Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Hal Coase 'Ochre Pitch' Gregory Woods 'On Queerness' Kirsty Gunn 'On Risk! Carl Phillips' Galina Rymbu 'What I Haven't Written' translated by Sasha Dugdale Gabriel Josipovici 'No More Stories' Valerie Duff-Strautmann 'Anne Carson's Wrong Norma'
Poems Articles Interviews Reports Reviews Contributors
PN Review 276
PN Review Substack

This poem is taken from PN Review 47, Volume 12 Number 3, January - February 1986.

At Badgers Mount Brian Jones

1

The images that others have of us
sustain and kill. When I left one gallery
twenty years long and found a flaking
caravan flimsy under tapping apple-boughs,
they paused at the broken gate, the walkers,
and coloured my desolation with their eyes -
a bronzed romantic in his peace-camp,
dropped-out and speculative.
Did he feel substantial, too, and wholesome,
the landowner, to see me picturing him
richly hauling a winter's heat from woods
in silvered lengths? And his wife, brooding
earth-motherly over vegetables in the kitchen?
But for all comes night, and its gallery of mirrors.

2

Hugging the existence of the last voice
on the emptying wavebands, I survey the dozen
...


Searching, please wait... animated waiting image