PN Review Print and Online Poetry Magazine
Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
Mark FordLetters And So It Goes
Letters from Young Mr Grace
(aka John Ashbery)

(PN Review 239)
Henry Kingon Toby Martinez de las Rivas
(PN Review 244)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
M. Wynn ThomasThe Other Side of the Hedge
(PN Review 239)
Next Issue Beverley Bie Brahic, after Leopardi's 'Broom' Michael Freeman Benefytes and Consolacyons Miles Burrows At Madame Zaza’s and other poems Victoria Kenefick Hunger Strike Hilary Davies Haunted by Christ
Poems Articles Interviews Reports Reviews Contributors
PNR 250 Poetry Archive Banner
Monthly Carcanet Books
PN Review Blog

This review is taken from PN Review 255, Volume 47 Number 1, September - October 2020.

Cover of Marine Cloud BrighteningCover of American FaithCover of The Caiplie Caves
Ian PopleThree Books
The Caiplie Caves, Karen Solie (Picador) £10.99. Marine Cloud Brightening, Medbh McGuckian (Gallery Press) €11.95. American Faith, Maya C. Popa (Sarabande) $15.95

On a very obvious level, these are three books with three very varying forms of address. For Karen Solie, the narrative of these poems is very often couched in a third person, past tense. That grammar establishes the sense of history in the poems, but the direct, uncluttered nature of Solie’s writing means that the history, itself, is very alive. Medbh McGuckian is, perhaps, sometimes pigeon-holed as a writer of a kind of ecriture feminine. That writing often uses a simple present tense, the effect of which is to present what might appear to be somewhat mystical states and statements, very directly and forcefully. With McGuckian, you get the idea that sentences and actions are one and same; the writing is the state. Maya C. Popa’s debut volume, American Faith, falls between these two writers; sometimes there is a present tense directness in which process is enacted. And sometimes there is a narrative, usually of a very personal kind, which the reader is invited to share.

Karen Solie’s The Caiplie Caves is a large compendious book weighing in at some 120 pages. At its centre is the story of St Ethernan, a seventh-century Irish missionary to Scotland who retreats to the eponymous caves to decide whether to pursue a communal or a solitary life. On that level, the book offers a reimagining of a life lead some thirteen hundred years ago. But Solie threads through the book other narratives. ...


Searching, please wait... animated waiting image