PN Review Print and Online Poetry Magazine
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Mark FordLetters And So It Goes
Letters from Young Mr Grace
(aka John Ashbery)

(PN Review 239)
Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Kei Millerthe Fat Black Woman
In Praise of the Fat Black Woman & Volume

(PN Review 241)
Next Issue Vahni Capildeo The Boisterous Weeping of Margery Kempe Paul Muldoon The Fly Sinead Morrissey Put Off That Mask Jane Yeh Three Poems Sarah Rothenberg Poetry and Music: Exile and Return
Poems Articles Interviews Reports Reviews Contributors
PN Review Blog
Monthly Carcanet Books

This review is taken from PN Review 10, Volume 6 Number 2, November - December 1979.

ROBERT GRAVES Robert Graves, Poems selected by Robert Graves and Anthony Thwaite (Penguin) 95p.


[This is the 1972 edition selected by Graves plus fifteen poems selected by Anthony Thwaite from Collected Poems 1975]


Robert Graves is a rather taxing subject for those who like to plot lines of development through a poet's work. His habit of suppressing or rewriting poems that have already seen the light of day has been so constant and so vigorous that it has turned his Collected Poems into something other than a poetical biography. The development of his attitudes towards his art has disguised the evidence for that development.

For this reason one ought to ignore the chronological scheme of this selection, which is, after all, a selection. The particular time at which individual poems were first written retains no more significance than any of the other plausible ways of organizing the poems. One has to ignore it. But what this means-and this is the book's main and peculiar virtue-is that much more attention is drawn to those things which somehow have remained unchanged in Graves's work, continuities which no amount of revision could possibly have contrived. In particular one finds that, despite Graves's many prolific years, a certain deliberateness has survived in his treatment of the image as one of two elements that comprise simile, metaphor, and emblem. In poem after poem, the image crops up, as stark and simple as a generic, as the fixed foot for some other element, an argument say, or narrative or explication pitched ...


Searching, please wait... animated waiting image