PN Review Print and Online Poetry Magazine
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Mark FordLetters And So It Goes
Letters from Young Mr Grace
(aka John Ashbery)

(PN Review 239)
Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Jamie OsbornIn conversation with Sasha Dugdale
(PN Review 240)
Poems Articles Interviews Reports Reviews Contributors
OUP PNR 246 Banner
Monthly Carcanet Books
Next Issue Alex Wong embarks on Ausonius's Moselle Christine Blackwell recalls Jonas Mekas Lives of Graves, Trilling and Curnow visited New poems by Lisa Kelly and Jodie Hollander Andy Croft on the 'poetry industry'

This review is taken from PN Review 227, Volume 42 Number 3, January - February 2016.

Cover of Careful What You Wish For
Helena NelsonNot Winning: Joyously PETER SANSOM
Careful What You Wish For (Carcanet, 64pp PB) £9.99

There is a sense in which every poem, at the same time as doing whatever it does with its whole bag of tricks, comments on itself doing that thing. Even the act of summoning the word ‘poem’ is a kind of meta-commentary, and for some poets – Peter Sansom among them – that commentary is imbued with irony. I don’t mean irony in a humorous sense (though Sansom is often funny): it’s more profound than that. And easily, I think, misread or skipped over when plainly expressed.

Certainly, ‘Cross-Country’ in Careful What You Wish For might be quickly galloped through on the way to the next page. Kim Moore picked it out in her blog as her ‘Sunday poem’, because she loves running, and that’s what it’s about. It’s also about writing, and about what being a poem means, or what being this poem means. The first word of each line is capitalised (the old poetic tradition). This is subverted by line endings that open into white space: no full stops. So the rhythm is jerky: all starting and no fluency or resolution. ‘Cross country’, says the poet, is ‘the sport of also-rans’. He addresses the sport as ‘you’ though, and if Cross Country isn’t a sort of Muse in this poem, I’ll eat the straw hat celebrated in the love poem on page 29.

‘Cross Country’ is about not winning. Joyously. Which is largely what Peter Sansom has done in his published poetry up to now. A poet with ten collections to ...


Searching, please wait... animated waiting image