PN Review Print and Online Poetry Magazine
News and Notes
Digital Access to PN Review
Access the latest issues, plus back issues of PN Review with Exact Editions For PN Review subscribers: to access the PN Review digital archive via the Exact Editions app Exactly or the Exact Editions website, you will first need to know your PN Review ID number. read more
PN Review Prize winners announced
Carcanet Press and PN Review are delighted to announce the winners of the first ever PN Review Prize. read more
Most Read... Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Drew MilneTom Raworth’s Writing
‘present past improved’: Tom Raworth’s Writing

(PN Review 236)
Alejandro Fernandez-OsorioPomace (trans. James Womack)
(PN Review 236)
Kei MillerIn the Shadow of Derek Walcott
1930–2017

(PN Review 235)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Kate BinghamPuddle
(PN Review 236)
Poems Articles Interviews Reports Reviews Contributors
Gratis Ad 1
Gratis Ad 2
Next Issue CELEBRATING JOHN ASHBERY Contributors include Mark Ford, Marina Warner, Jeremy Over, Theophilus Kwek, Sam Riviere, Luke Kennard, Philip Terry,Agnes Lehoczky, Emily Critchley, Oli Hazard and others Miles Champion The Gold Standard Rebecca Watts The Cult of the Noble Amateur Marina Tsvetaeva ‘My desire has the features of a woman’: Two Letters translated by Christopher Whyte Iain Bamforth Black and White

This article is taken from PN Review 214, Volume 40 Number 2, November - December 2013.

Edmund Wilson and the Poets Tony Roberts
Edmund Wilson (1895-1972) was the most influential of twentieth-century literary and social critics in America, a journalist in the biographical tradition of Johnson, Arnold and Sainte-Beuve, who energised the magazine columns until the 1960s. A Princeton graduate and friend of F. Scott Fitzgerald, the much-published Wilson was editor at Vanity Fair (1920- 21) and then The New Republic. He also reviewed for The New Yorker and The New York Review of Books.
 
Wilson's blind spot is said to have been poetry. Worse, in an infamous essay from 1934 he wrote of it as a 'dying technique'. At the same time, he wrote occasional poetry himself and contributed some necessary and judicious work on the Modernists in Axel's Castle (1931) and on Civil War poetry in Patriotic Gore (1962), a monumental study of the literature and character of that time, as well as some significant essays in his collections The Shores of Light (1952), Classics and Commercials (1950) and The Bit Between My Teeth (1966). These are the books his reputation lives by and where his contribution to the poetry of his time is remembered.

Wilson's dealings with the poets and poetry of his day are of some interest. It is also fascinating -  from the lofty vantage point of 2013 - to see what a brilliant mind made of the poetry back then. Being wedded to traditional prosodic forms and the canon, he tended to favour the lyric poets of his day, such as Edna St. Vincent Millay, but to stay away from ...


Searching, please wait... animated waiting image