PN Review Print and Online Poetry Magazine
News and Notes
PN Review Prize winners announced
Carcanet Press and PN Review are delighted to announce the winners of the first ever PN Review Prize. read more
Most Read... Drew MilneTom Raworth’s Writing
‘present past improved’: Tom Raworth’s Writing

(PN Review 236)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Alejandro Fernandez-OsorioPomace (trans. James Womack)
(PN Review 236)
Kei MillerIn the Shadow of Derek Walcott
1930–2017

(PN Review 235)
Kate BinghamPuddle
(PN Review 236)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Poems Articles Interviews Reports Reviews Contributors
Gratis Ad 1
Gratis Ad 2
Next Issue CELEBRATING JOHN ASHBERY Contributors include Mark Ford, Marina Warner, Jeremy Over, Theophilus Kwek, Sam Riviere, Luke Kennard, Philip Terry,Agnes Lehoczky, Emily Critchley, Oli Hazard and others Miles Champion The Gold Standard Rebecca Watts The Cult of the Noble Amateur Marina Tsvetaeva ‘My desire has the features of a woman’: Two Letters translated by Christopher Whyte Iain Bamforth Black and White

This review is taken from PN Review 236, Volume 43 Number 6, July - August 2017.

Cover of Doves
Sue LeighBread for the spirit Lachlan Mackinnon, Doves (Faber, 2017) £14.99

Doves is Lachlan Mackinnon’s fifth collection and follows Small Hours (shortlisted for the Forward Prize for Poetry in 2010). Mackinnon is a poet who thinks seriously about the world, and he ranges over love, death, spirituality, philosophy, ecology, science, mathematics and language. His expansive territory encompasses Meinong’s theory of objects, detective fiction, algebra, Shakespeare’s brothers, Humboldt’s parrot, a humanist funeral…

The title poem, in memory of Seamus Heaney, suggests that ‘bread for the spirit’ can be found everywhere in daily life if only we would ‘allow ourselves / to marvel’– as the speaker himself does at the two collared doves that come to his window, ‘a visitation […] of something / unstained and pure’. Heaney’s poetic vision stirs us too to marvel: ‘the country boy’s / gape and gawp at the world […] through which so much / came in to be transfigured’. But we must also consider what makes us civil and humane. ‘Poetry’s task’, the poem concludes, ‘is the marvellous in the ordinary / and losses to be tholed’ (‘thole’, a word of Anglo-Saxon origin and important to Heaney, in the sense ‘to suffer’).

There are elegies for other poets – Joseph Brodsky, Wislawa Szymborska, Dennis O’Driscoll – and also for friends, some of whom remain nameless. The poet frequently converses with the dead (as he did in the moving series of prose poems, ‘The Book of Emma’ in Small Hours). In ‘Nocturne’ he addresses a late friend, ‘bohemian and bookish’, with whom he had lost touch: ‘At our age, when we ...


Searching, please wait... animated waiting image