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Julian Stannard

Julian Stannard is a Reader in English and Creative Writing at the University of Winchester (UK). His most recent collection is The Parrots of Villa Gruber Discover Lapis Lazuli (Salmon, 2011). He is currently co-editing a book of essays on Michael Hofmann with André Naffis-Sahely. He was awarded the Troubadour Prize in 2010.

Julian Stannard's work featured in PN Review comprises one article and 10 reviews, over a period of 20 years.

Further Reading

Review in PN Review 136 (2000) on Fleur Adcock

Review in PN Review 139 (2001) on Maurice Riordan and Anne Stevenson

Review in PN Review 153 (2003) on Richard Swigg's Tomlinson

Review in PN Review 179 (2008) on Donald Davie's early criticism

Review in PN Review 185 (2009) on Janet Wilson's Fleur Adcock

Review in PN Review 187 (2009) on the film Genova

Review in PN Review 192 (2010) on Charles Tomlinson

Review in PN Review 207 (2012) on Deborah Levy

Review in PN Review 239 (2018) on Adam Bradley & Kate Tempest

Review in PN Review 249 (2019) on Mark Ford

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	Julian Stannard Julian Stannard is a Reader in English and Creative Writing at the University of Winchester (UK). His most recent collection is The Parrots of Villa Gruber Discover Lapis Lazuli (Salmon, 2011). He is currently co-editing a book of essays on Michael Hofmann with André Naffis-Sahely. He was awarded the Troubadour Prize in 2010. Julian Stannard's work featured in PN Review comprises one article and 10 reviews, over a period of 20 years. Further Reading Review in PN Review 136 (2000) on Fleur Adcock Review in PN Review 139 (2001) on Maurice Riordan and Anne Stevenson Review in PN Review 153 (2003) on Richard Swigg's Tomlinson Review in PN Review 179 (2008) on Donald Davie's early criticism Review in PN Review 185 (2009) on Janet Wilson's Fleur Adcock Review in PN Review 187 (2009) on the film Genova Review in PN Review 192 (2010) on Charles Tomlinson Review in PN Review 207 (2012) on Deborah Levy Review in PN Review 239 (2018) on Adam Bradley & Kate Tempest Review in PN Review 249 (2019) on Mark Ford
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