PN Review Print and Online Poetry Magazine
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Mark FordLetters And So It Goes
Letters from Young Mr Grace
(aka John Ashbery)

(PN Review 239)
Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Colm Toibin on Thom Gunn's Letters Allice Hiller and Sasha Dugdale in conversation David Herman on the life of Edward W. Said Jena Schmitt on Hope Mirrlees Brian Morton: Now the Trees
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
PN Review New Issue

This review is taken from PN Review 229, Volume 42 Number 5, May - June 2016.

Cover of Complete Poems
Owen LoweryShaping a Republic
Jon Silkin, Complete Poems, edited by Jon Glover and Kathryn Jenner Northern House/ Carcanet 2015
The title of Jon Silkin’s Complete Poems is an understandable misnomer. In compiling this vast selection of work by a long-lived, productive and latterly neglected poet, Jon Glover and Kathryn Jenner had to choose among so many drafts and alternative versions that, as Glover says, ‘it was difficult, and on occasion impossible, to decide which version to include’. The editors also worked through a hundred metres of archived material. The Complete Poems is far more comprehensive than previous volumes, such as the 1980 Selected.

This book adds to Silkin’s published collections much previously unpublished material, presented in chronological groupings that appear immediately after corresponding books. It starts with Silkin’s earliest collections, The Portrait (1950) and The Peaceable Kingdom (1954). A dialogue develops, across Silkin’s half-century career, between his seen and previously unseen work, and leaves the reader wondering why the poet did not collect so many effective poems. It also means that we must temper our views of less successful poems and regard them as part of a working process, but one that bears witness to the extraordinary productivity of a mind seemingly compelled to write. The appendices include alternative drafts of ‘The Jews in England’, ‘A good farmer’, and ‘Air that Pricks Earth with Life’. Occasionally variations of a poem appear in parallel. In the case of ‘Air that Pricks Earth with Life’, Glover tell us, ‘Silkin had been working on it for around five years’ before it appeared in its entirety.

The result is a body of work that includes numerous notable ...


Searching, please wait... animated waiting image