PN Review Print and Online Poetry Magazine
News and Notes
Digital Access to PN Review
Access the latest issues, plus back issues of PN Review with Exact Editions For PN Review subscribers: to access the PN Review digital archive via the Exact Editions app Exactly or the Exact Editions website, you will first need to know your PN Review ID number. read more
PN Review Prize winners announced
Carcanet Press and PN Review are delighted to announce the winners of the first ever PN Review Prize. read more
Most Read... Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Drew MilneTom Raworth’s Writing
‘present past improved’: Tom Raworth’s Writing

(PN Review 236)
Alejandro Fernandez-OsorioPomace (trans. James Womack)
(PN Review 236)
Kei MillerIn the Shadow of Derek Walcott
1930–2017

(PN Review 235)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Kate BinghamPuddle
(PN Review 236)
Poems Articles Interviews Reports Reviews Contributors
Gratis Ad 1
Gratis Ad 2
Next Issue CELEBRATING JOHN ASHBERY Contributors include Mark Ford, Marina Warner, Jeremy Over, Theophilus Kwek, Sam Riviere, Luke Kennard, Philip Terry,Agnes Lehoczky, Emily Critchley, Oli Hazard and others Miles Champion The Gold Standard Rebecca Watts The Cult of the Noble Amateur Marina Tsvetaeva ‘My desire has the features of a woman’: Two Letters translated by Christopher Whyte Iain Bamforth Black and White

This review is taken from PN Review 204, Volume 38 Number 4, March - April 2012.

How to Live? What to Do? peter gizzi, Threshold Songs (Wesleyan University Press) £14.65

Throughout his new collection, Threshold Songs, Peter Gizzi figures mourning as an address to the air, which might be nothing, or a voice, or a song, or a ghost, or just air. 'There is a spike / in the air', begins the first poem:

a distant thrum
you call singing
and how many nights
this giganto, torn
tuned, I wonder if
you hear me
I mean I talk
to myself through you
hectoring air...

Since the publication of The Outernationale (2007), Gizzi has lost his mother, his brother, and one of his closest friends, all of whom are the dedicatees of Threshold Songs. Rather than the impressionistic chronicles of these losses one might expect, these poems constitute an exploratory sounding of the poetic voice from a condition 'beside oneself'. Partaking of an open-hearted, wild lyricism, these poems balance concentrated bursts of elegy with uncommon clarity of perception and resolute humorousness. They project themselves into and from a liminal (cf.limen) lyric nether-space, where 'grief is an undersong' and 'a towering absence vibrating air'. Pitched into the no-man's-land dividing the living and the dead, they work through what it means 'to understand / oneself. With- / out oneself. / How to live. / What to do.' These last two sentences, which round off the collection, are the title of a Wallace Stevens poem. But - strange pairing - they also come from Judith Butler, who writes in ...


Searching, please wait... animated waiting image