Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Hal Coase 'Ochre Pitch' Gregory Woods 'On Queerness' Kirsty Gunn 'On Risk! Carl Phillips' Galina Rymbu 'What I Haven't Written' translated by Sasha Dugdale Gabriel Josipovici 'No More Stories' Valerie Duff-Strautmann 'Anne Carson's Wrong Norma'
Poems Articles Interviews Reports Reviews Contributors
PN Review 276
PN Review Substack

This poem is taken from PN Review 76, Volume 17 Number 2, November - December 1990.

Four Poems P.J. Kavanagh
Four Poems

JANUARY EVENING

It is the métier and, after all, self-chosen,
To waste a day and fail to find expression
For morning's special frisk, the way brass trees
Leaped from ribbed ground, and one-side frozen
Molehills were white-breasted, like still plovers.
To know the harsh imperative to praise,
Not to placate a god that made these treasures,
Without a motive, save necessity's.

And not one word, of fear, of jubilation
At a quick, kind unveiling, no good word spoken:
Of fear, because the page bears no true mark
And light is lost. But never lost, the soul's
Necessity to praise, and hills of moles,
White-breasted, still as plovers, roost in dark.
...


Searching, please wait... animated waiting image