Most Read... Rebecca WattsThe Cult of the Noble Amateur
(PN Review 239)
John McAuliffeBill Manhire in Conversation with John McAuliffe
(PN Review 259)
Eavan BolandA Lyric Voice at Bay
(PN Review 121)
Patricia CraigVal Warner: A Reminiscence
(PN Review 259)
Vahni CapildeoOn Judging Prizes, & Reading More than Six Really Good Books
(PN Review 237)
Tim Parksin conversation with Natalia Ginzburg
(PN Review 49)
Next Issue Hal Coase 'Ochre Pitch' Gregory Woods 'On Queerness' Kirsty Gunn 'On Risk! Carl Phillips' Galina Rymbu 'What I Haven't Written' translated by Sasha Dugdale Gabriel Josipovici 'No More Stories' Valerie Duff-Strautmann 'Anne Carson's Wrong Norma'
Poems Articles Interviews Reports Reviews Contributors
PN Review 276
PN Review Substack

This poem is taken from PN Review 154, Volume 30 Number 2, November - December 2003.

An American Hero Stanley Moss


It wasn't all smell of Adirondack lilac
and flowering chestnut trees along Broadway
in the spring of 1824.
Human sewers, mostly Negroes, carried waste in tubs
at night to the Hudson and East Rivers, James Hewlett,
said to be an ex-slave, self-purchaser, ex-tubman -
once pedestrians could smell him from half a block away.
I pick his pocket. Ex-houseboy to English actors,
he leapt up like a wildcat - then like a witch
joined a Shakespeare theatre of ex-slaves,
billed himself 'Vocalist and Shakespeare's Proud Representative'.
I pick his pocket.
He played Richard the Third and Othello,
sang Il Barbieri, La Marseillaise, and 'O!
say not that woman's love is bought' in one evening.
In royal silks, Mr Hewlett recited:
...


Searching, please wait... animated waiting image