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Volume 43 Number 3 January - February 2017
MASKULL LASSERRE, Improbable Worlds (2015). A piano is cut almost in half, leaving a wishbone-shaped bridge at its centre. ‘The remaining wood that tenuously joins the two halves of the instrument carries a burden of anxiety, potential and hope,’ writes Lasserre. Photograph courtesy of the artist.
Subscribers only Pictures from a Library Stella Halkyard
Subscribers only Letter from Chios Jamie Osborn
Subscribers only Letter from Wales Sam Adams
Subscribers only From the Journals R.F. Langley
Poems & Features
Subscribers only Five Poems Zohar Atkins
Subscribers only J.H. Prynne in China Diana Bridge
Subscribers only The Mothers & the Mediterranean Vénus Khoury-Ghata
Subscribers only At Nam Yao & other poems Miles Burrows
Subscribers only Mad John’s Walk John Gallas
Subscribers only from Lithos Anthony Barnett
Subscribers only Four Muses & other poems Katherine Horrex
John Fuller at 80: A Celebration
Subscribers only An Encomium Andrew Wynn Owen
Subscribers only in conversation Alan Hollinghurst
Subscribers only Strike a Light Andrew McNeillie
Subscribers only John Jane Griffiths
Subscribers only A Tribute Elise Paschen
Subscribers only An Apology Jonathan Keates
Subscribers only The Florio Society Adam Thorpe
Subscribers only Fun & True Robert Selby
Subscribers only John Fuller Andrew Motion
Subscribers only John in Early Autumn Neil Powell
Subscribers only on Anne Carson Jay Degenhardt
Subscribers only on Seven pamphlets Alison Brackenbury
Subscribers only From Chetham’s Library Michael Powell
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Volume 43 Number 3 January - February 2017
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