PN Review Print and Online Poetry Magazine
Most Read... Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
M. Wynn ThomasThe Other Side of the Hedge
(PN Review 239)
Jamie OsbornIn conversation with Sasha Dugdale
(PN Review 240)
Next Issue Alberto Manguel Selbstgefühl New poems by Fleur Adcock, Claudine Toutoungi and Tuesday Shannon James Campbell A Walk through the Times Literary Supplement
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
PN Review New Issue

This review is taken from PN Review 257, Volume 47 Number 3, January - February 2021.

Cover of The Coming-Down Time
Kevin GardnerThe Coming-Down Time, Robert Selby (Shoestring Press) £10.00,
Long Distance, Michael Vince (Mica Press) £8.99
In an age of social distancing, poetry seems more vital than ever for forging connections across rifts in time and space. Two new collections – one by a seasoned poet, pensive and subtle; the other a dazzling debut from the editor of Wild Court – amply bridge past and present, the remote and the immediate. While their voices are uniquely their own, Robert Selby and Michael Vince share common features in their collections, including an interest in obscurer corners of erstwhile England – rural Suffolk in the early twentieth century; a Victorian London suburb – yet remoteness is made present through their gripping, even startling scenes, the accessibility of their language, control of formal elements, and the reworking of pastoral tradition.

In his opening poem, Robert Selby establishes the spirit that invigorates The Coming-Down Time. His ‘Chapel’ ancestors, ‘owning no graveyard, / are permitted to join the heaped-up past / among St Bartholomew’s windswept grass / during a terse, wind-scattered prayer’. Permeated by a sense of landscape, history, family, and divine intention, Selby’s collection is a three-part lyrical meditation on the forces that define individual and national identity. ‘East of Ipswich’ memorialises the poet’s ancestors, especially his grandparents, while ‘Shadows on the Barley’ contains persona poems, elegies, and poems of personal reflection and relationships; the final section, ‘Chevening’ – ostensibly a country­house sequence – embodies the intertwining of personal experience and social history. ‘All of it evocable at a whiff of buddleia. / It wreathed the dead, straightened the steeple, / placed the fielders, re-glazed the red phone box.’ At the ...

Searching, please wait... animated waiting image