PN Review Print and Online Poetry Magazine
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Mark FordLetters And So It Goes
Letters from Young Mr Grace
(aka John Ashbery)

(PN Review 239)
Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Kei Millerthe Fat Black Woman
In Praise of the Fat Black Woman & Volume

(PN Review 241)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Next Issue Sasha Dugdale, Intimacy and other poems Eugene Ostashevsky, The Feeling Sonnets Nyla Matuk, The Resistance Alex Wylie, Democratic Rags Brigit Pegeen Kelly, Two poems from the archive
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
Monthly Carcanet Books
PN Review Blog

This review is taken from PN Review 133, Volume 26 Number 5, May - June 2000.

RADICAL CONSERVATION JOHN PECK, Collected Shorter Poems 1966-1996 (Carcanet) £14.95

'A keyboard stroll around the entire horizon of antiquity': Osip Mandelstam's words on Dante come to mind when I read Peck's poems. He works, like Mandelstam, as a 'rebuilder'. (As he shows in his allusive homage to Mandelstam's Octets in his 'Relay Octets' where he calls for 'the whole / keyboard with its totality of partials'. His lucid, reverent attention to the world and lightning strikes into 'world culture' exhibit a 'yearning' to retrieve and re-structure. His poems embody an awe in the face of what we owe and what we might lose. The moment and precepts of Acmeism (poet as builder or architect, 'thisworldness', a call for clarity, impersonality of material, allusiveness) and Imagism ('an intellectual and emotional complex in an instant of time') inform the variety of forms and methods displayed here. Mandelstam's metaphors to describe the effects and hopes of great poetry are often recast in Peck's work: essays such as 'Conversation About Dante', 'On the Nature of the Word' and 'Morning of Acmeism' gave this reviewer a way into Peck's poetry and a way back to the Mandelstam of 'Notre Dame', for example. A form of radical conservation is at work. Although neither poet allows the unceasing movements and energies of words and sound patterns to be subjugated to any paraphrasable 'message' they are both obliquely didactic in their revelation of the terrors and abuses of power that mark the history of the 'state' in its relation to artistic freedoms. Such resistances and retrievals, holding ...


Searching, please wait... animated waiting image