|
George MacBeth
|
The Early Barker (1983)
|
|
|
Antonio Machado
|
Campos de Soria translated by Virginia Falconer (2019)
|
|
|
Mairi MacInnes
|
Marvell in Yorkshire, Yeats in Sligo (1982)
|
|
|
Metaphors of Place (1982)
|
|
|
Duncan MacKay
|
Eliot’s Scientific ‘Tendencies’ (2016)
|
|
|
on Charles Olson
(2018)
|
|
|
Ezra Pound's Fragments (2019)
|
|
|
Patrick Mackie
|
Remembers (2018)
|
|
|
Sorley Maclean
|
par lui même (1990)
|
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|
Silis MacLeod
|
The Con of the Wild (2023)
|
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|
Robin Maconie
|
The Way of Music (2008)
|
|
|
Where Conductors Fear to Tread (2008)
|
|
|
Facing the Music: Stockhausen's Wizard of Oz (2009)
|
|
|
Chapter Zero: Silence (2010)
|
|
|
A Metaphrase of Gertrude Stein (2011)
|
|
|
Brian Maidment
|
Reading Ruskin and Ruskin Readers (1988)
|
|
|
Maitreyabandhu
|
Poetry in Motion (2017)
|
|
|
James Malpas
|
Shock of Recognition: Ian Hamilton Finlay (1986)
|
|
|
The Little Theatre of the World (1986)
|
|
|
Dominic Manganiello
|
C.H. Sisson's Purgatorial Dark Wood (2001)
|
|
|
Alberto Manguel
|
Dante's Dog (2010)
|
|
|
A Note on Change (2011)
|
|
|
Translating Dante (2022)
|
|
|
Selbstgefühl (2022)
|
|
|
For Michael (2023)
|
|
|
Orlando Fantastico: Il non credibile vero (2023)
|
|
|
Bill Manhire
|
Ponies (1987)
|
|
|
Wings of Gold: A Week Among Poets (1991)
|
|
|
Bill Manhire and Sinéad Morrissey
|
A New Divan translated by Bill Manhire & Sinéad Morrissey (2019)
|
|
|
Bill Manhire
|
Contributors’ Notes (2023)
|
|
|
Rachel Mann
|
Michael Schmidt (2023)
|
|
|
Thomas Mann
|
on ‘Billy Budd’ (2024)
|
|
|
Dorian Grieve, John Manson, and Alan Riach
|
Hugh MacDiarmid after 25 Years (2003)
|
|
|
E.A. Markham
|
Roots and Roots (2003)
|
|
|
Robyn Marsack
|
Towards Jerusalem (James K. Baxter) (1982)
|
|
|
Three New Zealand Poets (1985)
|
|
|
From Glasgow to Nineveh (2006)
|
|
|
After the War Is Over (2022)
|
|
|
PNR (2023)
|
|
|
Bernice Martin
|
Devil and Angel (1980)
|
|
|
David Martin
|
The Sound of England (1979)
|
|
|
Why Spit on Your Luck? (1980)
|
|
|
Polity and Religion in Charles Sisson (1984)
|
|
|
A Decade On (1990)
|
|
|
Charles Martindale
|
Literature and Christian Belief (1984)
|
|
|
Toby Martinez de las Rivas
|
Different Gods: C.H. Sisson and Jack Clemo (2014)
|
|
|
Pierre Martory
|
Introduction to Washington Square, translated by John Ashbery (2014)
|
|
|
Boris Dralyuk and Irina Mashinski
|
'Sudden Ascent' (2021)
|
|
|
R. W. Maslen
|
Mervyn Peake's Illustrations for Rhymes Without Reason (1944) (2011)
|
|
|
John Hope Mason
|
The Neglect of Pirandello (1983)
|
|
|
Ronald Mason and Charles Olsen
|
A Correspondence (2003)
|
|
|
Ian Massey
|
Keith Vaughan (2013)
|
|
|
John Matthias
|
Speak That I May See Thee: 'Dai Greatcoat' (1981)
|
|
|
The Haunting of Benjamen Britten (1993)
|
|
|
From Mauberley to Middagh Street: Ways of Meeting the British (1994)
|
|
|
Walford Davies and Ralph Maud
|
Concerns about Dylan Thomas (2004)
|
|
|
Carol Mavor
|
Aurelia: Art and Literature through the Mouth of the Fairy Tale (2015)
|
|
|
Hugh Maxton
|
A Miss is as good as... (1983)
|
|
|
Mary Maxwell
|
The Way Grass Grows: Janice Biala, Ford Madox Ford and Ezra Pound’s Pisan Cantos (2015)
|
|
|
Biala in Provincetown (2020)
|
|
|
William Maxwell
|
Sylvia Townsend Warner and The New Yorker (1982)
|
|
|
Adrian May
|
The Abandonment of Song: Taking the Popular Song Seriously (2007)
|
|
|
What Songs Arctic Monkeys Sang (2007)
|
|
|
The Hang of Song: Arctic Monkeys and Clare Pollard (2011)
|
|
|
Gerald Kersh and My Mum's Secret (2013)
|
|
|
That Man’s Scope: Dudley Young (1941–2021) (2023)
|
|
|
Traditionalism and Tradition (2024)
|
|
|
Clémentine Mélois
|
From Otherwise I Forget (2021)
|
|
|
John McAuliffe
|
The Evolution of Irish Poetry (2015)
|
|
|
Joan McBreen
|
Domestic Interior (2014)
|
|
|
Shara McCallum
|
A Conversation with Eavan Boland (2014)
|
|
|
Peter McCarey
|
The Woden Dog Fan Club Presents: Christopher Middleton (2007)
|
|
|
Poetry and the Practice of Translation (2008)
|
|
|
Squink: Reading J.H. Prynne (2012)
|
|
|
Penny McCarthy
|
Englit and the Cultomats (1993)
|
|
|
About Ashbery (1994)
|
|
|
The Excluded Middle-of-the-Roader (1994)
|
|
|
Thomas McCarthy
|
Eavan Boland’s Daring Integrity: A Quick Glance at the Poet’s Context (2014)
|
|
|
C.B. McCully
|
A Mine of Mind (1984)
|
|
|
Choosing Voices: Harrison, Heaney and Motion (1985)
|
|
|
Snake's Tails (1987)
|
|
|
Finding a Voice (1988)
|
|
|
Chris McCully
|
Missing Measures and the Matter of Metre (1991)
|
|
|
Better fame: the poetry of Anne Stevenson (1993)
|
|
|
The Beautiful Lie: Towards a Biology of Literature (1998)
|
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|
Against Transcendental Gossip: the symbolic language of rhythm (1998)
|
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|
Body of Evidence (1999)
|
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|
Poetry Reading and Patronage (1999)
|
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|
Memes and Metre (2001)
|
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|
More on Memes (2001)
|
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On Neither Writing Nor Revising (2002)
|
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|
Speaking in Effect (2004)
|
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|
The Word in Time (1): 'More like masonry than music' (2006)
|
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|
The Word in Time (2): Diplomat and revolutionary (2006)
|
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The Word in Time 3: 'Marlowe's mighty line' (2006)
|
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The Word in Time 4: Lyrical Ballads (2006)
|
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|
The Word in Time 5: The Wreck of the Pound (2006)
|
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|
The Word in Time 6: The culture of watery pebbles (2007)
|
|
|
Culture, Civilisation, Conrad (2014)
|
|
|
An Essay on Prosody (2017)
|
|
|
Peter McDonald
|
Difficulty, Democracy, and Modern Poetry (2005)
|
|
|
'Faults' and 'Impartial Criticism': Lives of the Poets I (2008)
|
|
|
The PN Review Lecture (2016)
|
|
|
Yeats, Landor, Hill & An Unwritten Book (2017)
|
|
|
Iain McGilchrist
|
Doctors and Critics (1986)
|
|
|
James McGonigal
|
Recovering the Divan: Structure in Edwin Morgan's Long Poem (2010)
|
|
|
Triple-distilled: Edwin Morgan's Epistolary Spirit (2013)
|
|
|
Keeping it Concrete: Edwin Morgan in the Sixties (2013)
|
|
|
Exit, in Pursuit of a Bugbear: Edwin Morgan and Poetic Drama (2014)
|
|
|
Poets Post-War (2016)
|
|
|
Gerry McGrath
|
Ends and Beginnings: Ten Things about Josef Brodsky (2013)
|
|
|
Sadness is a Beautiful Category: Wisława Szymborska (2014)
|
|
|
Eugenio Montale: Making the Balance Line (2014)
|
|
|
Tomas Tranströmer: Schubert’s Ghost (2014)
|
|
|
Medbh McGuckian
|
Birds and their Masters (2014)
|
|
|
Patrick McGuinness
|
Ashbery (1994)
|
|
|
British Poets in Egypt 1940-1945 (1996)
|
|
|
Mallarmé's Pour un tombeau d'Anatole (1996)
|
|
|
Robert Graves, Modernism and the 'Poetic Body' (1996)
|
|
|
T.E. Hulme: An Introduction (1997)
|
|
|
T.E. Hulme: An Introduction II (1997)
|
|
|
Donald Davie and Robert Graves (1999)
|
|
|
Patrick McGuinness and Charles Mundye
|
Revisiting a Collaboration (2002)
|
|
|
Patrick McGuinness
|
The Poetry of Lynette Roberts (2005)
|
|
|
Burns Singer (2006)
|
|
|
on Vinegar Hill (2024)
|
|
|
Paul McLoughlin
|
Against Excess (1986)
|
|
|
Romantic Agoraphobia: The Poetry of Brian Jones (2011)
|
|
|
Andrew McNeillie
|
Strike a Light (2017)
|
|
|
On First Looking into Dylan Thomas – I (2024)
|
|
|
On First Looking into Dylan Thomas – II (2024)
|
|
|
On First Looking into Dylan Thomas – III (2024)
|
|
|
Christoph Meckel
|
How did Caravaggio Die? (1980)
|
|
|
Máighréad Medbh
|
Expressing the Source: Eavan Boland and Adrienne Rich (2014)
|
|
|
Paula Meehan
|
On ‘Making Money’ (2014)
|
|
|
Rod Mengham
|
Radio Silence: MacNeice's Two Autumns (2013)
|
|
|
OCCASIONAL INUIT (2014)
|
|
|
The Point-Switch (2017)
|
|
|
Cover Story (2018)
|
|
|
Cover Story
(2018)
|
|
|
Cover Story
(2018)
|
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|
Cover Story (2019)
|
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|
Cover Story (2019)
|
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|
Cover Story (2019)
|
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|
Cover Story (2019)
|
|
|
Darren Almond, ‘Present Form Exposed’ (2019)
|
|
|
Last Exit for the Revolution (2024)
|
|
|
Mario Menocal and Jeffrey Meyers
|
A Cuban View of Hemingway (2017)
|
|
|
Moelwyn Merchant
|
Writing Jeshua (1988)
|
|
|
Meetings with Pound (1989)
|
|
|
Elizabeth Metzger
|
The Poetic Line: A Figment of Mortality (2015)
|
|
|
Jeffrey Meyers
|
V.S. Naipaul and Paul Theroux (1999)
|
|
|
Mario Menocal and Jeffrey Meyers
|
A Cuban View of Hemingway (2017)
|
|
|
Jeffrey Meyers
|
Mr W. H. (2022)
|
|
|
Strict Adultery (2024)
|
|
|
K. Michel
|
on Zbigniew Herbert (translated by Donald Gardner) (2021)
|
|
|
Walter Michel
|
Gottfried Benn: an Introduction (1979)
|
|
|
Gottfried Benn (Part III) (1980)
|
|
|
Gottfried Benn (II): The Poet in Politics 1933-4 (1980)
|
|
|
Gottfried Benn's Letters (1982)
|
|
|
Alex Middleton
|
Translating Inger Christensen (2005)
|
|
|
Christopher Middleton
|
For Márton, Erwin, and Miklos (1978)
|
|
|
Notes on a Viking Prow (1979)
|
|
|
Notes on a Viking Prow (Part II) (1980)
|
|
|
Seventeen Hiccups on the Question of Novelty (1981)
|
|
|
Some Old Hats from the History of Imagination (1982)
|
|
|
Louise Moillon's Apricots (1635) (1982)
|
|
|
Ideas about Voice in Poetry (1983)
|
|
|
The Story of Opal (1987)
|
|
|
For Burning (1989)
|
|
|
For Burning (1989)
|
|
|
A Moment in the Eighteenth Century (1990)
|
|
|
On Poetry and Opinion (1993)
|
|
|
A Pasquil on the Poetry Scene (1993)
|
|
|
A Wave (1994)
|
|
|
On the Mental Image (1995)
|
|
|
Surface and Depth: Observations on the Road (1996)
|
|
|
On Imagination and Lyric Voice (1997)
|
|
|
On the Apotropaic Element in Poetry (2002)
|
|
|
From a Work in Prospect (2002)
|
|
|
An Errant Retrospect (2006)
|
|
|
A Nagging Fragment (2006)
|
|
|
Melancholy: Uncertain Aspects (2007)
|
|
|
Patrick Miles
|
Joseph Brodsky in Leningrad (2019)
|
|
|
Chris Miller
|
The Centrality of Heart Crane (1992)
|
|
|
Miron Biaroszewski's 'A Memoir of the Warsaw Uprising' (1993)
|
|
|
Ashbery: What's Keeping us Here? (1994)
|
|
|
Allen Curnow as Post-Modern Metaphysical (1995)
|
|
|
The Pope and the Canon (1997)
|
|
|
Diamants Elus: The Romantic Agony and the Politics of The Waste Land (1998)
|
|
|
'There is no bloodless myth will hold': Allen Curnow (1999)
|
|
|
The Mandelstam Syndrome and the 'Old Heroic Bang' (2005)
|
|
|
Mysticism in a Foreign Language (2011)
|
|
|
What the Dead Keep (2011)
|
|
|
Death and the Mnemonic Muse (2012)
|
|
|
Ways of Being a Poet: Chris Mann (2013)
|
|
|
Bruno & the ‘Bonnefidèlien’ (i.m. Yves Bonnefoy) (2016)
|
|
|
on Alvin Feinman (2019)
|
|
|
on Allen Curnow (2019)
|
|
|
Constructing Pavlović (2023)
|
|
|
J. Hillis Miller
|
The Task of Criticism (1986)
|
|
|
Kei Miller
|
The Art of Tongues, The Craft of Prophecy (2008)
|
|
|
the Fat Black Woman
(2018)
|
|
|
Drew Milne
|
Liminal, Ludic and Disruptive: Christopher Middleton's Short Prose (2013)
|
|
|
from ‘preposition stranding' (2014)
|
|
|
REINDEER LICHEN (2014)
|
|
|
‘Just Saying No’: Beckett’s Epistolary Dissidence (2017)
|
|
|
Tom Raworth’s Writing (2017)
|
|
|
from Third Nature (2018)
|
|
|
Joseph Minden
|
Heritage Psychosis (2022)
|
|
|
Sally Minogue
|
Living Pictures of the Dead (1998)
|
|
|
Basil Mitchell
|
Common Consent (1980)
|
|
|
J. Lawrence Mitchell
|
'The Secret Country of Her Mind' - Aspects of the Novels of Sylvia Townsend Warner (1982)
|
|
|
Ange Mlinko
|
After Elizabeth Bowen (2023)
|
|
|
Deborah Moffatt
|
Waiting for Rain (1988)
|
|
|
John Mole
|
Waterman's Progress (1978)
|
|
|
3 Poems (1978)
|
|
|
Mandeville Press (2018)
|
|
|
John Montague
|
Turbulent Light (2000)
|
|
|
Eugenio Montale
|
Dante Today and Yesterday (1978)
|
|
|
Benedetto Croce (1979)
|
|
|
Janet Montefiore
|
Undeservedly Forgotten: women poets and others in the 1930s (1994)
|
|
|
On Reading Edgell Rickword (1998)
|
|
|
A Wise Poet: D.J. Enright (1998)
|
|
|
'She Can, If Anybody Could': The Poetry of Marilyn Hacker (2013)
|
|
|
Edwin Morgan
|
Scotland and the World (1999)
|
|
|
Stephen Raw: Lettering Artist (2003)
|
|
|
Translator’s Notebook (1) (edited by James McGonigal) (2017)
|
|
|
Translator’s Notebook : 2 (ed. James McGonigal) (2017)
|
|
|
Translator’s Notebook : 3 (ed. James McGonigal) (2017)
|
|
|
Translator’s Notebook IV : Machine Translation, Machine Creation (ed. James McGonigal) (2017)
|
|
|
Translator’s Notebook VI: From Glasgow to Granada (ed. James McGonigal) (2018)
|
|
|
Translator’s Notebook (ed. James McGonigal)
(2018)
|
|
|
Translator’s Notebook (ed. James McGonigal) (2018)
|
|
|
Translator’s Notebook (ed. James McGonigal) (2018)
|
|
|
Translator’s Notebook (ed. James McGonigal)
(2018)
|
|
|
Horatio Morpurgo
|
Samuel Butler, or The Art of Being Funny about Religion (2009)
|
|
|
Signor Butler and the Search for Desmond (2014)
|
|
|
More Than One View of Somewhere in Central Ukraine (2014)
|
|
|
The View from Mount Eryx (2015)
|
|
|
Unseasonably Speaking (2018)
|
|
|
on Seán Rafferty (2018)
|
|
|
A Deed of Quixote (2019)
|
|
|
The Thames by Night (2022)
|
|
|
Sand City in the Rain (2022)
|
|
|
On Findingness (2023)
|
|
|
Reviewing Ho! Ho! Ho! (2023)
|
|
|
Semyon Lipkin and the Russia That Must Be There Somewhere (2024)
|
|
|
Discovered during Repair Work (2024)
|
|
|
J.E. Morpurgo
|
More than a Brother: Edmund Blunden and Hector Buck (1997)
|
|
|
Blake Morrison
|
The Movement: A Re-Assessment (1977)
|
|
|
The Movement: A Re-assessment (part 2) (1978)
|
|
|
Poetry and Learning (1978)
|
|
|
Sinéad Morrissey
|
Beginnings (1995)
|
|
|
Bill Manhire and Sinéad Morrissey
|
A New Divan translated by Bill Manhire & Sinéad Morrissey (2019)
|
|
|
Sinéad Morrissey
|
Put Off That Mask (2019)
|
|
|
A Week in Gdańsk (2021)
|
|
|
Like Wine through Water (2023)
|
|
|
An Asterisk on the Map (2023)
|
|
|
Ruth Morse
|
The Poetry of A.D. Hope (1985)
|
|
|
Observed Brains: the novels of John Treherne (1988)
|
|
|
Back Street (1990)
|
|
|
A.L. Morton
|
Edgell Rickword and The Calendar of Modern Letters (1979)
|
|
|
Brian Morton
|
'Burning the Books' (1984)
|
|
|
Rights and Duties (1984)
|
|
|
The novels of William Gaddis (1986)
|
|
|
Orient und Okzident (2020)
|
|
|
On Edouard Glissant (2020)
|
|
|
Now... (2021)
|
|
|
Then... (2021)
|
|
|
Stanley Moss
|
Diary of a Satyr (2009)
|
|
|
Andrew Motion
|
John Fuller (2017)
|
|
|
John Muckle
|
Denise Riley (2006)
|
|
|
How Radio Works: Tom Raworth's Poetry 1 (2007)
|
|
|
How Radio Works 2: Tom Raworth - Time, Identity and Tradition (2007)
|
|
|
How Radio Works 3: Tom Raworth - Time, Identity and Tradition (2007)
|
|
|
How Radio Works 4: Tom Raworth - Time, Identity and Tradition (2007)
|
|
|
Ed Dorn's Theatre of Impatience (2007)
|
|
|
A Shoal of Names in Nets of Rain (2009)
|
|
|
Out of Town: Robert Duncan, Michael McClure, and The Ground Aslant (2011)
|
|
|
Patrick McGuinness and Charles Mundye
|
Revisiting a Collaboration (2002)
|
|
|
Charles Mundye
|
Ezra Pound's Operas (2003)
|
|
|
Outside the Imaginary Museum: Lynette Roberts and Keidrych Rhys (2013)
|
|
|
Lynette Roberts and Dylan Thomas: Background to a Friendship (2014)
|
|
|
Alan Munton
|
A Failed Humanism (1975)
|
|
|
The Politics of Wyndham (1977)
|
|
|
Edgell Rickword A Celebration (1979)
|
|
|
History & Change (1980)
|
|
|
'To Advise the Minister': Authors and Propaganda in Wartime (1986)
|
|
|
Sexism and Spain (1998)
|
|
|
Tom Paulin's Paisley: Politics, Poetry and Penises (1998)
|
|
|
Radical Deception: Tom Paulin and Hazlitt's Imagination (2000)
|
|
|
The Trouble with Sean O'Brien (2002)
|
|
|
Kathryn Murphy
|
In My Opinion, Having Read These Things (2010)
|
|
|
Les Murray
|
In a Working Forest (1991)
|
|
|
Les A. Murray
|
Poems and Poesies (1988)
|
|
|
Poems and the Mystery of Embodiment (1990)
|
|
|
Adolf Muschg
|
'...And Gifted with Hearing' (1989)
|
|
|
Robert Musil
|
On Stupidity (part two) (1979)
|
|
|
On Stupidity (1979)
|
|
|
The Blackbird (Translated by Catherine Wilson) (1989)
|
