Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Gwyneth Lewis ‘Spiderings’ Ian Thomson ‘Fires were started: Tallinn, 1944’ Adrian May ‘Traditionalism and Tradition’ Judith Herzberg ‘Poems’ translated by Margitt Helbert Horatio Morpurgo ‘What is a Book?’
Poems Articles Interviews Reports Reviews Contributors
PN Review 276
PN Review Substack

This review is taken from PN Review 228, Volume 42 Number 4, March - April 2016.

Cover of Chance of a Storm
Peter HughesTurned to Tongue Rod Mengham,
Chance of a Storm
Carcanet, 2015

‘As the wind moves over to the hop-field
I would not be seen dead in that.’

I first read Rod Mengham’s work in a pamphlet in the early 1980s. Over thirty years later I admired a more substantial volume combining film stills by Marc Atkins and texts by Mengham. The impressive STILLmoving came out from Veer in 2014 and, along with its visual impact, kept offering irresistible phrases:

‘All the empty sleeves that do not salute.’
‘This is the kind of accident that wins awards.’
‘You are very faint. You are getting fainter. I can’t hear you.’
‘There are traces of heat in the air through which the memories pass.’

Now we have Mengham’s Chance of a Storm, poems and prose poems, no pictures this time, except for the one by Marc Atkins which graces the cover. It’s a photograph of storm clouds above Grimspound, the atmospheric site of a Bronze Age settlement on Dartmoor. The site was abandoned, perhaps as a consequence of climate change. The storm clouds are coming this way. Landscape is always more than landscape, just as in Mengham’s work lyric is always more than lyric.

In spite of the memorable lines quoted above, Mengham’s poems are not the kind which leave you with just one notable image or phrase. Individual lines and phrases often have a moving lyricism, and may seem straighforward. But they tend to be followed by new thoughts arriving at a tangent, referencing apparently unrelated matter. ...

Searching, please wait... animated waiting image