PN Review Print and Online Poetry Magazine
News and Notes
Digital Access to PN Review
Access the latest issues, plus back issues of PN Review with Exact Editions For PN Review subscribers: access the PN Review digital archive via the Exact Editions app Exactly or the Exact Editions website, you will first need to know your PN Review ID number. read more
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Drew MilneTom Raworth’s Writing ‘present past improved’: Tom Raworth’s Writing
(PN Review 236)
Alejandro Fernandez-OsorioPomace (trans. James Womack)
(PN Review 236)
Kei MillerIn the Shadow of Derek Walcott 1930–2017
(PN Review 235)
Poems Articles Interviews Reports Reviews Contributors
Oxford University Press
Gratis Ad 1
Next Issue Kei Miller on poetry and volume control Parwana Fayyaz's Afghan poems Gabriel Josipovici bids farewell to Aharon Appelfeld Craig Raine plants a flag A.R. Ammons from two angles

This review is taken from PN Review 221, Volume 41 Number 3, January - February 2015.

Keep Coming for the Slam james franco, Directing Herbert White (Graywolf) US$15.00
patricia lockwood, Motherland Fatherland Homelandsexuals (Penguin) US$20.00

For Barack Obama’s second inauguration, Yahoo! News commissioned poems, among them ‘Obama in Asheville’ by the actor James Franco. The response was not glowing: it seems appropriate to ask if Franco’s celebrity explained not his publication, but the derision he encountered. Franco has since played the Wizard of Oz, making the (decent) poem’s suggestion that he play Obama somewhat prophetic, especially as, although he didn’t ‘win the Academy Award’, ‘Oscar’ was his character’s name; now a full collection invites a search behind the curtain of his fame.

Directing Herbert White demands no witch hunt. It is not embarrassingly awful or a vanity project; if Franco is disqualifiable through his job’s inclination towards cynical careerism and the churning out of marketable product, then those poets employed in literary academia should watch their backs. Nor is the book’s obsession with Hollywood intrinsically problematic. ‘Sal Mineo’ (‘Stabbed near his heart / In the heart of Hollywood’) is affecting in its alternately delicate and caustic portrayal of a life gone wrong; the title piece intrigues in being both a love poem to Frank Bidart and a lament for the artist as sequestered eavesdropper.

The problem is that Franco does not distinguish between writing what he knows and writing analytically about that store of knowledge. ‘Acting Tips’, when not sounding like it’s been copied and pasted from IMDb, behaves like this:

I knew the audience
Would have an experience
Because I wouldn’t be telling
Them how I feel, I’d be feeling.

Those are ...

Searching, please wait... animated waiting image