PN Review Print and Online Poetry Magazine
News and Notes
PNR266 Now Available
The latest issue of PN Review is now available to read online. read more
Most Read... Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
M. Wynn ThomasThe Other Side of the Hedge
(PN Review 239)
Jamie OsbornIn conversation with Sasha Dugdale
(PN Review 240)
Drew MilneTom Raworth’s Writing ‘present past improved’: Tom Raworth’s Writing
(PN Review 236)
Next Issue Stav Poleg Running Between Languages Jeffrey Meyers on Mr W.H. (Auden) Miles Burrows The Critic as Cleaning Lady Timothy Ades translates Brecht, Karen Leeder translates Ulrike Almut Sandig
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
PN Review New Issue

This review is taken from PN Review 242, Volume 44 Number 6, July - August 2018.

Cover of The Peace of Wild Things
David C. WardHome Ground

Wendell Berry The Peace of Wild Things (Penguin) £8.99
The Peace of Wild Things is a short selection of Wendell Berry’s poetry from 1964 to the near present. Berry, now eighty-three, is a poet, novelist, teacher and farmer who is the Grand Old Man of American environmental activism. Starting out as an English professor, about forty years ago Berry bought a small farm in the Kentucky hills which became the personal and ideological centre for his writing and politics. There are many different varieties of nature in American nature writing and Berry’s is that of subsistence farming and hardscrabble Appalachia. As such, he is of the strain of American individualism that stretches back to the Jeffersonian republicanism of the yeoman farmer and the Thoreau of both Walden and Civil Disobedience. An anti-modernist who is deeply distrustful of technology and its effects, Berry is also an off-shoot of the southern Agrarians of the 1930s, writers like Cleanth Brooks and Robert Penn Warren (both also Kentuckians) who ‘took their stand’ against the mainstream of American society, especially the instrumentality of modern American business. However, crucially, Berry, the Appalachian, is not burdened by the southern history of race and slavery. Berry isn’t nostalgic and, indeed, history – aside from genealogy – barely figures in Berry’s writings, especially in his poetry in which there are barely any people at all. Berry is not interested in agrarianism or pre-capitalist economic relations but in the connection of the inviolate, self-contained individual with the state of nature. There’s a pre-lapsarian purity – an idealism – to Berry’s ‘nature’: it’s what he ...

Searching, please wait... animated waiting image