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PN Review 174

Volume 33 Number 4 March - April 2007 Out of Stock
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Table of Contents

Cover of PN Review 174

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Letters from Ian Shelton, John Lucas, Peter Faulkner

Reports

The Song Not the Singer Neil Powell

Letter from Wales Sam Adams

Two ggs Bad Two ggs Good John Lucas

Autumn Letter from the Fens M.C. Caseley

The Tern Press R.K.R. Thornton

Some Marginalia from a Fairly Poor Encyclopaedia Frank Kuppner

Translation and Cheese-making Daniel Weissbort

From a Journal R.F. Langley

Archive Corner 3: Kathleen Raine, Barbara Hepworth, Stone and Flower Stella Halkyard

Poems

from Thinking about Montale by the River Hull Carol Rumens

Góngora's Sonnets John Dent-Young

Six Poems and an Essay (translated by Lilach Lachman and Gabriel Levin) Avoth Yeshurun

Five Poems Kelly Grovier

Three Poems (translated by Fady Joudah) Mahmoud Darwish

The Seafarer Chris McCully

Jardin Anglais: a Malentendu for Two Voices Stephen Romer

Four Poems John Fuller

Mentchikoffs Robert Nye

The Glacial Stairway Peter Riley

Three Poems C.K. Stead

Articles

Paths through the Labyrinth Nicolas Tredell

Migrant the Magnificent Richard Price

Preface to Irish Writers on Irish Writing Eavan Boland

Sketching Auden Kelsey Thornton

Greg Delanty in Conversation Catherine Phil MacCarthy

The Starving of Auschwitz and the Gluttons of Purgatory Judith Woolf

Writing in the Margins of Miriam Leonard's Athens in Paris Frederic Raphael

Black Mountain in England 6 Ian Brinton

How Radio Works 2: Tom Raworth - Time, Identity and Tradition John Muckle

Reviews

on Peter Huchel Raymond Hargreaves

on Miroslav Holub Valerie Duff-Strautmann

on Margaret Tait's Selected Films Adrienne Cochrane

on Edith Sitwell Vicki Bertram

on Charles Wright James O'Connor

on Charles Tomlinson James McGrath

on Jeffrey Harrison Michael Hulse

on Billy Collins Patrick McGuinness

on David Scott David Morley

Cover image: 'Iraq (Channel Four News, 4 December 2006)', 2006.
Pencil, pen and ink and wash on paper, 15 x 20.9cm
Mary Griffiths records news coverage of the wars in Afghanistan and Iraq and then uses frozen frames of incidental scenes to sketch from, working on these pencil drawings with watercolour and pen and ink.

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