cover of PN Review 198
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Inside Cover Portrait: Hart Crane (David C. Ward)
Editorial
News & Notes
Letters

Reports

Michael Henchard's Will Neil Powell
Letter from Wales Sam Adams
Geoffrey Hill's First Lecture Jeffrey Wainwright
Amjad Nasser 'Cavafy's Mask' Fady Joudah
From the Bow-Wow Shop 3 Michael Glover
Almost Nothing But Sudden Impulses Frank Kuppner
From a Journal R.F. Langley

Poems

Re-Reading Oliver Goldsmith's 'Deserted Village' Eavan Boland
Ten Poems Stanley Moss
Three Poems Dannie Abse
Three Poems Anne Stevenson
Three Poems Sheenagh Pugh
Four Poems Eva Luka
Five Poems Mina Gorji
Five Poems (translated by Marilyn Hacker) Vénus Khoury-Ghata
Three Poems Shazea Quraishi
from The Greek Anthology Greg Delanty
Four Poems C.K. Williams
Three Poems Maureen Duffy
Two San Francisco Poets David C. Ward
Four Poems John McAuliffe
Four Poems Dawn Wood
Those Were the Days Andrew Waterman

Articles

Samuel Beckett What is the Word, by György Kurtág Gabriel Josipovici
'And kis the steppes, where as thow seest pace/Virgile' Andrew Hadfield
What the Dead Keep Chris Miller
Chain of Fools: on Seamus Heaney Jason Guriel
C.K. Williams in Conversation Ahren Warner
Snapshots of Ypres Martin Caseley
The Pillow Book Jee Leong Koh
Catchwords 11 Iain Bamforth

Reviews

on Patti Smith David C. Ward
on Cavalcanti, Dante, and the Classics in Modern Poetry Andrew Hadfield
on Mahmoud Darwish André Naffis-Sahely
on Mexican Poetry Today Miriam Gamble
on C.K Williams Charlie Cocksedge
on Paul Bray Evan Jones
on W.S. Merwin David C. Ward

Cover: Cover Image: The cover image, entitled 'Sensitive, Seldom and Sad', orginally included in Rhymes without Reason 1944 © the Mervyn Peake Estate, appears as the cover illustration for Mervyn Peake's Complete Nonsense, an illustrated volume published by Carcanet Press to accompany the Collected Poems (2008), as part of the 2011 celebrations to mark the centenary of Mervyn Peake's birth. The image is reproduced by kind permission of the Mervyn Peake Estate.

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