PN Review Print and Online Poetry Magazine
News and Notes
PNR266 Now Available
The latest issue of PN Review is now available to read online. read more
Most Read... Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
M. Wynn ThomasThe Other Side of the Hedge
(PN Review 239)
Jamie OsbornIn conversation with Sasha Dugdale
(PN Review 240)
Drew MilneTom Raworth’s Writing ‘present past improved’: Tom Raworth’s Writing
(PN Review 236)
Next Issue Stav Poleg Running Between Languages Jeffrey Meyers on Mr W.H. (Auden) Miles Burrows The Critic as Cleaning Lady Timothy Ades translates Brecht, Karen Leeder translates Ulrike Almut Sandig
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
PN Review New Issue

This review is taken from PN Review 262, Volume 48 Number 2, November - December 2021.

Cover of The Free World: Art and Thought in the Cold War
Tony RobertsThen is Now

Louis Menand, The Free World: Art and Thought in the Cold War (Farrar Straus and Giroux) £23.10
James Russell Lowell sounded a note of caution when he wrote in 1867, ‘our culture is, as for a long time it must be, European; for we shall be little better than apes and parrots till we are forced to measure our muscle with the trained and practised champions of that elder civilization’. He could hardly have guessed just how much muscle the USA would be able to flex in Europe within a century, militarily, economically and artistically.

World War 11 brought isolationist America back to world affairs for the second time in forty years, ending the Depression. Peace, however, meant only a new front, the Cold War, which was to hamper the nation’s psyche. This was the time, as Jill Lepore argued in These Truths (2018), ‘when the United States built a national security state’ because of its fear of Communism, and thus ‘a peace dividend expected after the Allied victory in 1945 never came’. What came instead were cagey, proxy confrontations and years of aggressive rhetoric. It was a time of seriousness of purpose, but of devastating ill-judgement abroad (the Cold War, Vietnam) and at home (McCarthyism, institutional sexism, racism and homophobia). Beneath the conservatism of the period, cultural historians like Morris Dickstein (Leopards in the Temple, 2002), detected an energy radically at odds with conformism, initially manifest in literature and film, which would be given dramatic expression in the 1960s.

It is this postwar period that Louis Menand has chosen to document in The Free World: Art and Thought in ...

Searching, please wait... animated waiting image