This review is taken from PN Review 69, Volume 16 Number 1, September - October 1989.
on James McAuley & Vivian Smith
James McAuley, Poetry, essays and personal commentary edited by Leonie Kramer (
John Ennis, Heinrich Heine, Salvador Espriu, Charles Tomlinson, Peter Bland, Carole Satyamurti, Andrew Motion, Michael Longley, David Scott, Michael Longley, John Riley, Mark Strand, Denise Riley, John Montague, Clive Wilmer, Matthew Sweeney, Peter Abbs, George MacBeth, W.S. Graham, Francis Ponge, Douglas Clark, David Gascoyne, Christine Evans, Derek Mahon, Frederick Seidel, Geoff Page, Thomas Kinsella, Michael Hofmann, Ruth Bidgood, Kirkpatrick Dobie, Vicki Raymond, David Malouf, E.J. Scovell, Jean Garrigue, Fleur Adcock, Kenneth Koch, Bernard O'Donoghue, Eiléan Ní Chuilleanáin, James Schuyler, Lee Harwood, David Wright, Vivian Smith, Kathleen Raine, Hugo Williams, David Harsent, Michael Hamburger, Mark O'Connor, Les A. Murray, Charles Johnston, Fleur Adcock, Philip Levine, Galway Kinnell, Michael Riviere, Lawrence Lerner, Thomas Blackburn, D.M. Thomas, Fleur Adcock, John Montague, P.J. Kavanagh, David Holbrook, John Silkin, Günter Grass, Elizabeth Jennings, Patricia Beer, Peter Sansom, Jaan Kaplinski, Vladimir Khodasevich, Jack Clemo, Frank Koenegracht, Jamie McKendrick, Michael Symmons Roberts, Jean Bleakney, William Plomer, Colette Bryce, Kathleen Jamie, Selected Poems (
James McAuley (1917-76) was one of the foremost intellectuals of the Australian right in the post-War period. Catholic, pro-traditional, anti-subjective, he founded Sydney's Encounter-lookalike Quadrant in 1956, published his study The End of Modernity in 1959, and by the time of his death had produced a substantial and coherent oeuvre in poetry and prose. Dame Leonie's selection, equipped with a useful introduction and notes, includes over sixty poems and seventeen essays and extracts, and gives an excellent impression of McAuley's diversity.
The prose McAuley, with his advocacy of élites, his insistence that "egalitarianism is the enemy of liberty and fraternity and of quality", and his contempt for "those who imagine that secularist thought can originate anything", often makes a prickly impression. McAuley was a man of passionate principle, and the problem with passionate principles is that they produce over-combative, polemical writing. It may be true (and not even necessarily a bad thing) that "we are not going to get anything like a Paradise Lost or a Paradise Regained in the mental climate of Comte or Marx or Bertrand Russell or John Dewey", but when McAuley's disdain of the poetry of 'Latterday Leftism' impels him to damn the work of the earlier Australian poet Bernard O'Dowd as "a cloaca maxima into which has flowed all the ideological drivel of the nineteenth century" we hear that shrill hysteria, that "condemnatory and abusive approach", which Judith Wright regretted as being "of no use at all to the spirit faced with ...
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