This poem is taken from PN Review 258, Volume 47 Number 4, March - April 2021.
From gridlines
after Agnes Martin
‘The Peach’ 1964
graphite and ink on paper
mounted on board
well, it’s forgotten now
that peach I knew
I bit into
that gave me back
only beige, graphite,
ink, sanity
and orchard after orchard
grid
some days I also search
for its certainty
with tape or string
a T-square, pencil
or paint. I lean into it
here and there a tremor
in my hand indicates
...
‘The Peach’ 1964
graphite and ink on paper
mounted on board
well, it’s forgotten now
that peach I knew
I bit into
that gave me back
only beige, graphite,
ink, sanity
and orchard after orchard
grid
some days I also search
for its certainty
with tape or string
a T-square, pencil
or paint. I lean into it
here and there a tremor
in my hand indicates
...
The page you have requested is restricted to subscribers only. Please enter your username and password and click on 'Continue'.
If you have forgotten your username and password, please enter the email address you used when you joined. Your login details will then be emailed to the address specified.
If you are not a subscriber and would like to enjoy the 284 issues containing over 11,400 poems, articles, reports, interviews and reviews, why not subscribe to the website today?
If you have forgotten your username and password, please enter the email address you used when you joined. Your login details will then be emailed to the address specified.
If you are not a subscriber and would like to enjoy the 284 issues containing over 11,400 poems, articles, reports, interviews and reviews, why not subscribe to the website today?