Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Gwyneth Lewis ‘Spiderings’ Ian Thomson ‘Fires were started: Tallinn, 1944’ Adrian May ‘Traditionalism and Tradition’ Judith Herzberg ‘Poems’ translated by Margitt Helbert Horatio Morpurgo ‘What is a Book?’
Poems Articles Interviews Reports Reviews Contributors
PN Review 276
PN Review Substack

This article is taken from PN Review 148, Volume 29 Number 2, November - December 2002.

Randall Jarrell: Time, Verse, and the Sense of the Self Stephen Burt

'What is time?' St Augustine exclaimed. 'If no one asks me, I know; if I want to explain it to someone... I do not know.' Literary writers have been trying to explain it ever since: Robert Langbaum, in The Mysteries of Identity, traced in modern letters 'the Wordsworthian notion that the forgotten past comes suddenly alive in the present and establishes when it does the only continuity of self that matters'. Randall Jarrell (1914-1965) remains best-known as a critic and reviewer, or else as a poet of World War II ('The Death of the Ball Turret Gunner', 'Eighth Air Force', 'Losses'), deriving his distinction from character, voice and subject. Jarrell was also one of few twentieth-century poets to examine experienced time, not just as matters of character and psychology, but as part of the shape of a poem. Drawing on Proust, Rilke, Wordsworth and Freud - and on his own sense of how poems take place - Jarrell found distinctive forms with which to represent at once our passage from moment to moment, and our progress from childhood into old age. Jarrell's characters try to understand how their present selves have emerged from their pasts. His verbal repetitions, and his structural choices, enact those understandings: they show how those personae consider their life stories, and on how we might comprehend our own.

To see how Jarrell's poems solve problems about time, we need to begin with certain philosophical queries about personal identity. In one sense 'personal identity' ...

Searching, please wait... animated waiting image