PN Review Print and Online Poetry Magazine
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Mark FordLetters And So It Goes
Letters from Young Mr Grace
(aka John Ashbery)

(PN Review 239)
Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Alberto Manguel Selbstgefühl New poems by Fleur Adcock, Claudine Toutoungi and Tuesday Shannon James Campbell A Walk through the Times Literary Supplement
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
PN Review New Issue

This review is taken from PN Review 244, Volume 45 Number 2, November - December 2018.

Cover of Poetry and Prose, ed. Albert Gelpi, Barbara Charlesworth Gelpi and Brett C. Millier
Ian PopleEvacuate the World
Adrienne Rich, Poetry and Prose, ed. Albert Gelpi, Barbara Charlesworth Gelpi & Brett C. Millier (Norton), £16.99
This is the second Norton Critical Edition of Rich’s Poetry and Prose; and as such is a teaching edition of Rich’s writing. It comprises poetry from Rich’s first published volume, A Change of World, from 1955, through to her posthumous volume, Tonight no Poetry will Serve published in 2013. This book also contains a selection of Rich’s prose published between 1964 and 2005. In addition, there are a range of reviews and criticism, again from a range of commentators from Helen Vendler to Sandra M. Gilbert.

That first collection was chosen by W.H. Auden for the Yale Younger Poets series. His introduction to that book is reprinted here, and in it, he comments that Rich, ‘displays a modesty not so common at that age’. Rich was twenty-one when the book was published. That comment on modesty has been pulled out over the years and rather brandished against the later poetry Rich published. The books Diving into the Wreck (1973) and The Dream of a Common Language were the books that made her name as a feminist intellectual but were dismissed by Elizabeth Hardwick as ‘extreme’ and ‘ridiculous’, and Dana Gioia commented at the publication of Midnight Salvage in 1999, ‘Rich is a major poet overburdened by the role of prophet. She remains an intellectual force, but she has almost vanished as a credible poet, and I for one lament the loss.’

Looking at this volume now, perhaps from the perspective of this side of the Atlantic, and with a certain distance of time, it is the judgement of ...

Searching, please wait... animated waiting image