Jeffrey Wainwright
|
The Politics of Literature (1978)
|
|
Shelley's Political Poetry (1981)
|
|
Reading the Americans: Apart and Together (1981)
|
|
'The Art of Estrangement' (1987)
|
|
Geoffrey Hill: The Triumph of Love (2000)
|
|
The Uncertainty of the Poet (2001)
|
|
In the Light: Poetry of Robert Gray (2012)
|
|
on Geoffrey Hill’s Baruch (2019)
|
|
PN Review at Fifty (2023)
|
|
Marcus Waithe
|
Dense Settling: Geoffrey Hill’s Broken Hierarchies (2014)
|
|
Bedilu Wakjira
|
Truth my Child (translated by Hiwot Tadesse and Chris Beckett) (2018)
|
|
Alan Walker
|
Thinking about Musical History (1978)
|
|
Marshall Walker
|
Fog and the Island: A Letter to Sibelius (1999)
|
|
Alan Wall
|
The Poetry of P.J. Kavanagh (1999)
|
|
Robert Walser
|
Tobold translated by Idris Parry (1998)
|
|
George Walter
|
Unpublished Poems by Ivor Gurney (II) (1995)
|
|
Ivor Gurney: Unpublished Poems I (1995)
|
|
Anthony Walton
|
Peter Buttigieg (2019)
|
|
The Time Machine (2019)
|
|
David C. Ward
|
Burin and Brush: Elizabeth Bishop's Poetry and Painting (1998)
|
|
Dam and River: Two Ways to Art in the 1950s (1999)
|
|
Anne Carson: Addressing the Wound (2001)
|
|
Ghost Worlds of the Ordinary: W.G. Sebald and Gerhard Richter (2003)
|
|
'Thou Bringest Tally': Marsden Hartley's Eight Bells Folly. Memorial to Hart Crane (2004)
|
|
Criticism Makes Nothing Happen (2005)
|
|
The Green Man: Walt Whitman and the Civil War (2006)
|
|
'Pouring for You': Walt Whitman, 'a kosmos' (2007)
|
|
Coda (2007)
|
|
Native to the Grain (2009)
|
|
'Vaulting Ambition': Poetry, Photography and Lincoln's Self-Fashioning (2009)
|
|
Moving Targets (2010)
|
|
Jonathan D. Katz and David C. Ward
|
A Reply to Gregory Woods (2012)
|
|
David C. Ward
|
Poetic Likeness: Modern American Poets (2012)
|
|
A Road to Poetry: Eavan Boland Maps the Body Politic (2014)
|
|
Geoff Ward
|
‘time * cache * time * ache’ (2017)
|
|
Marina Warner
|
A Few Thoughts about Europe and its Legacy (1991)
|
|
Making Secret Visions Visible (1997)
|
|
Magic and Metamorphosis (The Dawson Jackson/PNR Lecture) (1999)
|
|
Remembers (2018)
|
|
Val Warner
|
Mary Magdalene and the Bride - The Work of Charlotte Mew (1975)
|
|
By St Paul's Parish Church, Sketty (1984)
|
|
New Light on Charlotte Mew (1997)
|
|
Mary Warnock
|
Ancient and Modern (1980)
|
|
Helen Watanabe-O'Kelly
|
Introduction (1980)
|
|
Edmund Spenser and Ireland (1980)
|
|
Andrew Waterman
|
John Berryman: The Poet as Critic (1978)
|
|
Louis Simpson: Occasion for a Retrospect (1978)
|
|
Ulsterectomy (1978)
|
|
Some Notes on the Blue Guitar (1979)
|
|
Somewhere, Out There, Beyond: the poetry of Seamus Heaney and Derek Mahon (1981)
|
|
Out of the Ordinary (1982)
|
|
Irish Stew and Flummery (1987)
|
|
United Ireland (1987)
|
|
Keep it in the Six Counties, Heaney! (1989)
|
|
'This Will Never Do': Recklessness in Great Poetry (2012)
|
|
Rory Waterman
|
Tongs in Hand (2023)
|
|
Saint Robert of Waco (2023)
|
|
Lindsay Waters
|
Does Aesthete Rhyme with Effete? (2003)
|
|
George Watson
|
C.S. Lewis on Metre (2012)
|
|
Adam Watt
|
Paulin's (Con) versions (2008)
|
|
Rebecca Watts
|
EMPEROR PENGUIN (THE POLAR MUSEUM, CAMBRIDGE) (2014)
|
|
ANTARCTICA (2014)
|
|
The Cult of the Noble Amateur (2018)
|
|
Eggs Florentine (2023)
|
|
H. L. Weatherby
|
Southerners and Marxists (1980)
|
|
Towards a Byzantine Poetic (1982)
|
|
Daniel Weissbort
|
Looking (1988)
|
|
An Age Ago or The Maturing Ego (1990)
|
|
The Poetry of Survival: Beyond Guilt (1992)
|
|
'Something Like His Own Language': Joseph Brodsky (2001)
|
|
Nothings? Some Comments on the Poetry of Daniel Huws (2004)
|
|
John Welch
|
Out, Walking (2007)
|
|
John Wells
|
Writing Poetry: Text and Artefact in Cambridge University Library (2004)
|
|
Robert Wells
|
Anchises (1978)
|
|
Neglected Self: W. H. Hudson (1983)
|
|
C.H. Sisson (1984)
|
|
The Precise and the Mysterious (2004)
|
|
Genius of Activity (2018)
|
|
Matthew Welton
|
Into the Dusk-Charged Air (2018)
|
|
Thomas A. Clark: Into actual space (2020)
|
|
Upwind (2023)
|
|
Donald Wesling
|
For a Materialist Poetics (1983)
|
|
Writing Leningrad/Leningrad Writing (1990)
|
|
Michael Westlake
|
Charmeuses/Comédinnes 1 (1987)
|
|
The Hard Idea of Truth (1989)
|
|
Mike Westlake
|
Women Transfigured (1986)
|
|
John Whale
|
Resonant Images and Staunch Imaginings (2009)
|
|
Walid Abdul-Hamid and Nigel Wheale
|
Impossible Traces: Translating the Sayfiyat of Abu Tayyib Al-Mutanabbí (2002)
|
|
David Wheatley
|
'Am I Rambling? I Hope So': Reading Peter Riley (2008)
|
|
on Samuel Beckett and an Anti-Genealogy of Contemporary Irish Poetry (2016)
|
|
Aspermatic Days and Nights (II) (2016)
|
|
Michael Wheeler
|
'Habitual Music' (1980)
|
|
Eric W. White
|
Introduction 'A Note on Abstract or Symphonic Ballet' (1980)
|
|
Eric Walter White
|
Two Recollections (1979)
|
|
Sarah White
|
Two Poems (2014)
|
|
Sean Wilentz
|
Whitman and Two Democracies (2007)
|
|
John Wilkinson
|
Tom Raworth, Incidentally (2017)
|
|
Stranded on Bryher (2019)
|
|
John Hartley Williams
|
Holiday Reading: Charles Olson (2007)
|
|
Rhian Williams
|
Gossip in Eden: Auden's Prose (2012)
|
|
Rowan Williams
|
‘From Carn Ingli’ and Other Poems (2014)
|
|
Ursula Vaughan Williams
|
Working with Composers (1991)
|
|
William Carlos Williams
|
The Poet's Nascent Soul: Letters to his Brother Edgar (edited by Andrew Krivak) (2004)
|
|
Bryan Williamson
|
Slow, Slow, Fresh Font (1994)
|
|
Judith Willson
|
‘We have to get this into the next issue of PN Review’ (2023)
|
|
Clive Wilmer
|
In the Distance (1977)
|
|
A Net of Stars (1978)
|
|
Definition and Flow (1979)
|
|
Exile and Ambassador (John Heath-Stubbs) (1980)
|
|
Paul Celan: Between Silences (1982)
|
|
John Ruskin: Life or Works? (1982)
|
|
Rhythm in Sisson's Poetry (1984)
|
|
Introduction (1989)
|
|
Poet as Sculptor (1992)
|
|
Sculpture and Economics in Pound and Ruskin (1998)
|
|
On Ignorance (1998)
|
|
Donald Davie, Thomas Hardy and British Poetry (1998)
|
|
On the Past and its Present Moment (1999)
|
|
On Originality (1999)
|
|
Two Modes of Translation (2000)
|
|
On Freedom (2000)
|
|
Edward Thomas: Englishness and Modernity (2001)
|
|
Ruskin and the Sense of an Ending (2002)
|
|
Maundering Medievalism (2003)
|
|
Donald Davie's Arguments with Modernism (2004)
|
|
The Later Fortunes of Impersonality (2004)
|
|
Remembering Thom Gunn (2006)
|
|
Thom Gunn, Shakespeare and Elizabethan Poetry (2008)
|
|
Story and Fable: Reflections on Edwin Muir (2012)
|
|
Jason Wilson
|
W. H. Hudson, Poet in Prose (1983)
|
|
Colin Winborn
|
'Derangement from deep inside': J.H. Prynne's 'Refuse Collection' (2007)
|
|
Joe Winter
|
Memorialising Rabindranath Tagore in Brighton (2022)
|
|
Terry Witek
|
In Loving Disagreement: Donald Davie (2007)
|
|
Richard Wollheim
|
Adrian Stokes; critic, painter, poet (1980)
|
|
James Womack
|
A Garden (2023)
|
|
Alex Wong
|
Crashaw 400, Part I (2013)
|
|
Crashaw 400, Part II (2013)
|
|
Barry Wood
|
on Rich and Pound (2018)
|
|
Footnote to a larger story (2023)
|
|
Ralph Wood
|
Moelwyn Merchant's Poetry and Fiction (1988)
|
|
Gregory Woods
|
Ashbery's Abnormalcy (1994)
|
|
Je est beaucoup d'autres: Hide/Seek (2012)
|
|
Of Queerness (2024)
|
|
Gerard Woodward
|
A Poet in an Art Gallery: John Ashbery as an Art Critic (1994)
|
|
Judith Woolf
|
Finding a Language for Memory (2007)
|
|
The Starving of Auschwitz and the Gluttons of Purgatory (2007)
|
|
Echoes of Venice in Bassani (2007)
|
|
William Wootten
|
On Bill Manhire (2006)
|
|
On Robert Crawford and David Kinloch (2008)
|
|
Thoughts on Some Recent Anti-War Poetry (2009)
|
|
'Nikos is an Artist': W.S. Graham, Penguin and Faber (2009)
|
|
'Gold as on a Coin': Philip Larkin and Vernon Watkin (2013)
|
|
Patrick Worsnip
|
Visiting Leopardi (2015)
|
|
Sleeping with Gozzano (2016)
|
|
Talking to a Nanny Goat: Umberto Saba Revisited (2017)
|
|
Michael J. Worton
|
Michel Tournier and the Masterful Art of Rewriting (1985)
|
|
David Wright
|
Another Part of the Wood (1975)
|
|
A Note on Julian Orde Abercrombie (1978)
|
|
A South African Poet: Notes on Guy Butler (1979)
|
|
The Dunkirk Summer (1982)
|
|
An Apprenticeship in Soho (1991)
|
|
Conversations with Roy Campbell (1992)
|
|
Constance Parrish and Duncan Wu
|
Isabella Lickbarrow: A Romantic Rediscovered (2003)
|
|
Alex Wylie
|
Prophet and Citizen: Fifty Years of Geoffrey Hill's For the Unfallen (2009)
|
|
Sisson’s Troy (2014)
|
|
Democratic Rags (2020)
|
|
Consolation (2021)
|
|
The Bureaucratic Sublime (2021)
|
|
A Proxy for Submission (2022)
|