|
Rowland Bagnall
|
on Alice Oswald
(2019)
|
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|
Skyspaces (2022)
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|
D.H. Lawrence’s Birds, Beasts and Flowers at 100 (2023)
|
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|
Anthony Bailey
|
Word-Stock (1984)
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Moonstruck: Samuel Palmer (1988)
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Iain Bamforth
|
Underground Man (1995)
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Chekhov in Sakhalin (1995)
|
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Risking the Metaphor (1996)
|
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Is There Life on Earth? (1997)
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The Human Position (1997)
|
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Learning to Sprawl (1998)
|
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|
Paris, France: an afternoon with Mavis Gallant (1999)
|
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The E-Word and History with a Big H (2002)
|
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Iliads of Abject Europe (2003)
|
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Self-Made Man: Kafka and America (2004)
|
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Notes from the Sea-Bed (2004)
|
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The Future of the Walk (2005)
|
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|
A Lance for Hire: Four Hundred Years of Don Quixote (2005)
|
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|
The Dog It Was That Died (2006)
|
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|
The Continuing Adventures of Mr Ross Hall, Esq. (& Madam Zell) (2006)
|
|
|
On the Senses Considered as Perceptual Systems (2008)
|
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|
The Ayrshire Orpheus (2010)
|
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Catchwords 11 (2011)
|
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Catchwords 12 (2011)
|
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Smell and the Moral Sentiments (2011)
|
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|
Stendhal's Syndrome (2011)
|
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|
Catchwords 13 (2012)
|
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Catchwords 14 (2012)
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Catchwords 15 (2012)
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Catchwords 16 (2012)
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Catchwords 17 (2012)
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Catchwords 18 (2012)
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Catchwords 19 (2013)
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Catchwords 20 (2013)
|
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Catchwords 21 (2013)
|
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Catchwords 22 (2013)
|
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|
Insomnia (2014)
|
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|
Catchwords 23 (2014)
|
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Catchwords 24 (2014)
|
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Catchwords 25 (2014)
|
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The Upas Tree (2014)
|
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Catchwords 26 (2015)
|
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|
Fernando Pessoa in Lisbon (2016)
|
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|
A Very Little Ice Age: Impersonal Violence & Mental Recovery (2017)
|
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|
Taratantara! (2017)
|
|
|
Into the Blue (2017)
|
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Black and White (2018)
|
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Lou and Fritz (2018)
|
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|
Animal Spirits (2019)
|
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|
Animal Spirits: 2 (2019)
|
|
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On the Surface of Events (2020)
|
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Animal Spirits 3 (2020)
|
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Animal Spirits IV (2021)
|
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Fern Fancying (2021)
|
|
|
Nietzsche’s style guide (2021)
|
|
|
Other Tongues: (2022)
|
|
|
Stephen Bann
|
The Case for Stokes (and Pater) (1979)
|
|
|
Barthes Britannicus (1979)
|
|
|
Preface (1980)
|
|
|
Foucault's Silence (1982)
|
|
|
Julia Kristeva: Genealogist (1984)
|
|
|
Finlay's Fane: Metamorphoses at Stonypath (1985)
|
|
|
Genesis of the Subject (1986)
|
|
|
George Barker
|
Poetry and Contemporaray Inertia (1932) (1983)
|
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|
James Joyce (1942) (1983)
|
|
|
T. S. Eliot (1983)
|
|
|
Jonathan Barker
|
The 'Essays' (1983)
|
|
|
'Cerne Abbas is a name I like' C.H. Sisson and Place (1984)
|
|
|
Sebastian Barker
|
Bringing God down to Earth (1983)
|
|
|
Djuna Barnes
|
When the Puppets Come to Town (introduced by Rebecca Loncraine) (2004)
|
|
|
Trevor Barnett
|
A Tapestry of Words: On the Enduring Power of Pere Gimferrer’s Fortuny (2016)
|
|
|
Mirrors and music (2020)
|
|
|
Peter Barry
|
The Apple of Theory (1986)
|
|
|
An Academic Discipline Foresees its Death (2007)
|
|
|
R.L. Barth
|
Winter on Winters: Nine Letters to Allen Tate (2000)
|
|
|
Edward Baugh
|
'The Pain of History Words Contain' (2010 W.P. Ker Lecture, Glasgow) (2010)
|
|
|
Marcel Bénabou
|
From Simplistic Ethic (2021)
|
|
|
Simone de Beauvoir
|
Voices (1984)
|
|
|
Calvin Bedient
|
Absentist Poetry: Kinsella, Hill, Graham, Hughes (1977)
|
|
|
Jack Beeching
|
A Brief Memoir of Edgell Rickword (1979)
|
|
|
Patricia Beer
|
from The Kings of the Sea (1988)
|
|
|
Finding a Voice (1989)
|
|
|
David Bellos
|
Perec's Puzzling Style (1989)
|
|
|
Catherine Belsey
|
Anti-Imperative: Questioning the Old Order (1986)
|
|
|
Gottfried Benn
|
Goethe and the Natural Sciences (translated by Iain Bamforth) (1997)
|
|
|
Sheri Benning
|
Dollhouse (2008)
|
|
|
Come: I will follow you (2009)
|
|
|
Dollhouse on Fire (2019)
|
|
|
from Let Them Rest (2022)
|
|
|
To Glasgow (2023)
|
|
|
Emily Benton
|
in conversation with Marie Boulanger, Intelligent Design, cover (2020)
|
|
|
Tara Bergin
|
The Hard Mind of C.H. Sisson (2014)
|
|
|
Greenish Silks: Reading Eavan Boland’s ‘Silenced’ (2014)
|
|
|
Honey (2023)
|
|
|
Bernard Bergonzi
|
The Terry Eagleton Story (1984)
|
|
|
Discovering Davie (1992)
|
|
|
The Problem of War Poetry (1992)
|
|
|
Eliot, Julius and the Jews (1996)
|
|
|
An English Poet Reads Wallace Stevens (2008)
|
|
|
Wendell Berry
|
Reading Kathleen Raine (2000)
|
|
|
John Betjeman
|
on Edgell Rickword (1979)
|
|
|
C. W. E. Bigsby
|
Richard Wright and his Blueprint for Negro Writing (1981)
|
|
|
Paul Binding
|
Sylvia Townsend Warner and Mr Fortune's Maggot (1982)
|
|
|
Clyde Binfield
|
Another Note on Non-Conformists (1979)
|
|
|
On the Nonconformist Conscience (1982)
|
|
|
Hindead Highmindedness (III) (1986)
|
|
|
Hindhead Highmindedness (part 2) (1986)
|
|
|
Hindhead Highmindedness (1986)
|
|
|
Dinah Birch
|
Alison Brackenbury (1985)
|
|
|
Judith Bishop
|
A Soul at the “White Heat” (2023)
|
|
|
Andrew Biswell
|
From the Anthony Burgess Archive (2015)
|
|
|
From the Burgess Archive (2015)
|
|
|
From the Burgess Archive (03) (2016)
|
|
|
From the Burgess Archive (05) (2016)
|
|
|
From the Burgess Archive (2016)
|
|
|
From the Burgess Archive (2016)
|
|
|
Readings (2018)
|
|
|
Julia Blackburn
|
The Production of Silk (1990)
|
|
|
Concerning Pigs (1990)
|
|
|
Ave atque vale (1994)
|
|
|
Hooked on a Dab of Song: R.F. Langley's Journals (2007)
|
|
|
Peter Bland
|
Wellington in the 1950s: a literary recollection (1994)
|
|
|
Peter Blegvad
|
Teacher (2018)
|
|
|
Rachael Boast
|
Ekphrastic Vistas: Poetry and the Portrait (2015)
|
|
|
Eavan Boland
|
Outside History (1990)
|
|
|
Time, Memory and Obsession (1991)
|
|
|
The Woman, The Place, The Poet (1991)
|
|
|
Broken Trust (1992)
|
|
|
The Serinette Principle: The Lyric in Contemporary Poetry (1993)
|
|
|
Poetry the Hard Way (1994)
|
|
|
Making the Difference: Eroticism and Ageing in the work of the Women Poet (1994)
|
|
|
Gods Make their own Importance (1995)
|
|
|
Letter to a Young Woman Poet (1997)
|
|
|
Reading Adrienne Rich (1997)
|
|
|
A Lyric Voice at Bay (1998)
|
|
|
Two Worlds (2001)
|
|
|
Virtual Syntax, Actual Dreams (2003)
|
|
|
A Broken Connection (2004)
|
|
|
From Courts and Alcoves: On Jane Stevenson's Women Latin Poets (2006)
|
|
|
Preface to Irish Writers on Irish Writing (2007)
|
|
|
Islands Apart (2008)
|
|
|
The Poet's Total Involvement: Denise Levertov (2013)
|
|
|
A Woman Without a Country (2014)
|
|
|
A Woman Without a Country: A Detail (2014)
|
|
|
Yves Bonnefoy
|
The Hinterland (Chapter 1 translated by Stephen Romer) (1998)
|
|
|
Giacometti and Cartier-Bresson (translated by Anthony Rudolf) (2005)
|
|
|
The Shining Space (translated by Beverley Bie Brahic) (2010)
|
|
|
from Rue Traversière et autres récits en rêve Translated by Beverley Bie Brahic (2012)
|
|
|
(tr. John Naughton) The Tombs of Ravenna (2015)
|
|
|
Jorge Luis Borges
|
The Divine Comedy (translated by Eliot Weinberger) (1985)
|
|
|
Poetry (1985)
|
|
|
John Bowker
|
Liturgy and Drama (1980)
|
|
|
Patrick Bowles
|
'How to Fail' (1994)
|
|
|
Paul Bowles
|
Unwelcome Words (1987)
|
|
|
A.T. Boyle
|
Gymnasium (2023)
|
|
|
Alison Brackenbury
|
The Muse and the Mouse (2003)
|
|
|
Mind the Gap: the Poem and the Radio (2004)
|
|
|
'The Water is Wide': Did English Folk Song Sink? (1: Poets) (2005)
|
|
|
'The Water is Wide': Did English Folk Song Sink? (2: Singers) (2005)
|
|
|
The Mummers Return (2009)
|
|
|
Matías Serra Bradford
|
Red Herrings and Other Distractions: Borges in Conversation (2010)
|
|
|
Beverley Bie Brahic
|
Broom, or The Flower of the Desert (2021)
|
|
|
Colin Bramwell
|
A Parochial Pessoa (2022)
|
|
|
Francesca A. Bratton
|
Edgell Rickword and The Calendar of Modern Letters (2020)
|
|
|
Diego Bravo
|
On Learning English (2015)
|
|
|
Marcia Brennan
|
Living with the Living (2009)
|
|
|
Tragic Dreams and Spectral Doubles: The Metaphysical Lincoln (2009)
|
|
|
Derek Brewer
|
Liturgy: Need and Frustration (1980)
|
|
|
Diana Bridge
|
Unstated Empson (2020)
|
|
|
D.G. Bridson
|
Conrad Aiken's 'Ushant' (1979)
|
|
|
Ian Brinton
|
Black Mountain in England 1 (2005)
|
|
|
Black Mountain in England (2): Chris Torrance (2005)
|
|
|
Black Mountain in England (3) (2006)
|
|
|
Black Mountain in England (4): Andrew Crozier (2006)
|
|
|
Black Mountain in England 5: Edward Dorn (2006)
|
|
|
Black Mountain in England 6 (2007)
|
|
|
England in the Sixties (2011)
|
|
|
Jack Spicer's Words: 'God Must Have a Big Eye' (2011)
|
|
|
Andrew Crozier, The English Intelligencer and The Wivenhoe Park Review (2012)
|
|
|
A Collection for Peter Riley (2012)
|
|
|
'Space Made Articulate': The Poetry of Tim Longville (2013)
|
|
|
'Components Arranged in Space': The Poetry of John Riley (2013)
|
|
|
Grosseteste in Two Chapters (2020)
|
|
|
Grosseteste Part 2 (2021)
|
|
|
Christine Brooke-Rose
|
Fighting Windmills (1986)
|
|
|
Cheng Ming Chi'i'd (1987)
|
|
|
Remaking (1997)
|
|
|
James Brookes
|
Peripheral Stakes: C.H. Sisson and David Jones (2014)
|
|
|
Mark William Brown
|
Ivor Gurney and Edward Thomas: A Distinction (1995)
|
|
|
Walter Bruno
|
Once more on Value and English Lit. (2020)
|
|
|
Sam Buchan-Watts
|
‘Fun with Friends’: Collaboration and the New York School (2015)
|
|
|
Georg Büchner
|
Writing with a Scalpel (translated with a preface by Iain Bamforth) (2000)
|
|
|
Jonathan Buckley
|
Dada in England (1982)
|
|
|
The Forest and the Revolution (1982)
|
|
|
Olivier Burckhardt
|
Gao Xingjian: The Voice of One in the Wilderness (2001)
|
|
|
Anthony Burgess
|
Two Previously Unpublished Essays (2018)
|
|
|
Carolyn Burke
|
What's in a Name? or, Mina/Myrna/Muna (2000)
|
|
|
John Burnside
|
Apocrypha (1988)
|
|
|
Urphänomen (1991)
|
|
|
A Conversation with Linda Gregerson (2009)
|
|
|
Dan Burt
|
Certain Windows (2010)
|
|
|
Evidence of a Fool (2017)
|
|
|
Every Wrong Direction (2018)
|
|
|
Boot Camp (2023)
|
|
|
Stephen Burt
|
Randall Jarrell: Time, Verse, and the Sense of the Self (2002)
|
|
|
Transatlantic Disconnections, or, The Poetry of the Hypotenuse (2009)
|
|
|
Response to Michael Anania (2010)
|
|
|
Without Evidence (2011)
|
|
|
Liberals: Carl Dennis and Richard Howard (2015)
|
|
|
Steve Burt
|
The Dark Garage with the Garbage: Louise Glück (1999)
|
