Most Read... John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Joshua WeinerAn Exchange with Daniel Tiffany/Fall 2020
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Christopher MiddletonNotes on a Viking Prow
(PN Review 10)
Next Issue Between Languages, Howard Cooper 'Ur-language' Oksana Maksymchuk 'Multifarious Beast' Zinovy Zinik 'My Mother Tongue, My Fatherland' Philip Terry 'Lost Languages' Victoria Moul 'Bad Latin, Barbarous Inglishe'
Poems Articles Interviews Reports Reviews Contributors
Reader Survey
PN Review Substack

This poem is taken from PN Review 12, Volume 6 Number 4, March - April 1980.

Epistularium Patrick Creagh

[After nine years without writing verse, Patrick Creagh, now living in Italy, was engaged in a verse correspondence by the painter George d'Almeida. These poems are Creagh's side of this correspondence. Parts 10 and 12 he composed in Spanish, and Michael Schmidt has provided translations. The sections retain the numbering of the original correspondence.]

2.
QUESTION OR ANSWER
What shall I sing?
 (the tongue is severed)
O Lord how long?
But this is my psalm:
 (by a dry river
 a voiceless song)

4.
To a different conversation,
I don't know what as yet, but one
that doesn't seem to be trying; and a tone
more suited to my age and station.

For art is a house,
Emily Dickinson said, that tries to be haunted.
I have found not even words can be hunted
by a game of cat and mouse.

So there is nothing for it
but to build our house and wait. Who can tell
...


Searching, please wait... animated waiting image